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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Emily Atack, Clapham Grand review - I'm a Celebrity... star's first solo show

Friday, 24 May 2019 Read more...

John McEnroe: In the Realm of Perfection review - a fascinating oddity

Wednesday, 22 May 2019 Read more...

Al Murray as the Pub Landlord, Embassy Theatre Skegness review - comic pulls his punches

Monday, 20 May 2019 Read more...

Seann Walsh, Broadway, Letchworth Garden City review - Strictly's bad boy tells his story

Friday, 10 May 2019 Read more...

Reginald D Hunter, Princes Hall Aldershot review - underpowered but the laughs come through

Monday, 06 May 2019 Read more...

Mark Thomas, BAC review - impassioned polemic about the NHS

Thursday, 25 April 2019 Read more...

Britney, Soho Theatre review - finding the funny in a brain tumour

Monday, 22 April 2019 Read more...

Tommy Tiernan, Shepherd's Bush Empire review - playful and poetic

Friday, 19 April 2019 Read more...

Angela Barnes, Blackheath Halls review - a pessimist turning the tables

Wednesday, 10 April 2019 Read more...

Aziz Ansari, Eventim Apollo review - show follows his #MeToo moment

Thursday, 04 April 2019 Read more...

Mo Amer and Guz Khan, Leicester Square Theatre review - racism examined from both sides of the Atlantic

Monday, 01 April 2019 Read more...

Showbands, BBC Four review - an Irish cultural phenomenon explained

Saturday, 16 March 2019 Read more...

Ed Gamble, The Stand review - amiable hour touching on personal issues

Friday, 15 March 2019 Read more...

Angry Alan, Soho Theatre review - superb monologue about the rise of 'meninism'

Monday, 11 March 2019 Read more...

Fleabag, Series 2 review - a standing ovation

Tuesday, 05 March 2019 Read more...

Lou Sanders, Soho Theatre review - shame put under the spotlight

Tuesday, 26 February 2019 Read more...

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'We are bowled over!' Thank you for your messages... ...
Slow Horses, Series 5, Apple TV+ review - terror, trauma and...

Fifth time around, Slow Horses continues to show the rest of the field a clean pair of heels. Or hooves. The adventures of Jackson Lamb (...

Kohout, Spence, Braun, Manchester Camerata, Huth, RNCM, Manc...

The Royal Northern College of Music was in celebratory mood last night for the opening of its new season, in a joint promotion with Manchester...

Album: Night Tapes - portals//polarities

“Helix” is the ninth track on portals//polarities. With this dramatic, acid house-leaning slab of shoegazing-infused...

Coldwater, ITV1 review - horror and black comedy in the High...

Scripted by Belfast-born playwright David Ireland...

Kerry Godliman, G-Live review - she's livid but deliver...

Kerry Godliman is livid, she tells us. Spider webs catching in her hair, the state of the world, her teenage children; you name it,...

Mark Hussey: Mrs Dalloway - Biography of a Novel review - ec...

Writing in her diary just over 100 years ago on 19th June 1923, Virginia Woolf wrote: “In this...

Jansen, LSO, Pappano, Barbican review - profound and bracing...

Antonio Pappano and the London Symphony Orchestra last seared us in Britten’s amazing Violin Concerto, with Vilde Frang as soloist, on the very...

Jakub Hrůša and Friends in Concert, Royal Opera review - fle...

Between bouts of that far from shabby, still shocking masterpiece Tosca, Royal Opera music director Jakub Hrůša ...

The Weir, Harold Pinter Theatre review - evasive fantasy, bl...

Why are the Irish such good storytellers? The historical perspective is that the oral tradition goes way, way back, allied to the gift of the gab...