thu 22/05/2025

tv

Happy Valley, Series 2, BBC One

Jasper Rees

“It’s routine, it’s procedure.” “It’s wank, it’s toss.” As you can tell, Happy Valley is back. If Sally Wainwright made bespoke ironmongery or dry stone walls or exceedingly good cakes, her work would come by royal appointment.

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Horace and Pete

Barney Harsent

“Warning: this show is not a ‘comedy,’” wrote comedian Louis CK in an email alerting fans to the impending arrival of the second episode of his new show, Horace and Pete. “I dunno what it is. It can be funny. And also not. Both. I believe that ‘funny’ works best in its natural habitat. Right in the jungle along with ‘awful’, ‘sad’, ‘confusing’ and ‘nothing.’”

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The X-Files, Channel 5

Lisa-Marie Ferla

It’s 2016, and The X-Files is the most popular TV show in the world. The very idea that over 20 million people in the US would tune in to a new episode of the pioneering sci-fi drama 14 years after the last one might seem as preposterous as the conspiracy theories the show put forward in its later years, but it was probably more likely than fans in the UK hanging on for the fortnight it took for the new episodes to show up on Channel 5.

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War and Peace, Series Finale, BBC One

David Nice

At the end of Episode Five, Brian Cox's savvy old Field-Marshal Kutuzov gave the order to retreat and abandon Moscow, with hardly a hint of Tolstoy's council of war.

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Cats v Dogs, BBC Two

Marina Vaizey

This slightly ludicrous programme is really a chance to see a charming range of dogs and cats, based on an assumption that by comparing cats and dogs we humans can decide which species is best. But best for what? As pets, domestic companions, survivors in the human jungle?

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Camila's Kids Company: The Inside Story, BBC One

Adam Sweeting

In 2005, Lynn Alleway made a film about Kids' Company founder Camila Batmanghelidjh called Tough Kids – Tough Love. In June last year, Alleway was invited to film her again. It wasn't spelled out in this new documentary, but you'd have to assume Batmanghelidjh was hoping to enlist some sympathetic media coverage, since the management and funding of Kids Company was coming under a gathering crescendo of scrutiny.

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Rise of the Superstar Vloggers, BBC Three

Jasper Rees

This debate about the future of the BBC might be missing the point. In the black corner scowls the Dark Lord of Swingeing Arts Cuts John Whittingdale, while in the fluffy corner is everyone who doesn’t want anything to change. By their “I heart Lyse Doucet” shall you know the latter. We’re all of us, on both sides of the fence, of a certain vintage. The kids, who like it or not seem an absolute dead-cert shoo-in to inherit the future, haven’t got a dog in this fight. Why?

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The Good Wife, Series 7, More4 / The Nightmare Worlds of HG Wells, Sky Arts

Adam Sweeting

Seventh series (★★★★) of the superior legal drama (still perversely tucked away on the obscurantist More4), and Alicia Florrick is having to get back to legal basics. Having been blown up by a political landmine in series six, as she made an ill-fated attempt to become State's Attorney, she's now trying to start her own law firm from home and scuffling for work.

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The Real Marigold Hotel, BBC Two

Marina Vaizey

One novel and two movies, but the BBC cheekily claims that this three-part series was inspired by Deborah Moggach’s 2004 novel These Foolish Things, and the pair of films The Best Exotic Marigold Hotel – but not related. How did the programme-makers come up with this, and keep a straight face?

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Endeavour, Series 3 Finale

Mark Sanderson

We have been here before – literally. Morse and his colleagues discreetly observe a gangster’s funeral in Kensal Green cemetery – just as they did in Promised Land, one of the best episodes of Inspector Morse, first broadcast in March 1991. A quarter of a century has passed (along with John Thaw) yet ITV are still trying to breath new life into the ratings warhorse.

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