New Music Features
Lou Reed, High Priest of Rock: 1942-2013Sunday, 27 October 2013![]()
We had heard he was ill, and had a recent liver transplant, but then he always seemed to be off colour. When Lester Bangs interviewed him in 1973 for Let It Rock he seemed ill then. When Bangs met him he had just had his greatest hit album Transformer, and seemed to be immediately blowing his new-found fame. Bangs talked of a “vaguely unpleasant fat man” who said "I can create a vibe without saying anything, just by being in the room." Read more... |
theartsdesk in Amsterdam: Club Culture OverdoseSunday, 27 October 2013![]()
The thought of attending a dance music conference in Amsterdam frankly gave me the creeping horrors. I'd never been to Amsterdam Dance Event before, and the combination of DJ egos, business hustling and relentless partying through hundreds of club venues in a renownedly liberal city presented so many opportunities for both boredom and complete catastrophe, it just seemed like a fool's errand. But this, of course, wasn't fair. Read more... |
Listed: Linda Thompson's Top 10 Traditional SongsSunday, 20 October 2013![]()
"I’m up to my ass in traditional songs," Linda Thompson says in the extensive Q&A published today on theartsdesk. When she talked to me she also discussed her early adventures in traditional folk music. "I was already interested in folk singing in Glasgow," she said. "Great people like Archie Fisher. Read more... |
Extract: George Harrison - Behind the Locked DoorSaturday, 12 October 2013![]()
Following the completion of the White Album, and the conclusion of recording sessions in Los Angeles with new Apple signing Jackie Lomax, in late November 1968 George Harrison and his wife Pattie Boyd departed for Woodstock in upstate New York. They were heading for Bob Dylan country. Harrison had first fallen for Dylan early in 1964. The Beatles had played his second album,... Read more... |
Tubular Bells: The Mike Oldfield Story, BBC FourThursday, 10 October 2013![]()
Tubular Bells stands alone in the history of late 20th-century music: a rock album without vocals. But it turns out as well to have been a kind of one-hit wonder for multi-instrumentalist and composer Mike Oldfield. The piece apparently came out of the blue – at least that is how it felt in 1973, when Virgin Records adventurously made it their first-ever LP release. Read more... |
theartsdesk in Oslo: Pushing folk’s frontiersSunday, 06 October 2013![]()
Four days in Norway’s capital attending Folkelarm, the festival of Nordic folk music, raises the perennial and always knotty question of how far music can move beyond the traditional yet still be labelled as folk? With the charming and reassuringly old-fashioned accordion- and string-driven dance band the P. A. Røstads Orkester there’s no such problem. Read more... |
Flatshare with Bowie: what happened nextSaturday, 28 September 2013![]()
Forty four years ago David Bowie was living in the spare room of the suburban flat I shared with my two young children. He was broke and I was only occasionally employed – so we started a Sunday night folk club in the Three Tuns pub in Beckenham High Street – for fun and so he could pay me some rent. Read more... |
theartsdesk in Russia: WOMAD PyatigorskWednesday, 25 September 2013![]()
“Some say that I come from Russia / Some think that I come from Africa / But I'm so exotic, I'm so erotic / 'Cos I come from the Planet Paprika...” Read more... |
Darbar Festival: The ancient art of DhrupadFriday, 20 September 2013![]()
This is a key weekend for lovers of Indian classical music or the merely sonically adventurous – the Darbar Festival in the Southbank has some of the most extraordinary practioners of the art from both the Carnatic (South Indian) and Hindustani (North Indian) traditions.The most fascinating aspect may be the presence of some really ancient styles notably Dhrupad. Read more... |
Listed: The 20 best movie songsSunday, 15 September 2013![]()
Seeing and hearing A Field in England's Richard Glover sing "Baloo, My Boy" while in bedraggled character reminded me of the power often exerted by songs explicitly or implicitly germane to a movie's narrative. Read more... |
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