tue 14/05/2024

Classical Reviews

Schwanewilms, Hallé, Stenz, Bridgewater Hall, Manchester

philip Radcliffe

“How tired we are of travelling,” the soprano sings, underscored by a solo horn. The end is near: “Is this perhaps death?” No fuss, no drama, but weariness and a calm acceptance. Since Strauss and his wife Pauline were in their eighties and living quietly in Switzerland when he wrote Four Last Songs, it is clear that they had come to terms with their inevitable demise.

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Petite Messe Solennelle, BBC Singers, Brough, Milton Court

David Nice

“A little skill, a little heart, that’s all,” wrote the 70-year-old Rossini as epigraph to his late, not so small and not always solemn mass. It’s not all, of course. This last major self-styled “sin of old age” (péché de vieillesse) stands in a similar relation to his final, epic opera Guillaume Tell as Verdi’s Falstaff does to his Don Carlos.

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Vengerov, LSO, Pappano, Barbican

Kimon Daltas

An all-British programme – with plenty of Italian flavours – opened to a sold-out Barbican Hall with the overture In the South (Alassio), composed by Elgar during a stay on the Italian Riviera. It isn’t one of his most memorable scores, but it still provides plenty of interest with typical Elgarian exuberance, an unexpected martial episode (imagining the Roman army), and a muted viola solo.

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Scholl, Academy Of Ancient Music, Barbican

Peter Culshaw

As a generalist (or dilettante) who writes about world, jazz, pop and classical music, I have no doubt that 10 years ago Andreas Scholl was one of the great voices of the planet alongside names like Abida Parveen from Pakistan and Caetano Veloso from Brazil, a vocal Sun King. From an early age he had had success upon success, audiences gave him huge standing ovations, women swooned over him (OK – slightly older women like my mum, who followed him around Europe).

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Classical CDs Weekly: Roxanna Panufnik, Penderecki, eX

graham Rickson

 

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Jansen, LSO, Pappano, Barbican

Edward Seckerson

There were, it seemed, enough trumpets to serve Gabriel throughout eternity - and, as fanfares go, this one was stretching a point and then some.

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Classical CDs Weekly: Delius, Hindemith, Holst, Claudia Corona

graham Rickson

 

Holst: The Hymn of Jesus, Delius: Sea Drift, Cynara Roderick Williams (baritone), Hallé Choir, Hallé Youth Choir, Hallé Orchestra/Sir Mark Elder (Hallé)

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Williams, BBCPO, Hallé, Mena, Bridgewater Hall, Manchester

philip Radcliffe

There are occasions when just one band isn’t enough. Hence the rare experience of the Hallé and the BBC Philharmonic joining forces for a performance, in the Strauss’s Voice series celebrating the 150th anniversary of the composer’s birth, of An Alpine Symphony under Juanjo Mena.

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Issipile, La Nuova Musica, Bates, Wigmore Hall

Geoff Brown

A question flitted through my mind in advance. Was I down to review La Nuova Musica’s modern premiere of Conti’s baroque opera Issipile, or was it Issipile’s opera Conti?  To many music lovers, even those well grounded in history, both possibilities must be equally plausible.

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Katia & Marielle Labèque, BBCSO, Bychkov, Barbican Hall

Kimon Daltas

The first half of this concert was quite the family affair: Martinů’s Concerto for Two Pianos featuring the eternally youthful Katia and Marielle Labèque, with the latter’s husband Semyon Bychkov conducting.

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