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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Leicester Comedy Festival Gala Preview Show - going from strength to strength

Monday, 15 January 2018 Read more...

Best of 2017: Comedy

Thursday, 28 December 2017 Read more...

300 Years of French and Saunders, BBC1 review - seasonal treat from the sketch duo

Tuesday, 26 December 2017 Read more...

The League of Gentlemen, BBC2 review - an anniversary to celebrate

Thursday, 21 December 2017 Read more...

Aladdin, Richmond Theatre review - great Dame, weak script

Monday, 18 December 2017 Read more...

Jack and the Beanstalk, New Wimbledon Theatre review - Al Murray's panto debut

Friday, 15 December 2017 Read more...

Jack and the Beanstalk, Lyric Hammersmith review - great fun for all ages

Monday, 11 December 2017 Read more...

Barnum, Menier Chocolate Factory review - a big, blowsy spectacle

Wednesday, 06 December 2017 Read more...

Margaret Cho, Hen & Chickens Bristol review - sex and drugs, no holds barred

Thursday, 30 November 2017 Read more...

Brakes review - dysfunctional relationships laid bare

Tuesday, 21 November 2017 Read more...

The Elvis Dead, Soho Theatre review - schlock horror told through Elvis songs

Monday, 20 November 2017 Read more...

Natalie Palamides, Soho Theatre review - delightful and disturbing show about motherhood

Monday, 13 November 2017 Read more...

John Bishop, O2 review - Everyman comedy with a hint of subversion

Monday, 06 November 2017 Read more...

Kerry Godliman, Touring review - affable and down-to-earth humour

Friday, 20 October 2017 Read more...

A Woman of No Importance, Vaudeville - Eve Best is superb as a woman scorned

Tuesday, 17 October 2017 Read more...

Mat Ewins, Soho Theatre review - multimedia show with twists in the tale

Monday, 16 October 2017 Read more...

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'We are bowled over!' Thank you for your messages... ...
theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

Natalia Ginzburg: The City and the House review - a dying ar...

Many readers and writers think of epistolary novels as old-fashioned, just as letter writing itself can seem a bit quaint nowadays. The genre...

Album: Mansur Brown - Rihla

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ★★...

The Naked Gun review - farce, slapstick and crass stupidity

The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...

Album: Reneé Rapp - Bite Me

The stage musical update of Mean Girls, and the film adaptation, pushed Reneé Rapp into the public eye. She played queen bitch Regina...