Film Reviews

Sundance London 2014: The One I Love

Katherine McLaughlin Thursday, 24 April 2014

The bitterness and jealousy of a relationship on the rocks is superbly handled in this disconcerting, witty and sharp indie which poses moral quandaries galore. Ethan (Mark Duplass) and Sophie (Elisabeth Moss) are the couple at odds with one another. The abrasions caused by their long-term relationship have led them to therapy and as a last resort their therapist (Ted Danson) sends them off on a break guaranteed to cement their love and rekindle their passion.

Transcendence

Adam Sweeting Thursday, 24 April 2014

A quick scan of the credits gives grounds for optimism about Transcendence, with Johnny Depp leading a copper-bottomed supporting cast which includes Rebecca Hall, Morgan Freeman, Paul Bettany and Cillian Murphy. Director Wally Pfister may be a first-timer, but since he's been Christopher Nolan's cinematographer since 1999's Memento and won an Oscar for his work on Inception, you might give him the benefit of the doubt.

Cupcakes

Tom Birchenough Wednesday, 23 April 2014

There might seem to be a world of difference between Israeli director Eytan Fox’s last film, the coming-out-of-grief, intimate drama Yossi, and his new movie, the delicious, prove-what-you-can-do comedy musical Cupcakes. But both are about moving towards a better place, and overcoming the obstacles encountered along the way, with a little help from your friends.

Exhibition

Emma Simmonds Tuesday, 22 April 2014

Home is truly where the heart is in writer-director Joanna Hogg's extraordinarily astute and artistically alive third film, which takes in the minutiae of a marriage. Exhibition is the story of two artists as they prepare to move out of the beloved home they have lived in for the best part of two decades and it imaginatively illustrates how where we live can challenge and define us.

An Episode in the Life of an Iron Picker

Tom Birchenough Monday, 21 April 2014

We see the harshness of everyday life in Danis Tanović’s An Episode in the Life of an Iron Picker first in its snowy, subsistence landscapes, as hero Nazif goes out to the forest to bring in whatever wood he can find to keep the family home warm. But by the end of the film, which took the Jury Grand Prix at last year’s Berlinale, we have seen, much more chillingly, the harshness of human behaviour.

The Love Punch

Matt Wolf Saturday, 19 April 2014

Even Emma Thompson's finely honed deadpan delivery can go only so far in The Love Punch, a caper movie (remember those?) that moves from the implausible to the preposterous before sputtering to a dead halt. A revenge comedy nominally steeped in a desire to right social injustice, writer-director Joel Hopkins's film soon abandons all loftier aspirations in favour of one jaw-droppingly daft sequence after another.

Magic Magic

Katherine McLaughlin Friday, 18 April 2014

If Crystal Fairy is about "the birth of compassion in someone’s life”, as director Sebastián Silva explained when it premiered at Sundance last year, then Magic Magic (which he shot at the same time) can be seen as a companion piece of sorts. It’s not too far a reach to assume Silva is testing his audience with this disorientating and incredibly taut look at mental illness.

The Amazing Spider-Man 2

Nick Hasted Wednesday, 16 April 2014

Spider-senses will be buzzing alarmingly before the end, as deadly danger approaches Peter Parker and his loved ones - just the sort of danger, in fact, that some viewers may remember from the distant days of 2004, and Spider-Man 2, Sam Raimi’s superhero movie high-water mark. It’s the problem that won’t go away for the series reboot Sony’s budget and creative conflicts with Raimi required, when the series had only just begun.

We Are the Best!

Kieron Tyler Tuesday, 15 April 2014

For a teenager, a parent’s birthday party is never comfortable. As We Are the Best! opens, it’s worse than that for Bobo as she holds a torch for punk rock and her mother is determined to have a good time. It’s Stockholm in 1982 and no matter how liberal-minded the adults, Bobo cannot fit in with the forced jollity. Punk rock is supposed to be dead but for Bobo and her friend Klara, it’s the light at the end of a tunnel of stultifying conformity and frustration.

Locke

Adam Sweeting Monday, 14 April 2014

The first line of his Wikipedia entry says that Tom Hardy "is an English actor" (he was born in Hammersmith), but for the 84 minute duration of Locke I was fully prepared to accept that he came from Llangollen or Llareggub. The film's narrative floats on Hardy's warming Welsh brogue like a boat navigating heaving tides and contrary currents, as his character Ivan Locke tries to cope with his life disintegrating around his ears.

The Strange Colour of Your Body’s Tears

Kieron Tyler Friday, 11 April 2014

Making sense of The Strange Colour of Your Body’s Tears is impossible. Beyond some early scene-setting, this Giallo-inspired film has no narrative and, apart from its protagonist, it becomes increasingly difficult to work out who is who, what is what and whether anything relates to anything else. Depicting reality is not on the minds of Belgian director and screenwriter, Hélène Cattet and Bruno Forzani.

The Lunchbox

Katherine McLaughlin Thursday, 10 April 2014

A mouth-watering mixture of romance, drama and comedy is delivered in this fresh and impressive debut from Indian writer-director Ritesh Batra. A poignant and bittersweet relationship between a lonely housewife and a man on the brink of retirement is set in motion via a mistake by the legendary dabbawalla lunchbox delivery service of Mumbai who mix up an order.

The Raid 2

Emma Simmonds Wednesday, 09 April 2014

After reinvigorating the actioner in 2011 with The Raid and its furious flurry of feet and fists, what next for the obscenely talented Welsh writer-director Gareth Evans? More of the same? Well, not quite. The sequel widens its net and extends its running-time, taking the action from a Jakarta tower block to the city's streets and dividing its time between the gangs competing for control of the city.

Calvary

Emma Simmonds Tuesday, 08 April 2014

"I first tasted semen when I was seven-years-old." Those are the first words spoken in Calvary, the superb second film from writer-director John Michael McDonagh. They're delivered by an unseen confessor addressing Father James Lavelle (Brendan Gleeson). The priest's response: "It's certainly a startling opening line." Well, quite. Evidently fucking with us from the off, Calvary wants to shock and is inclined to nod and wink at its own machinations.

Half of a Yellow Sun

Jasper Rees Monday, 07 April 2014

It’s the bad books, it has been famously said, that make the good films. As for the good ones, they have to take their chances. There is so much more to lose, so many nuances of tone and subtleties of texture to be sacrificed. Chimamanda Ngozi Adichie’s Half of a Yellow Sun is one such good book. It won the Orange Prize for fiction in 2007 and became a bestseller.

Comment

A Story of Children and Film

Tom Birchenough Saturday, 05 April 2014

Every cinephile is going to have a personal perspective on Mark Cousins’ A Story of Children and Film, an engrossing, affectionate, and frequently revelatory look over how aspects of childhood, and children, have been portrayed on screen over more than half a century, from almost every cinematic tradition that we’ve heard of – or, rather more often, that we haven’t heard of.