mon 28/07/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Grudge review - non-stop shocks wear out their welcome

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Crazy Delicious, Channel 4 review - the most ridiculous cooking programme on TV ?

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Chris Packham: 7.7 Billion People and Counting, BBC Two review - is it too late to get population growth under control?

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The Outsider, Sky Atlantic review - double trouble in small-town Georgia

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Cobra, Sky 1 review - entertaining mix of political mischief and cosmic chaos

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Messiah, Netflix review - con-artist or the Second Coming?

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This Is Our Family, Sky Atlantic review - can Emma and Tony live happily ever after?

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How to Steal Pigs and Influence People, Channel 4 review - the arcane world of the online vegan influencers

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Jonestown: Terror in the Jungle, BBC Four review - meticulous account of a haunting American tragedy

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Cornwall: This Fishing Life, BBC Two review - a precarious trade on the ocean wave

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Dracula, BBC One review - horrific, and not in a good way

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The Gentlemen review - it ain't woke but don't fix it

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Dame Edna Rules the Waves / The Graham Norton Show, BBC One review - two ways to run a talk show

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The Trial of Christine Keeler, BBC One review - famous sex scandal makes uneven drama

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Martin's Close, BBC Four review - where did the scary bits go?

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Cinderella: After Ever After, Sky 1 review - preposterous fairytale sequel tweaks the funny bone

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latest in today

'We are bowled over!' Thank you for your messages... ...
Inter Alia, National Theatre review - dazzling performance,...

Rosamund Pike is back. For her first stage appearance since 2010, when she played Hedda Gabler in Adrian Noble’s production for Bath Theatre Royal...

The Waterfront, Netflix review - fish, drugs and rock'n...

You wouldn’t really want to belong to the Buckley family, a star-crossed dynasty who run their fishing business out of Havenport,...

Album: Debby Friday - The Starrr of the Queen of Life

Debby Friday is a Nigerian-Canadian singer-producer who found...

The Fantastic Four: First Steps review - innocence regained

Marvel goes back to its origins, gulping the fresh air of Stan Lee and Jack Kirby’s first hit comic The Fantastic Four in 1961. Ignoring...

Music Reissues Weekly: The Pale Fountains - The Complete Vir...

The Pale Fountains played their first live show on 12 February 1980 as the support to on-the-up fellow...

Giselle, National Ballet of Japan review - return of a class...

A new Giselle? Not quite: the production that ...

Buxton International Festival 2025 review - a lavish offerin...

The Buxton International Festival this year was lavish in its smaller-scale productions in addition to Ambroise Thomas’s Hamlet, the...

Eddie Pepitone, Special review - return of the curmudgeon

There aren’t many comics like Eddie Pepitone any more – the veteran comic’s shtick harks to back an earlier age, pre-suitable for TV...