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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Flo and Joan, Soho Theatre review - sisters in satirical harmony

Tuesday, 24 April 2018 Read more...

Ed Byrne, Touring review - the perils of modern fatherhood

Monday, 23 April 2018 Read more...

Home From Home, BBC One review - Johnny Vegas as everyman hero

Saturday, 21 April 2018 Read more...

Funny Cow review - Maxine Peake is stellar

Thursday, 19 April 2018 Read more...

Angela Barnes, Soho Theatre review - history with great gags

Thursday, 19 April 2018 Read more...

Daliso Chaponda, Touring review - uneven but entertaining

Monday, 16 April 2018 Read more...

Quiz, Noël Coward Theatre, review - entertaining confection

Wednesday, 11 April 2018 Read more...

Isle of Dogs review - canine caper with a message

Friday, 30 March 2018 Read more...

Simon Evans, Soho Theatre review - intellect examined

Friday, 23 March 2018 Read more...

Craig Hill, Glasgow International Comedy Festival review - sweary and filthy fun

Monday, 12 March 2018 Read more...

Mom and Dad review - daft and dark zombie thriller

Wednesday, 28 February 2018 Read more...

Fern Brady, Soho Theatre review - opinions with raw edge

Tuesday, 27 February 2018 Read more...

Rose Matafeo, Soho Theatre review - sassy and she knows it

Thursday, 22 February 2018 Read more...

Hannah Gadsby, Soho Theatre review - misogyny explored

Monday, 12 February 2018 Read more...

Andrew Maxwell, Soho Theatre - insightful political comedy

Friday, 09 February 2018 Read more...

Chris Rock, SSE Wembley Arena review - energetic and fast-moving performance

Monday, 29 January 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

Natalia Ginzburg: The City and the House review - a dying ar...

Many readers and writers think of epistolary novels as old-fashioned, just as letter writing itself can seem a bit quaint nowadays. The genre...

Album: Mansur Brown - Rihla

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ★★...

The Naked Gun review - farce, slapstick and crass stupidity

The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...

Album: Reneé Rapp - Bite Me

The stage musical update of Mean Girls, and the film adaptation, pushed Reneé Rapp into the public eye. She played queen bitch Regina...