New Music Features
New Music 2013: A Death-Defying IndustryTuesday, 31 December 2013
2013 was the year that Thom Yorke, somewhat tautologically, referred to the music business as “a dying corpse”, and Justin Bieber's manager Scooter Braun claimed that same business “doesn't exist any more.” This was slightly odd, given that it was one of the liveliest years in recent memory, with mainstream and underground pulsating with debate over big issues and big releases, and – for all the technological and multimedia proliferation which prompted Yorke and Braun's hyperbole – the... Read more... |
World Music 2013: A Quiet StormTuesday, 31 December 2013
Not a year in which big names came through, and many on the list below are actually quite introverted and low-key, but none the worse for that. Among numerous global musical gems this year were the following: Read more... |
Listed: The 12 Derangements of ChristmasSunday, 22 December 2013
We at The Arts Desk are as fond as the next person of swans-a-swimming, partridges and pear-trees, not to mention gold rings, but be honest: 'tis already the season to be jolly sick and tired of all those knee-jerk compilations of Slade, sleighbells and Celine Dion's "O Holy Night". Without wishing to audition for the role of Ebenezer Scrooge, it’s time to admit that not everything made in the name of Christmas is of the highest artistic merit. Read more... |
theartsdesk in Rennes: 35th Trans Musicales FestivalTuesday, 17 December 2013
White noise saturates the air. At mind-melting volume, it shifts through the aural spectrum to settle on the bass end. A voice begins yelling angry-sounding gobbets. The words are unintelligible. The stage is in darkness. Gradually, it becomes possible to make out the source of this impassioned diatribe. It’s a non-descript, white, bespectacled young man in a T-shirt. This nerdy fellow stops for a moment. So does the accompanying noise. Read more... |
Listed: The 10 Most Tasteless Album CoversSaturday, 07 December 2013
OK, R Kelly is gross. We knew that. The number of deeply creepy and abusive acts he's been accused of beggars belief (just Google if you want grotty details, it's all on Wikipedia). The fact that he continues happily along his way with wealth and public adoration fully intact must make him feel invincible Read more... |
Analogue - Rock Portraits by Tom Sheehan, Lomography Gallery Store EastWednesday, 13 November 2013
I've known rock photographer Tom Sheehan since we worked together at the Melody Maker in the 1980s, but even I didn't know that his stellar career stretches back "almost 40 years", or so it says in the programme notes for his new exhibition, Analogue, at the Lomography Gallery Store East in Spitalfields. Read more... |
theartsdesk in Reykjavík: Iceland Airwaves 2013Sunday, 10 November 2013
Kraftwerk closing a festival is a big deal. It’s an even bigger honour when the seminal German outfit reconfigure their set to acknowledge where they’re playing. Last Sunday, Kraftwerk performed the rarely heard “Airwaves”, from 1975’s Radioactivity album, within the honeycomb-windowed Harpa concert hall. They were paying tribute to Iceland Airwaves, the remarkable festival which was drawing to a close Read more... |
Listed: The Best of Joni MitchellSaturday, 09 November 2013
Of all the rock pantheon, Joni is the one who has evaded definition and over-determination better than anyone. Read more... |
Mystery Dance: On filming Elvis CostelloWednesday, 06 November 2013
Making a film about an artist with the phenomenal range and creative effervescence of someone like Elvis Costello was never going to be easy. There have been over 30 albums since he started out in 1977, hundreds of songs, many of which are as brilliant as anything written in the last 50 years, and a series of collaborations with artists including Paul McCartney, Burt Bacharach, Bill Frisell, Chet Baker, the Brodsky Quartet, Emmylou Harris, T-Bone Burnett and many others. Read more... |
Lou Reed, High Priest of Rock: 1942-2013Sunday, 27 October 2013
We had heard he was ill, and had a recent liver transplant, but then he always seemed to be off colour. When Lester Bangs interviewed him in 1973 for Let It Rock he seemed ill then. When Bangs met him he had just had his greatest hit album Transformer, and seemed to be immediately blowing his new-found fame. Bangs talked of a “vaguely unpleasant fat man” who said "I can create a vibe without saying anything, just by being in the room." Read more... |
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