Classical Reviews
Clare College Choir, Manchester Camerata, Takács-Nagy, Bridgewater Hall, Manchester review – romance and dramaThursday, 01 February 2018
It began in semi-darkness. Appropriate for Arvo Pärt, perhaps – after all, Manchester Camerata have played his music in Manchester Cathedral to great atmospheric effect in the past. But the Choir of Clare College Cambridge, conducted by Graham Ross, delivered his Da pacem Domine in a hall where it seemed as if the lights had failed … not quite the same thing. Read more... |
Estonian Philharmonic Chamber Choir, Milton Court review - Arvo Pärt plusWednesday, 31 January 2018
Make Arvo Pärt the bulwark of any concert and you can surprise as well as delight the full house he’s likely to win you with the rest of your chosen programme. Read more... |
Hagen Quartet, Jörg Widmann, Wigmore Hall review – proportion and eleganceWednesday, 31 January 2018
Jörg Widmann writes fast. He is also one of the few young German composers who can write distinctive and idiomatic music without feeling the weight of his country’s musical heritage on his shoulders at every turn. Surprisingly, then, his Clarinet Quintet, which here received its UK premiere at Wigmore Hall, was eight years in the making, and was initially abandoned because "music history ... Read more... |
Royal Academy of Music SO, Knussen, RAM review – vibrant, varied StravinskySaturday, 27 January 2018
Oliver Knussen and the Royal Academy of Music Symphony Orchestra here took us on a whistle-stop tour of Stravinsky, early and late. Few composers changed so in style so dramatically over the course of their career, so there was plenty of variety here. And just for good measure, a work by Stravinsky’s teacher Rimsky-Korsakov was included too, his Russian Easter Festival Overture. Read more... |
Grosvenor, Filarmonica della Scala, Chailly, Barbican review - Tchaikovsky’s force of destiny shines brightThursday, 25 January 2018
You could probably guess from the assembling audience that the orchestra making its Barbican debut last night came from Milan. That many mink coats rarely congregate in a London concert hall. Read more... |
Bell, Academy of St Martin in the Fields, Bridgewater Hall, Manchester review - life and imaginationTuesday, 23 January 2018
You can’t help liking Joshua Bell. The Peter Pan violin soloist of the classical world has been in the business for more than 30 years and still has his boyish looks and, more importantly, his enthusiasm and sense of enjoyment in making music. Read more... |
Louise Alder, James Baillieu, Wigmore Hall review - sensual heat thaws a winter's eveningMonday, 22 January 2018
Rapture, ecstasy, ardour, and a few cheeky fumbles in the bushes – Louise Alder and James Baillieu’s Wigmore recital promised “Chants d’amour” and delivered amply, giving us love in all its bewildering, technicolour variety. Read more... |
Colin Currie Group, Kings Place review - dynamism and detail in Steve ReichMonday, 22 January 2018
Colin Currie is increasingly coming to be seen as Steve Reich’s representative on Earth. His Colin Currie Group was founded in 2006 for a Proms performance of Reich’s Drumming and has gone from strength to strength, now touring the world with Reich’s music. Read more... |
BBCSO, Pons, Barbican review - love hurts in vivid Spanish double billSaturday, 20 January 2018
This was an evening of Iberian highways re-travelled, but with a difference. At the beginning of 2016, the centenary of Spanish master Enrique Granados's untimely death, two young pianists at the National Gallery shared the two piano suites that make up the original Goyescas; finally last night at the Barbican we got the opera partly modelled on their deepest movements. Read more... |
Weilerstein, Platt, Hallé, Elder, Bridgewater Hall, Manchester review - insight and passionFriday, 19 January 2018
Alisa Weilerstein is making two visits to Manchester in just over three weeks. Last night it was with the Hallé, next time she’ll be guesting with the Czech Philharmonic. This one was to play the solo in Shostakovich’s First Cello Concerto, with Sir Mark Elder conducting. Read more... |
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