Classical Reviews
William Thomas, Malcolm Martineau, Wigmore Hall review - a richly modulated journeyWednesday, 14 December 2022
William Thomas has fast made an impact as a rapidly rising (or should that be descending?) star of the bass world. Though he has only recently graduated from the Guildhall School of Music and Drama, his awards include Winner of the Veronica Dunne International Competition and Winner of the Critics’ Circle Award for Young Talent. Read more... |
Batiashvili, Philharmonia, Shani, RFH review - Nordic mystery, Alpine tragedyFriday, 09 December 2022
Sibelius and Mahler so often figure as the irreconcilable chalk and cheese of turn-of-the-century orchestral writing that it can be a salutary experience to hear them together on one bill. Read more... |
Mahler’s Ninth Symphony, LPO, Jurowski, RFH review - a performance to make the heart beat fasterMonday, 05 December 2022
This greatest of symphonies starts with what’s plausibly described as arrhythmia of the heart, so it shouldn’t have been surprising to find my own racing as Vladimir Jurowski drove a line through the peaks, troughs and convalescences of its massive first movement. There were more shocks to the system throughout, but all of them came from an interpretation so staggeringly well prepared that every texture sounded newly conceived. Read more... |
Manchester Collective String Orchestra, RNCM, Manchester review - a remarkable new work for string ensembleSaturday, 03 December 2022
Manchester Collective’s string orchestra programme, opening last night at the Royal Northern College of Music and touring to the South Bank, Leeds and Liverpool, is notable chiefly for the world premiere of will o wisp, by Oliver Leith, a remarkable piece of writing for the medium. Read more... |
Christian Gerhaher, Gerold Huber, Wigmore Hall review - muted regret and distant longingWednesday, 30 November 2022
There is no mistaking Christian Gerhaher. His voice is a light, agile baritone, and it is utterly distinctive. He is a very verbal singer, and is as happy delivering his lines in a toneless parlando as he is full voice. But when he does increase the colour, a burnished, slightly nasal tone appears, rich but still light. Emotions are always controlled, and the passion will often build gradually but steadily. Read more... |
BBC National Chorus of Wales, BBC NOW, Jeannin, BBC Hoddinott Hall, Cardiff review - competent music-making, interesting choicesWednesday, 30 November 2022
There are conductors, and then again there are choral conductors. I sang under David Willcocks in Tallis’s 40-part "Spem in alium" and remember vividly that long-armed semaphoring that he later applied so notably with the Bach Choir. Read more... |
Sheku Kanneh-Mason and Harry Baker, Noisenight 13, Jazz Cafe review - distinctive and easygoing chemistryTuesday, 29 November 2022
The elation in the queue was palpable as people stood laughing and chatting in the November cold waiting for the doors of the Jazz Café to open for the latest crowd-funded event organised by Through the Noise. This 13th Noisenight – which brings major classical soloists to nightclubs – was a chance to see Sheku Kanneh-Mason and pianist Harry Baker at a key moment in Through the Noise’s history, the start of its first national tour. Read more... |
A Child of Our Time, LPO, Gardner, RFH review - the spirit still movesMonday, 28 November 2022
Half a century ago, Michael Tippett’s A Child of our Time felt inescapable. For a youth-choir singer in the London of that period, his wartime “modern oratorio” supplied a reference-point of ambition and achievement to which our exasperated elders always seemed eager to refer – and to defer. Read more... |
Basel Saleh, Sansara, United Strings of Europe, St Martin-in-the-Fields review - music of sanctuary and solidaritySaturday, 26 November 2022
This collaboration between two young and exciting ensembles, the choir Sansara and the United Strings of Europe, had its heart in a good place. Read more... |
Hewitt, Hallé, Schuldt, Bridgewater Hall, Manchester review - lightening the gloomFriday, 25 November 2022
If there was a certain doom-laden dimension to Clemens Schuldt’s Bridgewater Hall programme with the Hallé ( … Requiem … Mozart in D minor … Strauss describing Death and …), it was easily lightened by the conductor’s own approach and personality. Read more... |
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