Theatre Reviews
Carousel, Regent's Park Open Air Theatre review - brave rewrite doesn't landTuesday, 10 August 2021
You've got to hand it to the Open Air Theatre in Regent's Park: this venue never simply dusts off a familiar musical title and plonks it onstage. Read more...
|
Big Big Sky, Hampstead Downstairs review - a perfectly realised character studySaturday, 07 August 2021
Get to Swiss Cottage early because Bob Bailey’s set for Tom Wells's new Hampstead Downstairs play Big Big Sky is a feast for the eyes. Read more... |
Anything Goes, Barbican review - an explosion of joyFriday, 06 August 2021
"Times have changed", we're informed in the cascadingly witty title number of the Cole Porter musical Anything Goes, now in revival at the Barbican and bringing with it a pandemic-clearing tsunami of joy. Read more... |
Changing Destiny, Young Vic review – an epic literary discoveryMonday, 02 August 2021
The Young Vic, led by the inspiring figure of Kwame Kwei-Armah, is back. Read more... |
Bagdad Café, Old Vic review - sweet but scattershotFriday, 30 July 2021
A gorgeous song exists in search of a show to match over at Bagdad Café, the 1987 film that gave the world the memorably plaintive "Calling You", which is threaded throughout Emma Rice's stage adaptation of the movie with understandable insistence. Read more... |
Oleanna, Arts Theatre review - Mamet on power and tragedyThursday, 29 July 2021
Before seeing this play, I decided to eat a steak. It seemed the right culinary equivalent to David Mamet, one of America’s most provocative and, at times, especially past times, red-blooded writers. Read more... |
The Two Character Play, Hampstead Theatre review - tender, poetic and piercingly cruelTuesday, 27 July 2021
It’s the trivia question no one ever thought to ask: where was the only Tennessee Williams play premiered outside America first performed? Read more... |
Lava, Bush Theatre review - poetic writing, mesmerically performedThursday, 22 July 2021
What’s in a name? In Benedict Lombe’s incendiary debut play at the Bush Theatre, the answer to this question encompasses a whole continent, an entire existential experience - the Black experience, to be exact - though not in the way that "roots" stories often proceed. Read more... |
Hamlet, Windsor Theatre Royal review - the age is out of jointThursday, 22 July 2021
So it wasn’t Cinderella but Hamlet who was first out of the post-lockdown starting blocks – Andrew Lloyd Webber’s much trumpeted musical premiere being foiled by a ping at the weekend. Read more... |
ANNA X, Harold Pinter Theatre review - lacking in substanceTuesday, 20 July 2021
There just isn’t enough there, with ANNA X. Daniel Raggett’s production is the third and final of the RE:EMERGE season at the Harold Pinter Theatre, with Emma Corrin of Lady Di fame in the lead. The graphic design – the brightly-striped faces of Corrin and her co-star, Nabhaan Rizwan, on a dark background – is impeccable. Joseph Charlton’s writing, not so much. Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Parsifal, Glyndebourne review - the music flies up, the dram...
There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...
Music Reissues Weekly: Chapterhouse - White House Demos
Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...
Songlines Encounters, Kings Place review - West African and...
Songlines Encounters is your round-the-world ticket to great...
The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin G...
The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as...
Magic Farm review - numpties from the Nineties
There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater”...
The Great Escape Festival 2025, Brighton review - a dip into...
As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...
theartsdesk Q&A: Zoë Telford on playing a stressed-out p...
If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...
Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash...
It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...