thu 31/07/2025

New Music Features

theartsdesk in Orkney: St Magnus Festival

David Kettle

Ebb of Winter felt about right. It’s one of Peter Maxwell Davies’s most recent works, a yearning for the brightness and warmth of spring at the end of an Orcadian winter, written in 2013 for the Scottish Chamber Orchestra’s 40th anniversary.

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Ornette Coleman (1930-2015), Jazz Liberator

Matthew Wright

Like John Coltrane, Ornette Coleman, who died this week, was both a defining and divisive figure in jazz history.

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Arise, Sir Van, Sir Lenny and Sir Kevin. Dame who?

Jasper Rees

If the honours system is used to award deserving individuals, its other job is to provide an aspirational marker for the country as a whole. This, it tells us twice a year, is who we want to be: inclusive, non-sexist, colour-blind. From the look of the awards dished out in the arts for the Queen’s birthday honours list, in the summer of 2015 it looks very much as if we want to be a society which favours male privilege. Don’t hold the front page.

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Jazz FM Awards 2015

peter Quinn

Hosted by self-confessed jazz nut John Thomson, a.k.a. The Fast Show's “Jazz Club” presenter Louis Balfour, the winners of this year's Jazz FM Awards were announced on Wednesday evening in the atmospheric setting of the Great Halls at Vinopolis.

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theartsdesk in Fes: Has the magic gone?

Peter Culshaw

More than anywhere else, the Fes Festival of World Sacred Music has been the place where I have gone annually for most of the last 20 years to retune my ears, to find inspiration and connections, and to discover new international music. For fans, it was always more than a mere music festival; there was a visionary, idealistic element.

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theartsdesk in Bergen 1: Jazz in a sardine factory

Kieron Tyler

Reggie Watts has a few things to say about Norway. In Bergen to play Natjazz, the annual jazz festival, he’s concerned about the local predilection for fish soup. Be careful, he warns, it can be dangerously hot. Then there are trolls and the Norwegian crispbread knekkebrød, which is especially impressive as it can keep fillings dry. Sandwiches can be eaten in the rain – and it rains in Bergen. A lot. Watts is fascinated by the countryside cabins Norwegians take off to in the summer...

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Does anyone know the way to blockbuster?

Jasper Rees

There’s a lot of Seventies revivalism in the ether. Fleetwood Mac are back as a famous five after many years asunder. 10cc have on at the Albert Hall, although one astutely remarked that they really should have been billed 2.5cc. In When Pop Ruled My Life, the recent BBC Four documentary about fandom, it was lear that the Bay City Rollers are still very much a going concern. And this week it was announced that three titans of glamrock would stomp once again on British boards.

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Sticky Fingers: unzipped

Tim Cumming

Sticky Fingers is the Stones’ defining album, a record that preserves the band in all its ragged, outlaw rock'n'roll glory. It captured them, too, between worlds of their own making, as the exploratory Sixties solidified into the excessive Seventies, Mick Jagger turned left into the first-class jet-set life, and Keith Richards turned the other way, into an image-defining drug addiction, scoring his mythos as permanently as a prison tattoo.

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BB King: 'I play the way I'm feeling'

Elaine Lipworth

B B King was the greatest blues guitarist of the age. Many contemporary rockers credit him as a formidable inspiration, from Mick Jagger to Eric Clapton to Bono. But when I met him in 2006, the then 83-year-old musician had a different perspective on his ability. "I don't think it's true," he says with a shrug. "A lot of kids tease me when they see me, they start to bow. I'm not trying to stop them. I think I'm a pretty good musician, I don't think I'm the best, that's all. I just do what I...

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10 Questions for Musician Squarepusher

Thomas H Green

Squarepusher, AKA Tom Jenkinson (b. 1975) is a groundbreaking electronic musician. Growing up in Essex, he first came to prominence in the mid-Nineties alongside Aphex Twin, with whom he worked extensively, amid a milieu of post-rave experimentalists exploring the wilder fringes of club-based sounds. Signing to Warp Records in 1995 he has maintained a position at the forefront of electronica, releasing 16 albums, the latest being Damogen Furies.

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