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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Mae Martin, Soho Theatre review - life is a drug

Tuesday, 19 September 2017 Read more...

Richard III review - Temple Church venue is the star of the show

Thursday, 31 August 2017 Read more...

Edinburgh Fringe 2017 reviews: Ingrid Oliver / Darren Harriott / Jayde Adams

Monday, 21 August 2017 Read more...

Edinburgh Fringe 2017 reviews: Hannah Gadsby / Suzi Ruffell / Ivo Graham / Athena Kugblenu

Thursday, 17 August 2017 Read more...

Edinburgh Fringe 2017 reviews: Tom Allen / Cally Beaton / Lauren Pattison / Trumpageddon

Tuesday, 15 August 2017 Read more...

Edinburgh Fringe 2017 reviews: Kiri Pritchard-McLean / Dad's Army Radio Hour / Elliot Steel

Monday, 14 August 2017 Read more...

Edinburgh Fringe 2017 reviews: Tiff Stevenson / Jarlath Regan / Urzila Carlson

Thursday, 10 August 2017 Read more...

Russell Brand, Touring review - grandiloquent performer in reflective mood

Friday, 30 June 2017 Read more...

Tristan & Yseult, Brighton Festival review - playful and inventive storytelling

Wednesday, 24 May 2017 Read more...

A Time to Live, BBC Two review - an exquisite legacy

Thursday, 18 May 2017 Read more...

Manwatching, Royal Court review - the vagina manologues

Tuesday, 16 May 2017 Read more...

Ricky Gervais, Touring review - chatty and relaxed riffing

Friday, 12 May 2017 Read more...

The Good Fight review - 'flawless writing and acting'

Friday, 28 April 2017 Read more...

The Philanthropist, Trafalgar Studios review - 'Simon Callow's direction is underpowered'

Friday, 21 April 2017 Read more...

Ayesha Hazarika, Soho Theatre review - 'politics is her patch'

Thursday, 20 April 2017 Read more...

Russell Howard, Touring - 'the passion and anger are real'

Wednesday, 12 April 2017 Read more...

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'We are bowled over!' Thank you for your messages... ...
Dying review - they fuck you up, your mum and dad

Despite the title of Matthias Glasner’s award-winning drama, and the death that swirls around its characters, dying isn’t really its subject, but...

Album: Mádé Kuti - Chapter 1: Where Does Happiness Come From...

There can be few musicians on the planet from a more storied musical dynasty than Mádé Kuti. He is the son of Femi, the grandson of Fela. He grew...

theartsdesk Q&A: director Athina Rachel Tsangari on her...

Over a decade ago, a handful of Greek filmmakers set out to reinvent the national cinema amid the country's social and economic decline...

The Human League/Marc Almond/Toyah, Brighton Beach review -...

Today gradually blossoms from unpromising beginnings. LouderUK’s On The Beach event series takes place throughout the summer and runs the gamut...

A Moon for the Misbegotten, Almeida Theatre review - Michael...

Michael Shannon's long legs reach to the stars – or perhaps one should say the moon – in the Almeida's...

Album: Alice Cooper - The Revenge of Alice Cooper

Great (and not so great) bands reforming, either in the studio or in the live arena, is something of a trend at the moment. However, who would...

Burlesque, Savoy Theatre review - exhaustingly vapid

"It all starts with a snap," or so we're told early in the decidedly un-snappy Burlesque, which spends three hours borrowing shamelessly...

Tosca, Clonter Opera review - beauty and integrity in miniat...

At first sight, it seemed that Clonter Opera’s decision to tackle Tosca this year might be a leap too far. Its once-a-year complete...

Album: Paul Weller - Find El Dorado

Paul Weller occupies a strange place in the cultural sphere. Especially since he was adopted as an elder statesman of Britpop in the mid 1990s, he...