Classical Reviews
Grosvenor, BBC Symphony Orchestra, Litton, Barbican HallSaturday, 12 January 2013
Elgar declared a “massive hope in the future” as the human programme behind his epic First Symphony’s final exultant sprint. That hope was sprinkled like gold dust around the featured artists of this all-English concert. There are good reasons to be optimistic about the effective, colourful scores of 32-year-old Anna Clyne; we know that Benjamin Grosvenor, her junior by 12 years, is already a pianist of mercurial assurance, a real front-runner. Read more... |
Classical CDs Weekly: Bartók, Ligeti, Jocelyn Pook, TchaikovskySaturday, 12 January 2013
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National Youth Orchestra of Great Britain, Wilson, Leeds Town HallSunday, 06 January 2013
Holst? Yes. Britten? Maybe. But John Adams? Programming Adams’ Guide to Strange Places as the extended opener in this National Youth Orchestra of Great Britain concert made complete sense after a few minutes; conductor John Wilson’s strengths as an interpreter of Hollywood film scores and British light music made him ideally suited to unpick the thornier metrical complexities of the Adams work. Read more... |
Bach Unwrapped, Blaze, La Nuova Musica, Bates, Kings PlaceFriday, 04 January 2013
Faced with yet another world premiere from his friends in the Borodin Quartet, Shostakovich severely asked them whether they’d yet played all of Haydn’s quartets (they hadn’t). As a listener, I feel the same about Bach’s cantatas. Whether or not a lifetime will be enough to catch each of these varied and ever surprising little miracles in the flesh, Kings Place’s Bach Unwrapped series includes a chance to hear nearly 30 of the 200 from seven different ensembles in less than a year... Read more... |
London 2012 and Beyond: The Best of 2012Monday, 31 December 2012
The Mayan calendar recently suggested it was all over. It is now, almost. 2012 was, by anyone’s lights, an annus mirabilis for culture on these shores. The world came to the United Kingdom, and the kingdom was indeed more or less united by a genuine aura of inclusion. Clumps of funding were hurled in the general direction of the Cultural Olympiad, which became known as the London 2012 Festival, and all sorts leapt aboard. Read more... |
Messiah, Polyphony, OAE, Layton, St John's Smith SquareMonday, 24 December 2012
Messiahs of all kinds multiply at this time of year: the meek and the threadbare as well as the proud and polished. On the Sunday before Christmas, it was hard to choose between two potential archangels who could hardly fail given their respective pedigrees. It may have initially come down to a choice between single star soloists, soprano of the year Sophie Bevan at the Wigmore or flawless countertenor Iestyn Davies (pictured below by Marco Borggreve) at St John’s... Read more... |
Kavakos, Matsuev, London Symphony Orchestra, Gergiev, BarbicanThursday, 20 December 2012
Valery Gergiev’s exploration of the music of Karol Szymanowski is one of the most vitalising series mounted at the Barbican in recent years - to compare, say, with Sir Colin Davis’s Sibelius and Berlioz, Michael Tilson Thomas’s tributes to Leonard Bernstein, or Gergiev’s own Shostakovich and (increasingly) Prokofiev. Read more... |
London Symphony Orchestra, Gergiev, Barbican HallWednesday, 19 December 2012
Valery Gergiev is a human dynamo. Read more... |
Philip Glass, Koyaanisqatsi, Barbican HallSaturday, 15 December 2012
Philip Glass is sufficiently famous that his 75th Birthday celebrations have been going on all year (he was actually 75 in January) and the year saw two of the absolute highlights of his career presented at the Barbican. His first opera Einstein On The Beach and last night, the soundtrack to his first film score Koyaanisqatsi, performed alongside the film itself, with Glass on keyboards. Read more... |
Belshazzar, Les Arts Florissants, Barbican HallFriday, 14 December 2012
If you’ve ever wondered what a bad day at the office looked like for Handel then look no further than Belshazzar – an oratorio that positively demands heavenly intervention and possibly a bit of smiting. Read more... |
Bartók, Eötvös, Ligeti – Violin Concertos Patricia Kopatchinskaja (violin), Frankfurt Radio Symphony Orchestra, Ensemble Modern/Peter Eötvös (Naïve)Pages
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