Classical Reviews
Classical CDs Weekly: Elgar, Alec Roth, Australian Brandenburg OrchestraSaturday, 10 September 2016
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Prom 71: Staatskapelle Dresden, ThielemannFriday, 09 September 2016
You know what they say about men with big hands. Christian Thielemann has them, that’s for sure. Massive, meat-cleaving clappers, carving through the air. They give a pretty heavy upbeat too, and a generalissimo’s point and jab for a cue. If you’re a back-desk violinist in the Dresden Staatskapelle, you know when you’ve been Thielemanned. Read more... |
Prom 71: Trifonov, Staatskapelle Dresden, ThielemannThursday, 08 September 2016
Soft power in the shape of cultural ambassadors can go a long way. With a little help from its big guns in banking and industry, Germany has given this year's Proms no less than four of its major orchestras – from Leipzig, two from Berlin, and now from Dresden: all the more reason to wave those EU flags on a typically international Last Night in three days' time. Read more... |
Prom 70: Staatskapelle Berlin, BarenboimWednesday, 07 September 2016
Daniel Barenboim is as distinctive as he is unpredictable. His considerable strengths – dynamism, passion, keen intellectual engagement – are balanced by some notable weaknesses – clunky tempo changes, lack of detail – but all configure differently in each performance. Read more... |
Prom 67: Simón Bolívar Symphony Orchestra, DudamelMonday, 05 September 2016
Gone, it seems, is the era of epic three-part Proms. Sunday afternoon's programme, partly billed as a children's hour, might have pleased pianist and pundit Stephen Hough, whose recent broadsheet plea for shorter concerts somewhat overdid the need (lunchtime events already cater to concertgoers in a hurry very well, and the Proms has its late-nighters too). Read more... |
Prom 66: Berlin Philharmonic, RattleSunday, 04 September 2016
The BBC Proms is perhaps the only music festival in the world that would (or could) have programmed performances of Steve Reich in a Peckham car-park and Brahms by the Berlin Philharmonic within a few hours of each other. The audacity of it is glorious, the breadth exhilarating, and the fact that both sold out intensely heartening. Read more... |
Prom 64: Berlin Philharmonic, RattleSaturday, 03 September 2016
What do Boulez's Éclat, for 15 instruments, and Mahler's Seventh Symphony, for over 100, have in common? Most obviously, guitar and mandolin, symbols of a wider interest in unusual sonorities. But while Boulez aims, as often, for needle point precision, Mahler uses selective groups, at least up to his finale when he exuberantly exchanges night for day, to create peculiar and unsettling grades of chiaroscuro. Read more... |
Classical CDs Weekly: Melartin, Rachmaninoff, RzewskiSaturday, 03 September 2016
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Prom 63: B Minor Mass, Les Arts Florissants, ChristieFriday, 02 September 2016
The BBC Proms is the largest classical music festival in the world – an event whose ambition, accessibility and breadth wouldn’t be possible without the Royal Albert Hall and its capacity of well over 5,000 people. But the building that makes this festival possible, that provides the space for the hundreds of Prommers who fill the arena each evening, is also its biggest curse. Read more... |
Prom 62: Skride, BBCSO, YoungThursday, 01 September 2016
Branding, as any marketing manager will tell you, is everything when it comes to selling, and when it comes to selling, classical music is no different from cars, cornflakes or shampoo. It explains why a Mahler orchestral song-cycle would fill the Royal Albert Hall while a similar work by his love-rival and near-contemporary Alexander von Zemlinsky last night left it half empty. Read more... |
Elgar: Symphony No. 1, In the South Orchestra dell’Accademia Nazionale di Santa Cecilia/Antonio Pappano(ICA Classics)
Erkki Melartin: Traumgesicht, Marjatta, The Blue Pearl Finnish Radio Symphony Orchestra/Hannu Lintu, with Soile Isokoski (soprano) (Ondine)Pages
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