sun 05/10/2025

Classical Reviews

Coates, Tenebrae, Short, Kings Place review - effective meeting of cello and choir

Bernard Hughes

This time of year lots of choirs give lots of Christmas concerts that are more or less the same: traditional repertoire perhaps sprinkled with a few novelties.

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Zimerman, LSO, Rattle, Barbican review - a diverse Bernstein centenary

Gavin Dixon

Leonard Bernstein is 100 already. Actually, he’s not – his centenary falls in 2018, but the LSO, an orchestra he conducted many times, is building up to the anniversary with a series of concerts featuring his three symphonies.

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Octets, Wigmore Hall review - Heath Quartet and star friends effervesce

David Nice

To compose a masterpiece in your teens is rare enough; to choose the most elaborate form in chamber music, an octet for eight strings, ensures a peculiar kind of immortality.

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Schumann Street, Spitalfields Festival review - illumination on a winter's night

Helen Wallace

An icy, wet wind snuck under the door of house number 8 in Fournier Street, where Uri Caine, bundled in coat and woolly hat, conjured Schumann’s darkly powerful "Im Rhein". Beside him, perched on a weaver’s stool, was improvising legend Phil Minton, rasping, whistling and groaning his way through "The wilderness of my life".

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Mark Padmore, Mitsuko Uchida, Wigmore Hall review - direct and uncompromising Schubert

Gavin Dixon

Expectations ran high for Mark Padmore and Mitsuko Uchida in Winterreise.

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Chineke! Ensemble, RNCM, Manchester review - musical advocacy

Robert Beale

The Chineke! Orchestra has won golden opinions for its ground-breaking work and musical achievement, and Manchester caught up to the extent of a visit from the eight-person Chineke! Ensemble to the Royal Northern College of Music.

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Salonen conducts Sibelius, RFH/Oramo conducts Salonen, Barbican review - Finnish psychedelia

David Nice

After Sakari Oramo's dazzling Sibelius rattlebag with the BBC Symphony Orchestra on the centenary day of Finnish independence, things weren't looking so good for Esa-Pekka Salonen and the Philharmonia at half time last Thursday (★★★).

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Capuçon, BBCPO, Mena, Bridgewater Hall, Manchester review - awesome unity

Robert Beale

Shostakovich’s First Violin Concerto is a big work in every sense: four movements, plus a solo cadenza before the last one that makes it seem almost like five; a soloist’s role that even David Oistrakh (for whom it was first written) found taxing; symphonic construction and instrumentation which make the orchestral contribution at least as important as the solo one.

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Johnston, BBCSO, Oramo, Barbican review - sheer adrenalin in early Sibelius

David Nice

As the Parliament of the Autonomous Grand Duchy of Finland within the Russian Empire declared independence on 6 December 1917, Sibelius had his head down working on the third version of his Fifth Symphony, the one so hugely popular today.

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Christian Tetzlaff, Lars Vogt, Wigmore Hall review - lyrical Brahms from veteran duo

Gavin Dixon

Sonata no 1 – Sonata no 2 – Sonata no 3 – that’s barely a recital programme, it’s just a list. Fortunately, violinist Christian Tetzlaff and pianist Lars Vogt (pictured below by Neda Navae) have good musical reasons for presenting the Brahms violin sonatas in chronological order.

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