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Trapped, Series Finale, BBC Four

Mark Sanderson Sunday, 13 March 2016

A Nordic noir that began in a blazing fish factory was bound to have lots of red herrings. Trapped, however, did not cheat and eventually revealed not only who set the fire but who was the father of Maggi, the ginger cutie waiting ever so patiently for his gift of a red fire engine.

Virtuoso Violinists at the BBC, BBC Four

Marina Vaizey Saturday, 12 March 2016

Virtuoso Violinists was an hour of unalloyed informative pleasure that toured televised highlights of great violinists playing great music. Its painless excursion into the western classical canon reminded us why the BBC is the NHS of culture, and we delighted here in a guide who proved as accomplished a presenter as she is a performer of genius.

Dunblane: Our Story, BBC Two

Veronica Lee Thursday, 10 March 2016

For anyone living in the UK at the time, the Dunblane massacre on 13 March 1996 was an event so seared into their minds that they can remember exactly where they were when the shocking news came through.

The Prosecutors: Real Crime and Punishment, BBC Four

Jasper Rees Wednesday, 09 March 2016

Murder is entertainment, which is why crime and the legal process are on television every night. But where drama and documentary focus on criminals and the police who catch them – and the barristers who cross-examine them in court – vanishingly little attention is paid to the worker bees of the legal process. That's partly because the Crown Prosecution Service is a shy organisation.

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George Martin (1926-2016), record producer and 'fifth Beatle'

james Woodall Wednesday, 09 March 2016

For many pop-pickers, the presiding image of the Queen’s Golden Jubilee will be Brian May (he – yes, of course – of Queen) grinding out the national anthem on the roof of Buckingham Palace. For me, there was a much more meaningful moment later the same evening when Paul McCartney, Her Majesty and a tall grey-haired man gathered on the party stage, rubbing shoulders and so magically recreating a little trope of our recent cultural history.

Doctor Thorne, ITV

Adam Sweeting Monday, 07 March 2016

As the camera lingered lovingly over landscaped gardens and ravishing English countryside with a stately home parked squarely in the back of the frame, one could hardly avoid slipping into a Downtonesque reverie. Even more so when the assembled posh personages arrayed prettily on the greensward began to discuss marriage and inheritance, triggering echoes of the fabled Downton "entail".

Land of Hope and Glory, BBC Two

Marina Vaizey Saturday, 05 March 2016

The weekly magazine Country Life was founded in 1897, and is now perhaps improbably owned by Time Inc UK. Its popular image among people who do not necessarily ever look at it is defined by the famous (or infamous) girls in pearls: those portraits of well-groomed fiancées, a kind of weekly visual equivalent of – say – Desert Island Discs for prosperous young aristos, which introduce the articles of each issue.

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Shetland, BBC One

Barney Harsent Friday, 04 March 2016

It has been said of Shetland, the BBC crime drama based on the novels of Ann Cleeves, that it displays the somnambulant spirit of many of its Nordic contemporaries, while being caught in the traditional traps of homegrown detective dramas.

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Murder: The Third Voice, BBC Two

Jasper Rees Friday, 04 March 2016

Three and a half years ago the writer Robert Jones and producer Kath Mattock came at the crime genre from an unusual angle. Instead of having characters in a murder case talk to one another, they all addressed the camera directly, each offering their own apparently unmediated viewpoint. The title took its cue from the direct style: Murder. Murder: Joint Enterprise won a Bafta.

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Grantchester, Series 2, ITV

Adam Sweeting Thursday, 03 March 2016

Author James Runcie (son of the former Archbishop of Canterbury) hit on a cunning formula with his Grantchester Mysteries. Since the British are incurably addicted to maverick detectives, country house mysteries, clergymen who are part-time sleuths and foul deeds in the heart of the English countryside, why not just repackage the lot like a larcenous Greatest Hits? Take one cleric, add one copper, plant 'em in the Grantchester meadows... Now That's What I Call Crime!