tue 29/07/2025

New Music Features

Who was Dorothy Squires?

Johnny Tudor

Very few young people know her name today, but Dorothy Squires was the singing sensation of the Fifties and Sixties, and even 30 years ago this talented but difficult star was a regular feature of the headlines thanks to offstage dramas and scandals. But who was the real Dorothy Squires? I first remember meeting Dorothy Squires, as she renamed herself, when I was only three years old.

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Clandestino: In Search of Manu Chao

Peter Culshaw

Manu Chao isn’t exactly a household name in the UK. In much of Latin America and Europe, however, he’s an iconic figure who is probably the closest thing to Bob Marley there is, a symbol of hope for the dispossessed. He’s a somewhat elusive figure, a wandering artist who for years never had his own place, a mobile phone or a watch, forever on the move, addicted to travel. In the title song of his 1998 multi-million selling classic Clandestino he sings of how “to run is my destiny...

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The Eagles at Sundance - History in the Making

Adam Sweeting

The Eagles recorded their first two albums in London in the early Seventies, though they couldn't have imagined they'd be back 40 years later to present their new documentary, History of the Eagles Part One, at Sundance London. There is, as you may have surmised, also a Part Two, which is available in the DVD and Blu-ray package that goes on sale on Monday 29 April.

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PUNK+ - Sheila Rock's portraits from the frontline

theartsdesk

The historians of punk are in full flow. Jon Savage's book England's Dreaming and the BBC Four's documentary series Punk Britannia have documented much of what needs to be said. But punk was as much a visual statement of intent as a musical one, which is why a new book of photographs by Sheila Rock is such a welcome addition to the punk library.

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theartsdesk in India: Endangered classical music, and aerialist dancers

Peter Culshaw

I hadn’t been through Mumbai (although lots of people there still call it Bombay) for a while – I once Iived in a beach house here for several months in Juhu while working on a fairly insane project with, among others, Boy George, Bollywood playback goddess Asha Bhohle, and the brilliant film composer RD Burman called the West India Company.

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Audio Exclusive: Green Gartside Sings Nick Drake

theartsdesk

One of the great British singer-songwriters of the past half-century, Nick Drake is the subject of a new tribute album, Way to Blue, released next Monday on Navigator Records. A companion piece to the concerts staged worldwide over the last four years, the artists involved include Teddy Thompson, Vashti Bunyan, Robyn Hitchcock, Lisa Hannigan, Scott Matthews and Danny Thompson.

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theartsdesk in Lahore: Music, mysticism and fistfights

Sam Mills

On Wednesday I will strap on a guitar and take the stage at the Royal Festival Hall for the opening night of this year's Alchemy Festival. I am the musical director and happy accompanist to a line-up of spectacularly talented musicians, all with roots in different parts of the Indian subcontinent. As I write, visas are being stamped and air tickets finalised for 11 musicians flying in from India and Pakistan.

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Interview: Stephan Micus, the world's largest one-man band

Simon Broughton

"Multi-instrumentalist" is a catch-all phrase that usually means somebody who plays flute, clarinet, sax and perhaps a bit of guitar. When it comes to Stephan Micus, he’s a multi-instrumentalist of an altogether different calibre. He plays hundreds of instruments – he doesn’t know how many – which he’s collected and commissioned from all over the world.

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theartsdesk in New Zealand: WOMAD Taranaki

Garth Cartwright

I've been to countless UK Womads yet have never before made it WOMAD Taranaki. Which is almost something to be ashamed about considering I'm a Kiwi. But this expat is never in the South Pacific mid-March. Until, that is, this year. The 11th New Zealand Womad is held in the small city of New Plymouth in Taranaki, a gorgeous West Coast hump in the central North Island.

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theartsdesk in Zanzibar: The Nightingale Still Sings

Thembi Mutch

A crowd of men and younger women in full burkahs gathers, bewildered by the sight: an African woman, in West African “Mumu” (khaftan) and a covered head, playing Ghazals (Islamic calls to prayer). Accompanied by an acoustic guitar, a clear voice, sitting on a café terrazza, Nawal transports us: until it is broken. “How dare you use the name of Allah in a song?!” cries out a dishevelled street vendor, visibly upset. “But you use keyboards in your praise of Allah” she retorts calmly.

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