thu 09/10/2025

tv

The Prosecutors: Real Crime and Punishment, BBC Four

Jasper Rees

Murder is entertainment, which is why crime and the legal process are on television every night. But where drama and documentary focus on criminals and the police who catch them – and the barristers who cross-examine them in court – vanishingly little attention is paid to the worker bees of the legal process. That's partly because the Crown Prosecution Service is a shy organisation.

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George Martin (1926-2016), record producer and 'fifth Beatle'

james Woodall

For many pop-pickers, the presiding image of the Queen’s Golden Jubilee will be Brian May (he – yes, of course – of Queen) grinding out the national anthem on the roof of Buckingham Palace. For me, there was a much more meaningful moment later the same evening when Paul McCartney, Her Majesty and a tall grey-haired man gathered on the party stage, rubbing shoulders and so magically recreating a little trope of our recent cultural history.

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Doctor Thorne, ITV

Adam Sweeting

As the camera lingered lovingly over landscaped gardens and ravishing English countryside with a stately home parked squarely in the back of the frame, one could hardly avoid slipping into a Downtonesque reverie. Even more so when the assembled posh personages arrayed prettily on the greensward began to discuss marriage and inheritance, triggering echoes of the fabled Downton "entail".

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Land of Hope and Glory, BBC Two

Marina Vaizey

The weekly magazine Country Life was founded in 1897, and is now perhaps improbably owned by Time Inc UK. Its popular image among people who do not necessarily ever look at it is defined by the famous (or infamous) girls in pearls: those portraits of well-groomed fiancées, a kind of weekly visual equivalent of – say – Desert Island Discs for prosperous young aristos, which introduce the articles of each issue.

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Shetland, BBC One

Barney Harsent

It has been said of Shetland, the BBC crime drama based on the novels of Ann Cleeves, that it displays the somnambulant spirit of many of its Nordic contemporaries, while being caught in the traditional traps of homegrown detective dramas.

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Murder: The Third Voice, BBC Two

Jasper Rees

Three and a half years ago the writer Robert Jones and producer Kath Mattock came at the crime genre from an unusual angle. Instead of having characters in a murder case talk to one another, they all addressed the camera directly, each offering their own apparently unmediated viewpoint. The title took its cue from the direct style: Murder. Murder: Joint Enterprise won a Bafta.

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Grantchester, Series 2, ITV

Adam Sweeting

Author James Runcie (son of the former Archbishop of Canterbury) hit on a cunning formula with his Grantchester Mysteries. Since the British are incurably addicted to maverick detectives, country house mysteries, clergymen who are part-time sleuths and foul deeds in the heart of the English countryside, why not just repackage the lot like a larcenous Greatest Hits? Take one cleric, add one copper, plant 'em in the Grantchester meadows... Now That's What I Call Crime!

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Churchill's Secret, ITV

Tom Birchenough

When it comes to losing power, and powers failing, Michael Gambon has once again proved himself the ruler of choice.

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Bolshoi Babylon, BBC Four

Jenny Gilbert

Here’s a paradox. Just as the words “new Cold War” were beginning to form on the lips of political commentators in the West, two British film-makers, former TV newsmen no less, were being granted uncensored access to the Bolshoi Theatre – just 500 metres from the Kremlin – to make a candid documentary for HBO. Their cameras didn't stop turning for four months.

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Eurovision: You Decide, BBC Four

Mark Sanderson

It was all a far cry from the Leeds Piano Competition. Shunted on to BBC Four after the disappearance of BBC Three to online, Eurovision: You Decide nevertheless remained true to its new channel’s original remit. In today’s no-brow, morally neutral multiverse it would be churlish to point out the thoughts that it encouraged were entirely dirty ones.

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