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Planet Earth II: Cities, BBC One

Marina Vaizey Monday, 12 December 2016

Cities, the fastest growing habitats in the history of the world, provided the subject for the sixth and final programme in Planet Earth II, the series that came a decade after the original Planet Earth programmes set new standards for television coverage of wildlife and nature.

Vienna: Empire, Dynasty and Dream, BBC Four

Marina Vaizey Friday, 09 December 2016

Ebullient, prolific, loquacious and a charmingly enthusiastic historian both in print and for television, Simon Sebag Montefiore has turned his attention to the pivotal city of Vienna, nourished equally by the Danube and its central geographical position in Europe.

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In Plain Sight, ITV

Jasper Rees Thursday, 08 December 2016

Another week, another serial killer on prime time. In Dark Angel we had the grim story of Mary Ann Cotton, the Victorian poisoner who killed her husbands for the insurance. Meanwhile John Christie continues his grim work in Rillington Place. And now In Plain Sight introduces another chilling psychopath going about his business.

Slum Britain: 50 Years On, Channel 5

Barney Harsent Wednesday, 07 December 2016

In the late 1960s, photographer Nick Hedge travelled the country, documenting some truly horrific housing conditions and the people who were forced to live in them. He photographed entire families living in one room with no heating or access to running water – people who had almost literally nothing. These weren’t isolated people on the fringes of society, these were communities, for many of those involved, this was normal.

This Is Us, Channel 4

Mark Sanderson Wednesday, 07 December 2016

Any show that starts with a shot of a naked bubble-butt is likely to grab the attention – especially when it belongs to Milo Ventimiglia – but, alas, the barefaced cheek of this opening gambit becomes all too symbolic. This Is Us scrapes the bottom of the barrel of American TV drama. However, its saving grace could be that it does so with irony – there are 17 more episodes to come.

The Missing, Series 2 Finale, BBC One

Adam Sweeting Thursday, 01 December 2016

Anyone hoping for a few laughs and a nice bit of catharsis after enduring the eight unstintingly miserable episodes of The Missing would have got none of the former and hardly any of the latter.

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Rillington Place, BBC One

Mark Sanderson Wednesday, 30 November 2016

Howard Brenton (Christie in Love) and Ruth Rendell (Thirteen Steps Down) are just two of the many writers inspired by the sordid goings-on in 1940s Notting Hill. John Reginald Christie was a postman, a policeman and a psychopath who, as a back-street abortionist, enjoyed killing for company. A fantasist with an iron grip, he ensured that his lodger, Tim Evans, was the first to be hanged for his crimes.

MPs: Behind Closed Doors, Channel 5

Barney Harsent Tuesday, 29 November 2016

TV can be a powerful tool of redemption. Take Strictly Come Dancing – anything that can shift perception of Ann Widdecombe from poisonous homophobe to innocuous have-a-go hero is dark, dark magic indeed. Just this week, the Strictly dancefloor has finally bid goodbye to Ed Balls after housing him for almost as long as the role of Shadow Home Secretary, and society is opening its arms to him – a politician with a reputation as a ruthless bully.

The Brits Who Designed the Modern World, BBC Two

Marina Vaizey Sunday, 27 November 2016

The Kenwood Chef! Intercity 125! Kodak Instamatic! Wilkinson Sword disposable razors! Bus shelters! Parking meters! They were all designed by a British genius, Sir Kenneth Grange, who appeared here as the subject of a short and disarmingly confident interview, intiating a series of such interviews.

Walliams & Friend, BBC One

Jasper Rees Saturday, 26 November 2016

The sketch format goes in and out of favour. It was huge in the 1970s, crawled under a rock when alternative comedians found other means of expression, and was reinvigorated 20 years ago by genuinely inventive shows like Big Train and The Fast Show. Since then, easily the biggest kid on the block has been Little Britain, which married mainstream appeal with a flair for subversion.