Classical Reviews
La Dama d'Aragó, L'Arpeggiata, Wigmore HallTuesday, 22 December 2015
L'Arpeggiata seem to revel in being L'Anachronista. The baroque-jazz group led by the Graz-born theorbo player Christina Pluhar has been proudly and brazenly flouting the dictates of those who set the rules of Historically Informed Performance (HIP) for all 15 years of their existence. Read more... |
Ex Cathedra, St Paul's Church BirminghamMonday, 21 December 2015
Is it possible for a carol concert to have a cult following? Ex Cathedra's annual Christmas Music by Candlelight performances in St Paul’s Church have quietly grown into a Birmingham institution. The audience has evolved its own rituals: camping out through the long interval in the box pews, and sharing improvised picnics of mulled wine and mince pies. Read more... |
Pires, LSO, Harding, BarbicanThursday, 17 December 2015
Imagine knowing Hamlet as a four-act play, or The Ambassadors without its bottom third. Imagine Mozart’s Requiem as a torso that halts eight bars into the Lacrymosa, or Mahler’s Tenth as the lone Adagio (as, indeed it too often appears). We might admire them all the more for what we ached to feel whole as their creators intended. Read more... |
A Wondrous Mystery, Stile Antico, Temple ChurchWednesday, 16 December 2015
It’s boasting, but surely true, to claim that London offers the biggest number of classy Christmas concerts in the world. How could it be otherwise with established seasonal festivals based around Spitalfields, St John’s Smith Square and the over-restored but still amazing Temple Church whose founder Knights Templar bring Dan Brown fans in droves and an inevitable daily admission fee of a fiver? Read more... |
Classical CDs Weekly: Christmas CDs, Part 1Saturday, 12 December 2015
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Hardenberger, Philharmonia, Nelsons, RFHMonday, 07 December 2015
Bernd Alois Zimmermann’s Nobody knows de trouble I see is a popular concerto, but it’s an unlikely hit. Zimmermann maintains a distanced relationship with the spiritual on which the work is based, and, while there are jazz elements too, this is a long way from crossover. Read more... |
Orchestra of Opera North, Farnes, Leeds Town HallSunday, 06 December 2015
The few ensemble lapses and moments of insecurity during the first half of this concert had nothing to do with Richard Farnes’s conducting, or with the playing of an augmented Orchestra of Opera North. It’s in rude health; Farnes has refined and deepened the orchestra’s string sound, and the winds and brass are world-class. Read more... |
Davies, Clayton, Baillieu, Wigmore HallSaturday, 05 December 2015
Last night’s Wigmore Hall recital by countertenor Iestyn Davies and tenor Allan Clayton, accompanied by James Baillieu, was an all-round triumph: brilliantly programmed, superbly sung and very thought-provoking. Mixing solo items with duos, the programme encompassed Purcell, Britten, Adès, Barber and the young American composer Nico Muhly. If it had been a competition – which it wasn’t – Britten would have been the champion. Read more... |
RLPO, Petrenko, Philharmonic Hall, LiverpoolFriday, 04 December 2015
Why play a very substantial act of ballet music in concert? In the case of Aurora’s wedding entertainment from Tchaikovsky’s The Sleeping Beauty, there are at least three good reasons. It embraces the most inventive and unorthodox of divertissements in any ballet – the one in The Nutcracker comes a close second – and a symphony orchestra deserves the chance to perform at least a substantial chunk of what Stravinsky called Tchaikovsky’s chef d’oeuvre. Read more... |
Sudbin, CBSO, Seal, Symphony Hall BirminghamThursday, 03 December 2015
You can read a lot into the first two chords of Beethoven’s "Eroica" Symphony. Classical portico or violent detonation? Majestic assertion of E flat major, or the first shocking glimpse of a drama that’s already under way? Michael Seal, conducting the City of Birmingham Symphony Orchestra, accelerated through those first two bars before sweeping into a sleek, swinging first subject. He could afford to let his players sing. Read more... |
Hindemith: The Long Christmas Dinner American Symphony Orchestra/Leon Botstein (Bridge)Pages
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