mon 20/10/2025

Classical Reviews

The Gospel According to the Other Mary, Los Angeles Philharmonic, Dudamel, Barbican Hall

David Nice

“I do not believe in miracles,” scoffs Herodias in Oscar Wilde’s -  and Richard Strauss’s - Salome. “I have seen too many.” I know how she feels.

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Pereira, LA Phil New Music Group, Dudamel, Adams, Barbican Hall

Igor Toronyi-Lalic

For finding new popes as much as for hunting down new music, looking to the ends of the earth seems a fruitful route to take. Last night saw the start of the Los Angeles Philharmonic's Barbican residency with their principal conductor, Gustavo Dudamel. And with them, they brought the latest music from the Pacific rim, all of it quite surprising.

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BBC Philharmonic, Gruber, Bridgewater Hall, Manchester

philip Radcliffe

What Manchester has today, Vienna will have tomorrow. The BBC Phil’s composer/conductor HK “Nali” Gruber is taking his musicians and singers back home to the Wiener Konzerthaus to reprise this concert next week. You can’t fault it for variety – Stravinsky, Britten and MacMillan, Gruber’s predecessor as composer/conductor here. But the main thrust is celebrating Stravinsky. It is the centenary of The Rite of Spring.

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Classical CDs Weekly: Bach, Turina, Eleni Karaindrou

graham Rickson

 

Bach: Harpsichord Concertos Retrospect Ensemble/Matthew Halls (harpsichord and director) (Linn)

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Mørk, Philharmonia Orchestra, Salonen, Royal Festival Hall

David Nice

Curious and curiouser. Lutosławski’s Cello Concerto, centrepiece of Esa-Pekka Salonen’s latest Philharmonia concert celebrating the Polish master’s centenary, adds ballast to the idea that the composer, like Schoenberg and Tippett, burrowed into a specially comfortless rabbit warren in his later works. On the other hand his Concerto for Orchestra, begun two decades earlier in 1950, proved its mettle as a serious audience-pleaser.

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The Tallis Scholars, St Paul's Cathedral

Roderic Dunnett

In November 1973 a 20-year-old music scholar from St. John’s College, Oxford conducted the first ever concert by the newly founded Tallis Scholars, in St. Mary Magdalen, Oxford. Anyone who was there might have sensed that a new era was beginning. David Munrow was still alive: the period instrument revolution was just taking off.

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Mitsuko Uchida, Royal Festival Hall

Edward Seckerson

The magic usually descends quickly in a Mitsuko Uchida recital but the opening Bach of this rescheduled Festival Hall concert - a pair of Preludes and Fugues from Book 2 of The Well-Tempered Klavier - took a while to draw attention from the farthest reaches of this unfriendly recital space.

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Radio Rewrite, Royal Festival Hall: The Classical Review

Igor Toronyi-Lalic

Minimalism was born of popular music. The drones came from John Coltrane, the tape experiments from fiddling around with songs from the charts, the first rhythmic and melodic explorations from the folk music of Africa and Asia. And all the pioneers started their careers as jazzers (La Monte Young and Terry Jennings were saxophonists, Terry Riley a ragtime pianist, Steve Reich a drummer).

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Radio Rewrite, Royal Festival Hall: The Rock Review

Peter Culshaw

Like a piece of conceptual art, it may be the idea rather than the actual music that is the most significant thing about the world premiere last night of Steve Reich’s Radio RewriteThere will be a hundred times more people discussing the fact that Reich has taken on Radiohead than actually listening to it. Rather than variations, it's a 16-minute piece performed by the London Sinfonietta in which elements of a couple of Radiohead songs are referred to, often obliquely....

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Worden, BBC Concert Orchestra, de Ridder, Queen Elizabeth Hall

David Nice

Who’d have guessed a full house for the third of The Rest is Noise festival’s Berlin nights? This time there were no obvious superstars, unless you follow singer-songwriter Shara Worden of My Brightest Diamond and you know the impeccable track-record so far of young conductor André de Ridder.

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