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Deep Water, BBC Four

Mark Sanderson Sunday, 13 November 2016

Australian drama has come on in leaps and bounds since Skippy the Bush Kangaroo, The Sullivans and Prisoner: Cell Block H. While Neighbours and Home and Away continue to play in the sand, other shows – The Secret Life of Us, The Dr Blake Mysteries and Cloud Street – display more ambition. Their reach may sometimes exceed their grasp but that’s what TV is for.

Close to the Enemy, BBC Two / Paranoid, Series Finale, ITV

Adam Sweeting Friday, 11 November 2016

We last encountered Stephen Poliakoff on TV in 2013's Dancing on the Edge, which provoked mixed reactions (not least on theartsdesk). That was the story of a black jazz band in 1930s London, who played gigs at swanky hotels. Close to the Enemy (★) is set in London just after the end of World War Two, and happens to feature a jazz band with a black singer who perform in a once-swanky hotel somewhat gone to seed.

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Damilola: Our Loved Boy, BBC One

Veronica Lee Tuesday, 08 November 2016

The most poignant moment in Damilola: Our Loved Boy came when Richard Taylor visited the scene where his 10-year-old child was killed. “Is this where my son died?” he cried, horrified at the thought that his beautiful boy's life ended in a dirty stairwell on a scruffy estate, where he bled to death after being attacked by a group of older boys; a broken bottle severed a main artery.

Poldark, Series 2 Finale / Planet Earth II, BBC One

Jasper Rees Monday, 07 November 2016

So, a rough tally. We’ve had a trial, a near suicide, a punch-up, death by drowning, a near bankruptcy, a tin rush, another punch-up, a baby, a probable rape, a riot, another baby, and another one on the way, possibly a product of that probable rape. And more. Poldark (★★★), in the delivery of incident upon full-blooded incident, could be accused of many things, but it will not die wondering.

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The Crown, Netflix

Adam Sweeting Saturday, 05 November 2016

Peter Morgan can't get enough of Her Majesty. Ten years ago he wrote The Queen (with Helen Mirren starring), in 2013 he brought us the stage play The Audience (Dame Helen, again), and now he's written all 10 episodes of this first series of Netflix's royal juggernaut, The Crown.

Conspiracy Files: The Trump Dossier, BBC Two

Barney Harsent Friday, 04 November 2016

So we’re less than a week away from America’s choice. Many in the States have presented it as a kind of Sophie’s Choice – an unbearable outcome no matter who they choose. On the one hand they have a racist, sexist, braggart bully who has been named in at least 169 federal lawsuits and is due to appear in court over allegations of child rape, while on the other, they have a professional politician who can’t use email properly. It must be agonising for them.

The Choir: Gareth's Best in Britain, BBC Two

Marina Vaizey Wednesday, 02 November 2016

Got Soul! Honeybelles! Mums in Durham! Three shortlisted finalists from the north and Scotland. Along the way we – and Gareth Malone – were sung to by the Mancunian Rhythm of Life, not to mention Too Many Cooks in Inverness, and a septuagenarian all-male group from Malton kept in order by a retired schoolmistress, who had evolved into a disciplined conductor – and had a fit of the giggles when faced with Mr Malone.

Dark Angel, ITV

Adam Sweeting Tuesday, 01 November 2016

Having served her time as dutiful, self-effacing Anna Bates in Downton Abbey, here's Joanne Froggatt grasping with both hands the role of Mary Ann Cotton, "Britain's first female serial killer". No more wearing herself out desperately trying to save Mr Bates from the gallows. This time she's turning the tables, and making sure useless men aren't going to hold her back any longer.

Humans, Series 2, Channel 4

Jasper Rees Monday, 31 October 2016

Humans is of course not about humans. Or not mainly. But if Channel 4 had called it Synths, which is what/who it is mainly about, maybe fewer would have signed up to watch, presuming it to be an eight-part series about Eighties pop. Synths, if you missed series one, are a species of robotic service provider with a humanoid appearance who perform menial tasks like scrubbing, babysitting and issuing parking fines.

Nicky and Wynton: The Making of a Concerto, BBC Four

Marina Vaizey Saturday, 29 October 2016

Two personable musicians, who win on all fronts: at the pinnacle of their highly competitive and skilled professions, highly articulate, and perhaps unlikely partners in their art. In one corner, ladies and gentlemen, the composer, world-leading jazz trumpeter, teacher, head of Lincoln Center Jazz, the New Orleans-born Wynton Marsalis, 55.