Classical Reviews
Classical CDs Weekly: Barber, Britten, Ensemble Diderot, Jake ScheppsSaturday, 04 April 2015
Read more... |
St Matthew Passion, Anton Bruckner Choir, St John's Smith SquareSunday, 29 March 2015
After a Messiah last Christmas by one of London’s finest professional chamber choirs that was straight off the factory production line – mindlessly and maddeningly correct, just, I suspect, as it had been the five other times they performed it that week – I vowed to do things a little differently this Easter. Bach’s Passions certainly need skill and musicianship, but what they need above all is sincerity and heart. Read more... |
Mikhail Rudy, Kings PlaceSaturday, 28 March 2015
Opening It’s All About Piano!, a short but packed festival shared between Kings Place and the Institut français in Kensington, Mikhail Rudy made a rare appearance in the UK. The premise was unusual if hardly revolutionary, a meeting of music and film in which it was not obvious which was the accompanying medium. Was Rudy the silent-film pianist, or were the movies illustrative of latent narratives in Janáček and Musorgsky? Neither. And therein lay the recital’s success. Read more... |
Bronfman, LPO, Jurowski, RFHSunday, 22 March 2015
Over the past two Saturdays, Vladimir Jurowski and a London Philharmonic on top form have given us a mini-festival of great scores for Diaghilev’s Ballets Russes. Read more... |
Total Immersion: Boulez at 90, BarbicanSunday, 22 March 2015
Pierre Boulez sits in the back of a car as it drives across Westminster Bridge. He is talking about the audience appeal of his music, and he is characteristically direct. If the performance is good, and the situation is right, he insists, then audiences will come. That was back in 1968. The interview was featured in one of the documentaries that began today’s event, and it proved prescient. Read more... |
Classical CDs Weekly: Ruperto Chapí, Rossini, WaltonSaturday, 21 March 2015
Read more... |
Josefowicz, Novacek, Wigmore HallFriday, 20 March 2015
Who knew that the wisdom of crowds could be quite so fickle or so fallible? This superb recital by the American violinist Leila Josefowicz and pianist John Novacek was played in front of a Wigmore Hall only about a quarter-full. Josefowicz, returning to the Wigmore after five years, wasn't ruffled in the slightest. Read more... |
Widmann, LPO, Jurowski, RFHSunday, 15 March 2015
Through symphony, opera and orchestral fireworks, Julian Anderson’s music can usually be guaranteed to bring his audiences plenty of meaty listening. But the British composer’s golden aura faded somewhat during the London Philharmonic’s world premiere last night of In lieblicher Bläue, a quasi-concerto (“poem” is Anderson’s preferred term) for violin and orchestra. Read more... |
RLPO 175th Birthday Concert, Petrenko, Liverpool Philharmonic HallSaturday, 14 March 2015
When the curtain came down on Liverpool’s year in the limelight as European Capital of Culture, back in 2008, there may have been some who thought that the party was over. Things in the city’s arts world were never going to the same, however, and much has changed since 2008, mostly for the better. But there is one institution which, though it’s been through some major changes in its lifetime, is a constant on the Liverpool scene. Read more... |
Feldman's Triadic Memories, Melnikov, Wigmore HallFriday, 13 March 2015
Morton Feldman and Robert Schumann don’t often appear in the same sentence, but in his brief platform introduction Alexander Melnikov perceptively located common ground: they are two of the greatest writers on music, both for their polemical intent and their vivid imagery. It can be hard to avoid analogy and metaphor when discussing Feldman’s music, but why bother trying? Read more... |
Pages
inside classical music
latest in today
'We are bowled over!' Thank you for your messages...
