Classical Reviews
Trpčeski, Australian Chamber Orchestra, Tognetti, Queen Elizabeth HallWednesday, 30 November 2011
A music broadcaster commented after last night’s concert by the Australian Chamber Orchestra that all the hype, all the talk about the surf-obsessed, free-spirited leader Richard Tognetti, had left her half expecting them to surf onto the stage of the Queen Elizabeth Hall. As they walked on however (decorously, and rather more smartly dressed than most English groups) we were reminded that there’s nothing gimmicky about this ensemble. Read more...
|
Mutter, London Symphony Orchestra, Gergiev, Barbican HallMonday, 28 November 2011
Praise be, or slava if you prefer, to Valery Gergiev for honouring new Russian music alongside his hallmark interpretations - ever evolving or dangerously volatile according to taste – of Prokofiev, Shostakovich and Stravinsky. Last LSO season featured some of the less than inspired recent works Rodion Shchedrin has been dredging by the yard. Yet few would begrudge the palm of deep and original musical thought to this past week’s heroine, Sofia Gubaidulina. Read more... |
Classical CDs Weekly: Bach, Beethoven, Simon KeenlysideSaturday, 26 November 2011
Bach: Complete Keyboard Works Ivo Janssen (Void Classics) Read more... |
Anne Teresa De Keersmaeker & Jérôme Bel, 3Abschied, Sadler’s WellsTuesday, 22 November 2011
When the subject of funding for the arts arises, the phrase “allowed to fail” is frequently heard: artists must be enabled to try new things, press against the outer edges of what they know. Enter Anne Teresa De Keersmaeker and Jérôme Bel, two of contemporary dance’s thinkers. They have tried, and failed, to choreograph the final section of Mahler’s Das Lied von der Erde, and in that attempt, they have produced an extraordinary evening: the anatomy of a failure. Read more... |
Classical CDs Weekly: Mathias, Sibelius, Duo GazzanaSaturday, 19 November 2011
|
Jansen, London Philharmonic, Vänskä, Royal Festival HallThursday, 17 November 2011
Noticed that nip in the air recently? The reason now is obvious: conductor Osmo Vänskä, the brisk wind from Minnesota, has blown into town, challenging London’s orchestral musicians to give beyond their best and uncover new layers in repertory works they previously assumed they knew backwards. |
Rysanov, BBC Symphony Orchestra, Bělohlávek, Barbican HallFriday, 11 November 2011
When telling a complex musical story, handle with care. Interpreters need have no fear of composers who find selective, tone-friendly angles in their literary sources, like Janáček with Gogol’s Taras Bulba in last night’s searing finale, or Zemlinsky with Andersen’s The Little Mermaid, the saturated climax of the previous evening. Read more... |
Orchestre Révolutionnaire et Romantique, Gardiner, Queen Elizabeth HallThursday, 10 November 2011
We all know the question at issue last night at the Young Vic where Hamlet was opening, but down the road in the Queen Elizabeth Hall it was one of applause. Clapping between movements is a well-worn topic; we’ve had editorial, essays, even an RPS lecture devoted to the subject with no resolution in sight. Every year the Proms reminds us of the natural release a good clap can provide after a monumental first movement, and every year we return to our hands-clenched ways afterwards.... Read more... |
Davies, London Symphony Orchestra, Zhang, Barbican HallThursday, 10 November 2011
Highly finished literary tales of doomed nixies, like Hans Christian Andersen's The Little Mermaid, seem to have prompted reams of bad art but plenty of mellifluous music. Not even all of that is on the same level. Read more... |
Classical CDs Weekly: Fauré, Mahler, Choir of Merton CollegeSaturday, 05 November 2011
|
William Mathias: Piano Concertos 1 & 2; Vaughan Williams: Fantasy for Piano and Orchestra Mark Bebbington (piano) Ulster Orchestra/George Vass (Somm)
Fauré: Requiem Chœur de l’Orchestre de Paris, Orchestre de Paris, Paavo Järvi, with Philippe Jaroussky (counter tenor), Matthias Goerne (baritone) (Virgin Classics)Pages
inside classical music
latest in today
Thank You, Goodnight: The Bon Jovi Story, Disney+ review - h...
To mark the 40th anniversary of New Jersey’s second-greatest gift to rock’n’roll,...
Album: Pokey LaFarge - Rhumba Country
Pokey LaFarge has always defied categorisation. He likened his 2020 album Rock Bottom Rhapsody to a mix tape, with elements of...
L'Olimpiade, Irish National Opera review - Vivaldi...
In Vivaldi’s more extravagant operas, some of the arias can seem like a competition for the gold medal. L’Olimpiade is relatively modest...
Red Eye, ITV review - Anglo-Chinese relations tested in junk...
Aircraft hijacking is a ghoulishly popular theme in films and TV, but Red Eye brings a slightly different twist to the perils of air...
Album: Josienne Clarke - Parenthesis, I
Parentheses, I is an album title – (I) – that’s a hieroglyph of the self, the brackets like...
Music Reissues Weekly: West Coast Consortium - All The Love...
West Coast Consortium’s first single was July 1967’s “Some Other Someday,” a delightful slice of Mellotron-infused harmony pop which wasn’t too...
Love Lies Bleeding review - a pumped-up neo-noir
Somewhere along a desert highway in the American Southwest, where there's not much to do besides get drunk, shoot guns, and pump iron, a stranger...
Remembering conductor Andrew Davis (1944-2024)
As a human being of immense warmth, humour and erudition, Andrew Davis made it all too easy to forget what towering, incandescent performances he...
Brancusi, Pompidou Centre, Paris review - founding father of...
One hundred and twenty sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the...
CVC, Concorde 2, Brighton review - they have the songs and t...
The joy of CVC, when they catch fire, is the zing of gatecrashing a gang of cheeky, very individual personalities having their own private party....