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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Ahir Shah, Soho Theatre - a bravura response to Brexit vote

Wednesday, 27 September 2017 Read more...

Mae Martin, Soho Theatre review - life is a drug

Tuesday, 19 September 2017 Read more...

Richard III review - Temple Church venue is the star of the show

Thursday, 31 August 2017 Read more...

Edinburgh Fringe 2017 reviews: Ingrid Oliver / Darren Harriott / Jayde Adams

Monday, 21 August 2017 Read more...

Edinburgh Fringe 2017 reviews: Hannah Gadsby / Suzi Ruffell / Ivo Graham / Athena Kugblenu

Thursday, 17 August 2017 Read more...

Edinburgh Fringe 2017 reviews: Tom Allen / Cally Beaton / Lauren Pattison / Trumpageddon

Tuesday, 15 August 2017 Read more...

Edinburgh Fringe 2017 reviews: Kiri Pritchard-McLean / Dad's Army Radio Hour / Elliot Steel

Monday, 14 August 2017 Read more...

Edinburgh Fringe 2017 reviews: Tiff Stevenson / Jarlath Regan / Urzila Carlson

Thursday, 10 August 2017 Read more...

Russell Brand, Touring review - grandiloquent performer in reflective mood

Friday, 30 June 2017 Read more...

Tristan & Yseult, Brighton Festival review - playful and inventive storytelling

Wednesday, 24 May 2017 Read more...

A Time to Live, BBC Two review - an exquisite legacy

Thursday, 18 May 2017 Read more...

Manwatching, Royal Court review - the vagina manologues

Tuesday, 16 May 2017 Read more...

Ricky Gervais, Touring review - chatty and relaxed riffing

Friday, 12 May 2017 Read more...

The Good Fight review - 'flawless writing and acting'

Friday, 28 April 2017 Read more...

The Philanthropist, Trafalgar Studios review - 'Simon Callow's direction is underpowered'

Friday, 21 April 2017 Read more...

Ayesha Hazarika, Soho Theatre review - 'politics is her patch'

Thursday, 20 April 2017 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Monster of Florence, Netflix review - dramatisation of n...

The problem with making...

Music Reissues Weekly: Joe Meek - A Curious Mind

A curious mind, indeed. Outer space, and what may be there. Communicating with those in the hereafter. Spooks, vampires and other horror film...

Bizet in 150th anniversary year: rich and rare French offeri...

Georges Bizet was born on this day in 1838. He died at the tragically early age of 36, 150 years ago, and the anniversary year has brought forth...

Pop Will Eat Itself, O2 Institute, Birmingham review - Poppi...

As the Poppies’ set at Birmingham’s O2 Academy drew to an end on Friday night, co-vocalist Mary Byker barked into his microphone: “Reform is on...

Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

'Fevereaten' sees gothic punk-metallers Witch Feve...

Witch Fever are a rising three-piece, originally formed in ...

The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...

Springsteen: Deliver Me From Nowhere review - the story of t...

There’s something about hauntingly performed songs written in the first person that can draw us in like nothing else. As songs from...