sat 25/09/2021

Sheila Johnston

Bio
Sheila worked on the launch of the Independent, where she was a writer-editor and film critic for 10 years. She has written on cinema for the Daily Telegraph and Sunday Telegraph, The Times, Sight and Sound, Guardian, Libération, Interview and New York Daily News, among other places.

Articles By Sheila Johnston

latest in today

The Last Five Years, Garrick Theatre review - bittersweet mu...

Much has happened in the five years since your reviewer braved the steep rake at The Other Palace and saw The Last Five Years...

Gagarine review - hazy cosmic jive in a Paris banlieue

This is the story of a boy and a building. Sixteen-year-old Youri (newcomer Alseni Bathily) lives, with his telescope, in Cité Gagarine, a vast...

Album: Black Dice - Mod Prog Sic

There’s a strand of music that a friend of mine once referred...

Nicola Benedetti, Barbican Hall review – from Bach to the Hi...

If a standard-sized recital hall can be a lonely place for a solo violinist, playing an auditorium of Barbican dimensions must feel like crossing...

Creature, English National Ballet, Sadler's Wells revie...

If a new ballet can be doomed by the weight of expectation, then...

'Rest now, you God': remembering bass-baritone Nor...

Few singers really change your life. Norman Bailey did that for me [writes David Nice of theartsdesk]. The occasion wasn't my first experience of...

Barry Adamson: Up Above the City, Down Beneath the Stars rev...

For those not familiar with the murkier corners of British rock...

The Ballad of Billy McCrae review - beware the quarryman...

An entertaining but undernourished industrial-domestic neo-noir set in South...

Album: Amon Tobin - How Do You Live

Amon Tobin is hard to pin down. His music has mutated over the years. He initially fitted in with Ninja Tune’s late-Nineties/early-Noughties...