sun 12/10/2025

tv

Humans, Series 2, Channel 4

Jasper Rees

Humans is of course not about humans. Or not mainly. But if Channel 4 had called it Synths, which is what/who it is mainly about, maybe fewer would have signed up to watch, presuming it to be an eight-part series about Eighties pop. Synths, if you missed series one, are a species of robotic service provider with a humanoid appearance who perform menial tasks like scrubbing, babysitting and issuing parking fines.

Read more...

Nicky and Wynton: The Making of a Concerto, BBC Four

Marina Vaizey

Two personable musicians, who win on all fronts: at the pinnacle of their highly competitive and skilled professions, highly articulate, and perhaps unlikely partners in their art. In one corner, ladies and gentlemen, the composer, world-leading jazz trumpeter, teacher, head of Lincoln Center Jazz, the New Orleans-born Wynton Marsalis, 55.

Read more...

The Young Pope, Sky Atlantic

Adam Sweeting

Having survived what you might call his boy-band years, Jude Law has emerged as a truly substantial actor, and his role here as Lenny Belardo, the newly-elected Pope Pius XIII, may prove to be a defining moment.

Read more...

Cold Feet, Series Finale, ITV

Jasper Rees

In the end, what makes a good drama series? It’s probably that you want more of it. This is the end of Cold Feet until a next time which has already been promised, and more is certainly what’s wanted. No one was quite sure if a reincarnation of Cold Feet was a good idea eight episodes ago. Back when the characters were in their 30s the show slowly turned into a bit of a weight round its own neck. Fay Ripley opted out of one season.

Read more...

Aberfan: The Green Hollow, BBC Four

Tom Birchenough

Television is not a medium we much associate with any sense of the "sacred". It grapples with "momentous" frequently enough, in snatches of news tragically reported; it rings in, and out, the history that defines our lives. We may debate, equally, whether the small screen is replacing the big one as the bringer of what was once considered cinema art.

Read more...

Ordinary Lies, Series 2, BBC One

Jasper Rees

The concept is somewhere between single drama and series: to stay in one place while shifting focus from one character to another. Paul Abbott did it in Clocking Off, telling a different story each week about a group of workers in a Manchester textile plant. Jimmy McGovern exported the idea to The Street, where he opened one door at a time to find out what was going on inside. The common denominator of both series was scriptwriter-for-hire Danny Brocklehurst.

Read more...

Paxman on Trump v Clinton: Divided America, BBC One

Marina Vaizey

Could Jeremy Paxman explain the inexplicable, so that viewers could begin to understand the meaning of the astonishing theatre that is the 2016 American presidential election? We can hardly even grasp the plot, let alone the coming denouement and its repercussions.

Read more...

Tutankhamun, ITV

Adam Sweeting

Freshly minted for ITV's Golden Age of Empire slot on Sunday nights, this new four-parter breezily splices together Edwardian derring-do toffery with a patina of Indiana Jones and (not least in the music) a miasma of Lawrence of Arabia. Our story began in 1905 in Egypt's Valley of the Kings, as archaeologist Howard Carter sought to beat a swarm of international treasure-hunters to the holy grail of an undiscovered Pharaoh's tomb.

Read more...

The Missing, Series 2, BBC One

Adam Sweeting

It seems morbid, and perhaps even in dubious taste, to create a TV drama franchise focusing on the hideous fate of abducted children and the repercussions this has on their family and friends. Still, ratings are their own reward, and the first series of The Missing (a collaboration between the BBC and the US network Starz) was a critical and commercial success.

Read more...

Divorce, Sky Atlantic

Jasper Rees

Divorce opened on Sarah Jessica Parker inspecting the work of time in the mirror. Goodbye Carrie, hello Frances, upstate New Yorker, mother of two and wife to a man who demands equal time in the bathroom. “I was forced to take a shit in this coffee can in the garage,” hollered Robert through the door before barging in to reveal an abysmal moustache.

Read more...

Pages

 

latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Marc and the Mambas - Three Black Nig...

A month after Soft Cell’s "Say Hello, Wave Goodbye" single peaked at number three in the UK charts, Marc Almond issued a single credited to Marc...

Troilus and Cressida, Globe Theatre review - a 'problem...

The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National...

Album: Mobb Deep - Infinite

Eight years after Prodigy’s untimely passing, Mobb Deep are gracing our sound systems once again with unreleased vocals and brand new music. With...

London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

I Swear review - taking stock of Tourette's

People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for...

Clarkston, Trafalgar Theatre review - two lads on a road to...

If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in...

Album: Boz Scaggs - Detour

Boz Scaggs rarely does a less than wonderful album. His latest is an exemplary collection of smooth and soulful standard and a few other choice...

Carmen, English National Opera review - not quite dangerous

“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if...

Ghost Stories, Peacock Theatre review - spirited staging but...

In the framing device, a professor (Jonathan Guy Lewis) stands at a lectern and asks if anyone has had a supernatural experience....