East End Film Festival 2014: Preview

Sprawling over the East End of London for the next thirteen days and boasting an illuminating line-up of new voices, retrospectives and debate in its 13^th year, the East End Film Festival ensures no cinematic rock is left unturned with its bold programming choices.

Celluloid Man: Preserving the heritage of Indian cinema

This April is proving the kindest month for cinephiles. Hot on the heels of Mark Cousins’ engrossing A Story of Children and Film comes another documentary about cinema of captivating, encyclopaedic interest, Shivendra Singh Dungarpur’s Celluloid Man. The director’s immediate subject is PK Nair, the man who created India’s National Film Archive (NFA).

Dangerous Acts: filming Belarus Free Theatre

For the members of the Belarus Free Theatre, there are many risks to doing something that we might all take for granted: telling stories about our lives. These risks include censorship, blacklisting, imprisonment, and worse. But when the authorities forbid critical examinations of such topics as sexual orientation, alcoholism, suicide and politics, the Free Theatre responds by injecting these taboos into underground performances.

Oscars 2014: Best Screenplays/Supporting Actor/Actress

“Follow the instructions."

David Lean’s suggestion to a costume designer shows the importance of the script – a film’s “recipe”. This is why the Oscar categories for Best Adapted Screenplay and Original Screenplay are so important: without great bones, we'd have nothing good to watch.

BAFTAs 2014: Hollywood winners made in Britain

Long before the stars had begun walking (and working) the red carpet, this year's British Academy Film Awards were a hot topic. Unfortunately it was for all the wrong reasons. A whistleblower writing for the Daily Mail alleged that many of the Academy's 6,500 members make little effort to consider the full gauntlet of options, often voting for the big-budget American favourites sight unseen.

Berlinale 2014: Two Men in Town, '71

The opening days of the Berlinale have seen mixed reactions to high-profile English-language offerings. With its stylish sense of mittelEuropa, the festival’s premiere, Wes Anderson’s The Grand Budapest Hotel, apparently went down a treat. Much less kudos, though, went to George Clooney’s The Monuments Men (released in the UK this week, reviewed on theartsdesk today).