Theatre Reviews
Harm, Bush Theatre review – isolation, infatuation and intensityMonday, 24 May 2021
After months of watching theatre on screens large, medium and tiny, I definitely feel great about going to see a live show again. Of course, it’s not the usual theatre experience, you know, the one with crowds milling around the bar, people breathing down your neck and elbowing you while you’re watching, but at least it’s three-dimensional. Read more... |
Romeo and Juliet, Creation Theatre online review - game version falls between stoolsMonday, 17 May 2021
There is a promising production struggling to get out of this muddled concept. Creation Theatre (here partnered with Watford Palace) is well known for innovative, site-specific pieces, one of which –The Tempest – was adapted for the screen, including interactive elements, last year. Read more... |
Being Mr Wickham, Original Theatre Company online review - an uncontroversial apologiaTuesday, 04 May 2021
It wasn’t Jane Austen’s subtlest move, naming her roguish soldier George Wickham. As countless GCSE English teachers have patiently read in generations of essays, his surname sounds a lot like "wicked" – and wicked he is... Read more... |
Money, Southwark Playhouse online review - ethical dilemmas for the Zoom generationMonday, 03 May 2021
To accept or not accept a donation: that’s certainly the burning political question of the moment. Read more... |
Tarantula, Southwark Playhouse online review – spine-tingling love and traumaMonday, 03 May 2021
I think I can safely say that polymath playwright Philip Ridley has had a good lockdown. Read more... |
The Winter's Tale, RSC, BBC Four review - post-war poise colours a solid productionMonday, 26 April 2021
It has been a hard coming for this RSC Winter’s Tale. Erica Whyman’s production was cancelled by the virus days before its premiere last spring, with plans to stage it in the autumn frustrated by the second lockdown. Read more... |
The Importance of Being Earnest online review - Oscar Wilde updated for the Nando's generationWednesday, 21 April 2021
Oscar Wilde's fabulous play satirised Victorian England and contained a shedload of quotable quips. Read more... |
A Splinter of Ice, Original Theatre Company online review - Graham Greene and Kim Philby are friends reunitedMonday, 19 April 2021
There’s such a genial feel to the pairing of Oliver Ford Davies and Stephen Boxer in Ben Brown’s new play that there are moments when we almost forget the weighty historical circumstances that lay behind the long-awaited encounter between two old friends, this evening of conversation and drinking,... Read more... |
Romeo and Juliet, National Theatre online review - a triumphant hybridMonday, 05 April 2021
Shakespeare's enduring tale of star-crossed lovers is especially pertinent in a pandemic. The fatal plot twist depends on failed communication during an outbreak of pestilence, and one of the most famous lines is Mercutio's heartfelt, "A plague on both your houses" – clearly no idle curse. Read more... |
Living Newspaper, Edition 3, Royal Court online review – bleak news, sharp wordsSaturday, 03 April 2021
“The crocus of hope is, er, poking through the frost.” When he uttered that dodgy metaphor back in February, Boris Johnson probably didn’t predict that it would become the opening number of the third edition of Living Newspaper, the Royal Court’s anarchic, hyper-current series of new writing.... Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Parsifal, Glyndebourne review - the music flies up, the dram...
There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...
Music Reissues Weekly: Chapterhouse - White House Demos
Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...
Songlines Encounters, Kings Place review - West African and...
Songlines Encounters is your round-the-world ticket to great...
The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin G...
The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as...
Magic Farm review - numpties from the Nineties
There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater”...
The Great Escape Festival 2025, Brighton review - a dip into...
As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...
theartsdesk Q&A: Zoë Telford on playing a stressed-out p...
If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...
Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash...
It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...