New Music Interviews
            
      Tony Banks: ‘You either do it by diplomacy or you do it by violence’ - interviewFriday, 23 February 2018 
  
      
 In a career that began in 1967 and may yet have further life in it, Genesis have sold 150 million albums (and possibly more), and in their original incarnation with Peter Gabriel as vocalist were an influential force in the development of progressive rock. Read more...
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      theartsdesk Q&A: Musician Mark E SmithWednesday, 24 January 2018 
  
      
 Since releasing their first record, Bingo Masters Breakout, Mark E Smith (b 1957) has led The Fall through some of rock music’s most extreme and enthralling terrain, cutting a lyrical and musical swathe that few other artists can match. An outsider, self-confessed renegade, and microphone-destroying magus, Smith has seen dozens if not hundreds of musicians pass through the ranks of The Fall over the last 34 years. Read more... | 
              
            
      theartsdesk Q&A: Vocalist Cécile McLorin SalvantFriday, 05 January 2018 
  
      
 The vocalist Cécile McLorin Salvant first came to the attention of the jazz scene when she won the prestigious Thelonious Monk International Jazz competition in 2010. In 2013, her Mack Avenue Records debut WomanChild garnered a Grammy nomination. Two years later, she picked up her first Grammy Award when her follow-up release For One To Love won Best Jazz Vocal Album. Read more... | 
                  
            
      theartsdesk Q&A: Musician Nick MulveySaturday, 25 November 2017 
  
      
 Nick Mulvey (b.1984) is a singer-songwriter who draws from a refreshing and unexpected palette of global roots music, modernist classical and electronica. Read more... | 
              
            
      theartsdesk Q&A: Homer Flynn, spokesman for The ResidentsSaturday, 28 October 2017 
  
      
 An encounter with Homer Flynn is disconcerting as the extent of his involvement in The Residents is unclear. He acknowledges that he speaks for the eyeball-headed quartet whose identities are unknown. As he talks, it's clear he has intimate knowledge of their creative process, their motivations and what they think. He discusses them as “they”. Occasionally the word “we” is used. Read more... | 
                  
            
      'English music is lumpy if you don't play it well': interview with folk trio LeveretSaturday, 16 September 2017 
  
      
 Leveret (an old name for a young hare) got together in 2014. They comprise former Bellowhead fiddler Sam Sweeney, English concertina player Rob Harbron and accordionist Andy Cutting – three of the very best on the scene. Read more... | 
              
            
      10 Questions for Pianist Søren BebeWednesday, 13 September 2017 
  
      
 Danish pianist Søren Bebe has led a trio for 10 years, building a reputation as one of Europe’s most distinctive jazz ensembles. His warm, spacious and melodic sound is often compared to Esbjorn Svensson and Tord Gustavsen, or the influential sound/genre of German label ECM. Read more... | 
                  
            
      Walter Becker, 1950-2017 - 'we play rock and roll, but we swing when we play'Wednesday, 06 September 2017 
  
      
 The death of Walter Becker last weekend brings to an end one of the great double acts of rock history. Read more... | 
              
            
      theartsdesk Q&A: Musician Albert HammondSaturday, 02 September 2017 
  
      
 Albert Hammond might not be a household name but he's still, undeniably, one of the world's greatest living songwriters. His songs have sold 360 million copies, ranging from Starship's soft-rock classic "Nothing's Gonna Stop Us Now" to Julio Iglesias' "To All the Girls I've Loved Before". Read more... | 
                  
            
      theartsdesk Q&A: Musician Susanne SundførFriday, 25 August 2017 
  
      
 Nine hours after meeting up in a Shoreditch courtyard to discuss her new album Music for People in Trouble, Norway’s Susanne Sundfør is on stage elsewhere in the district at a theatre called The Courtyard. It’s a sell-out and the room she’s playing is over-full and over-hot. A few days before the album’s release, most of the new songs are unfamiliar to the audience. Read more... | 
              
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