Classical Reviews
Fröst, Philharmonia, Lazarova, Kuusisto, Southbank Centre review - congenial new works complemented by live-wire classicsFriday, 24 March 2023
Anna Clyne’s engaging First Person here led me to two of her works in a Philharmonia rainbow. She curated a woodwind-based gem of a 6pm programme of works by four women composers, herself included, and her Clarinet Concerto could only gain from two other live wires, soloist Martin Fröst and conductor Pekka Kuusisto, the first time I've encountered the violinist in that role. Ultimately it was his way with two masterpieces by Tchaikovsky and Bernstein that stole the show. Read more... |
The Chevalier, St Martin-in-the-Fields review - virtuoso journey into a shamefully neglected pastWednesday, 22 March 2023
Shimmeringly urbane, shifting effortlessly from intricate agility to muscular intensity, the music of the 18th century composer Joseph Bologne is remarkable not least in the fact that it has remained an obscure part of the repertoire for so long. This hybrid theatre concert, created by Bill Barclay, former director of music at Shakespeare’s Globe, is part of a growing swell of initiatives to recognise the dynamism of a composer who has been overlooked because he was black. Read more... |
Osborne, RSNO, Chan, Usher Hall, Edinburgh - cinematic sweep and surging dramaTuesday, 21 March 2023
Two women featured prominently in this programme; the one a composer and the other a conductor. Read more... |
Amidon, Clayton, SCO, Kuusisto, Queen's Hall, Edinburgh review - profuse and outstanding musicianshipSaturday, 18 March 2023
On paper, the formula shouldn’t be that special. Really good music played by really good people is hardly a groundbreaking concept; but in actuality it’s seldom found with such honesty and diversity as in Pekka Kuusisto’s recent residency with the Scottish Chamber Orchestra. Read more... |
Mahler’s Third Symphony, Philharmonia, Paavo Järvi, RFH review - phosphorescent glow, depths only glimpsedFriday, 17 March 2023
This longest, wackiest and most riskily diverse of Third Symphonies became Esa-Pekka Salonen’s personal property during his years as the Philharmonia's Principal Conductor. His successor, Santtu-Matias Rouvali, has (in)famously said he’s not interested in Mahler. Two of the orchestra’s most distinguished visitors, Jakub Hrůša and Paavo Järvi, certainly are, so after Hrůša’s blazing Second, hopes were high for Järvi’s Third. Read more... |
Bernstein's Mass, RNCM, Bridgewater Hall, Manchester review - a happening, a demo, an achievementTuesday, 14 March 2023
Leonard Bernstein’s Mass has something of the nature of what might have been called a “happening” at the time he wrote it. It was 1971, and it was created for and premiered at the opening of the Kennedy Center in Washington. Read more... |
Nonclassical: The Greenhouse Effect, Barbican Conservatory review - enjoyable freestyle happeningMonday, 13 March 2023
It would seem unfitting to report on Nonclassical’s event – happening? – in the Barbican Conservatory on Sunday with anything resembling a conventional review. So instead I shall treat this free-form “experience” to a non-sequential response, in the form of 19 observations: things I saw, heard or noticed. Read more... |
St Mary’s Music School, RSNO, New, Usher Hall, Edinburgh review - a cornucopia of delightsWednesday, 08 March 2023
This evening brought to mind those marathon 19th century concerts when Beethoven would unleash a handful of new symphonies and a couple of piano concertos on an unsuspecting public. Read more... |
Gerstein, Bintner, Waarts, Wigmore Hall review - fascinating connections, uneven musicTuesday, 07 March 2023
Stefan Zweig once wrote that the difference between Busoni and every other pianist he had ever heard was the way the influential Tuscan-born Germanophile performer, composer and intellectual would always appear to be listening so intently to his own playing, “his uplifted face full of blissful rapture, which turns to stone in sweet awe at the Medusa-like beauty of the music.” Read more... |
Pritchin, Emelyanychev, SCO Soloists, Queen's Hall, Edinburgh review - chamber music at its most thrillingTuesday, 28 February 2023
After full orchestral performances of Brahms’s Violin Concerto and First Symphony, the Scottish Chamber Orchestra shone a more intimate light on the composer’s oeuvre with a recital of chamber works in Edinburgh’s Queen’s Hall on Sunday. Read more... |
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