wed 01/10/2025

New Music Features

Lou Reed, High Priest of Rock: 1942-2013

Peter Culshaw

We had heard he was ill, and had a recent liver transplant, but then he always seemed to be off colour. When Lester Bangs interviewed him in 1973 for Let It Rock he seemed ill then. When Bangs met him he had just had his greatest hit album Transformer, and seemed to be immediately blowing his new-found fame. Bangs talked of a “vaguely unpleasant fat man” who said  "I can create a vibe without saying anything, just by being in the room." 

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theartsdesk in Amsterdam: Club Culture Overdose

joe Muggs

The thought of attending a dance music conference in Amsterdam frankly gave me the creeping horrors. I'd never been to Amsterdam Dance Event before, and the combination of DJ egos, business hustling and relentless partying through hundreds of club venues in a renownedly liberal city presented so many opportunities for both boredom and complete catastrophe, it just seemed like a fool's errand. But this, of course, wasn't fair.

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Listed: Linda Thompson's Top 10 Traditional Songs

Tim Cumming

"I’m up to my ass in traditional songs," Linda Thompson says in the extensive Q&A published today on theartsdesk. When she talked to me she also discussed her early adventures in traditional folk music. "I was already interested in folk singing in Glasgow," she said. "Great people like Archie Fisher.

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Extract: George Harrison - Behind the Locked Door

graeme Thomson

Following the completion of the White Album, and the conclusion of recording sessions in Los Angeles with new Apple signing Jackie Lomax, in late November 1968 George Harrison and his wife Pattie Boyd departed for Woodstock in upstate New York. They were heading for Bob Dylan country.

Harrison had first fallen for Dylan early in 1964. The Beatles had played his second album,...

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Tubular Bells: The Mike Oldfield Story, BBC Four

mark Kidel

Tubular Bells stands alone in the history of late 20th-century music: a rock album without vocals. But it turns out as well to have been a kind of one-hit wonder for multi-instrumentalist and composer Mike Oldfield. The piece apparently came out of the blue – at least that is how it felt in 1973, when Virgin Records adventurously made it their first-ever LP release.

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theartsdesk in Oslo: Pushing folk’s frontiers

Kieron Tyler

Four days in Norway’s capital attending Folkelarm, the festival of Nordic folk music, raises the perennial and always knotty question of how far music can move beyond the traditional yet still be labelled as folk? With the charming and reassuringly old-fashioned accordion- and string-driven dance band the P. A. Røstads Orkester there’s no such problem.

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Flatshare with Bowie: what happened next

Mary Finnigan

Forty four years ago David Bowie was living in the spare room of the suburban flat I shared with my two young children. He was broke and I was only occasionally employed – so we started a Sunday night folk club in the Three Tuns pub in Beckenham High Street – for fun and so he could pay me some rent.

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theartsdesk in Russia: WOMAD Pyatigorsk

Simon Broughton

“Some say that I come from Russia / Some think that I come from Africa / But I'm so exotic, I'm so erotic / 'Cos I come from the Planet Paprika...”  

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Darbar Festival: The ancient art of Dhrupad

Peter Culshaw

This is a key weekend for lovers of Indian classical music or the merely sonically adventurous – the Darbar Festival in the Southbank has some of the most extraordinary practioners of the art from both the Carnatic (South Indian) and Hindustani (North Indian) traditions.The most fascinating aspect may be the presence of some really ancient styles notably Dhrupad.

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Listed: The 20 best movie songs

Graham Fuller

Seeing and hearing A Field in England's Richard Glover sing "Baloo, My Boy" while in bedraggled character reminded me of the power often exerted by songs explicitly or implicitly germane to a movie's narrative.

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