mon 29/04/2024

New Music Reviews

Prom 74: Wainwright, Voigt, Britten Sinfonia, Debus

David Nice

Swathes of this year’s final Late Night Prom were so invertebrate, amateurish even, that I was tempted to go home and throw out my Want One and Want Two CDs. I won’t, of course: Canadian American singer-songwriter Rufus Wainwright has written some fabulous songs, and developed a unique vocal style to deliver them.

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Art Garfunkel, Royal Festival Hall

Fisun Güner

The voice no longer soars with easeful power, nor does it possess that tingling, honey-coated purity that gave hits such as “Bridge Over Troubled Water” such emotional force. This should hardly come as a surprise, since Art Garfunkel is now 72. Away from Paul Simon, from whom he split in 1970, Garfunkel has had a long, stop-and-start solo career, occasionally writing and recording his own songs but mainly singing other people’s, including those unforgettable Simon hits.

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theartsdesk at Bestival 2014: Full Biochemist's Report

Caspar Gomez

Sometimes you don’t escape. Even for those of us with a sturdy frame and a good track record, every now and then, enjoying the ride means taking the pummelling.

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Prom 71: Time for Three, BBC Concert Orchestra, Lockhart

Matthew Wright

Aaron Copland was an unlikely musical portraitist of the American plains and prairies. Son of Jewish immigrants from Brooklyn and student of modernism with Nadia Boulanger in Paris, he nonetheless created the quintessential American orchestral sound with a series of popular (“vernacular” was his phrase) works in 1930s and 1940s. Last night three of his most popular pieces were paired with two new pieces inspired by jazz, that other great American twentieth-century music.

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Reissue CDs Weekly: Calypso Craze

Kieron Tyler


Calypso CrazeVarious Artists: Calypso Craze

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Kasabian, Roundhouse

Matthew Wright

The genteel north London of the Roundhouse isn’t the obvious venue for a ladtronica and bloke rock band. Especially one that’s recently come from headlining Glastonbury and is used to open horizons, and sound systems more dangerously ramped-up than Primrose Hill house prices. By giving a performance that wowed an audience of mainly young couples, Kasabian showed a character and identity that’s more nuanced than the standard hairy bloke depiction allows.

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Tony Bennett, Royal Festival Hall

Nick Hasted

There’ll be no Lady Gaga tonight. Tony Bennett’s most public performances over the last 20 years have been in duets with such lesser talents, or in Glastonbury’s borderline ironic old-timers’ slot. The crackly recording of Sinatra calling him “the greatest singer in the world” which precedes him has introduced the 88-year-old for decades now, as if he still needed the recommendation of the long-gone Chairman of the Board. But these days, Tony Bennett stands alone.

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Reissue CDs Weekly: The 13th Floor Elevators

Kieron Tyler

 

13th Floor Elevators Live Evolution LostThe 13th Floor Elevators: Live Evolution Lost

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Kate Bush, Eventim Apollo, Hammersmith

Russ Coffey

Ms Bush walked on in a black, tasselled tunic with the slight air of an aging hippy. Her feet were bare and her tousled hair was half tied-back. And that – for anyone who had managed to avoid the papers all week – answered the first question: what she would look like. That just left us to see for ourselves what she would sing and do.

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Reissue CDs Weekly: Popcorn Girls

Kieron Tyler

 

Popcorn GirlsVarious Artists: Popcorn Girls

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