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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Leicester Comedy Festival Gala Preview Show - going from strength to strength

Monday, 15 January 2018 Read more...

Best of 2017: Comedy

Thursday, 28 December 2017 Read more...

300 Years of French and Saunders, BBC1 review - seasonal treat from the sketch duo

Tuesday, 26 December 2017 Read more...

The League of Gentlemen, BBC2 review - an anniversary to celebrate

Thursday, 21 December 2017 Read more...

Aladdin, Richmond Theatre review - great Dame, weak script

Monday, 18 December 2017 Read more...

Jack and the Beanstalk, New Wimbledon Theatre review - Al Murray's panto debut

Friday, 15 December 2017 Read more...

Jack and the Beanstalk, Lyric Hammersmith review - great fun for all ages

Monday, 11 December 2017 Read more...

Barnum, Menier Chocolate Factory review - a big, blowsy spectacle

Wednesday, 06 December 2017 Read more...

Margaret Cho, Hen & Chickens Bristol review - sex and drugs, no holds barred

Thursday, 30 November 2017 Read more...

Brakes review - dysfunctional relationships laid bare

Tuesday, 21 November 2017 Read more...

The Elvis Dead, Soho Theatre review - schlock horror told through Elvis songs

Monday, 20 November 2017 Read more...

Natalie Palamides, Soho Theatre review - delightful and disturbing show about motherhood

Monday, 13 November 2017 Read more...

John Bishop, O2 review - Everyman comedy with a hint of subversion

Monday, 06 November 2017 Read more...

Kerry Godliman, Touring review - affable and down-to-earth humour

Friday, 20 October 2017 Read more...

A Woman of No Importance, Vaudeville - Eve Best is superb as a woman scorned

Tuesday, 17 October 2017 Read more...

Mat Ewins, Soho Theatre review - multimedia show with twists in the tale

Monday, 16 October 2017 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Assembled Parties, Hampstead review - a rarity, a well-m...

There’s a line in the late Richard Greenberg’s 2013 play that refers to a recently elected showbiz type turned politician who sports...

The Monster of Florence, Netflix review - dramatisation of n...

The problem with making...

Music Reissues Weekly: Joe Meek - A Curious Mind

A curious mind, indeed. Outer space, and what may be there. Communicating with those in the hereafter. Spooks, vampires and other horror film...

Bizet in 150th anniversary year: rich and rare French offeri...

Georges Bizet was born on this day in 1838. He died at the tragically early age of 36, 150 years ago, and the anniversary year has brought forth...

Pop Will Eat Itself, O2 Institute, Birmingham review - Poppi...

As the Poppies’ set at Birmingham’s O2 Academy drew to an end on Friday night, co-vocalist Mary Byker barked into his microphone: “Reform is on...

Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

'Fevereaten' sees gothic punk-metallers Witch Feve...

Witch Fever are a rising three-piece, originally formed in ...

The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...