fri 16/05/2025

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

A Christmas Carol, BBC One review – Dickens classic recast as gruelling horror story

Read more...

The Brexit Storm Continues: Laura Kuenssberg's Inside Story, BBC Two review - rehashed political history fails to set pulses racing

Read more...

Charles I: Killing a King, BBC Four review - sad stories of the death of kings

Read more...

Sons of Denmark review - political thriller stirs cauldron of hot-button issues

Read more...

Traces, Alibi review - pedigree cast battles implausible plot

Read more...

How They Built the Titanic, Channel 5 review - the great liner revisited again, but why now?

Read more...

Giri/Haji, Series Finale, BBC Two review - a thriller, but much more besides

Read more...

The Family Secret, Channel 4 review - lives destroyed by historic sexual abuse

Read more...

Takaya: Lone Wolf, BBC Four review - enigmatic predator baffles boffins

Read more...

Tutankhamun with Dan Snow, Channel 5 review - too many presenters spoil Egyptian boy-king doc

Read more...

8 Days, Sky Atlantic review - could armageddon really be this boring?

Read more...

The Sinner, Series 2, BBC Four review - a white-knuckle ride into spiritual darkness

Read more...

21 Bridges review - police corruption thriller sets a cracking pace

Read more...

Greg Davies: Looking for Kes, BBC Four review - touching insights into the story of Barnsley boy Billy Casper

Read more...

The Crown, Series 3, Netflix review - if you want binge TV, there's none finer

Read more...

Gold Digger, BBC One review - Julia Ormond tackles those mid-life blues

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

theartsdesk Q&A: Zoë Telford on playing a stressed-out p...

If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...

Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash...

It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...

Good One review - a life lesson in the wild with her dad and...

Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskill Forest...

E.1027 - Eileen Gray and the House by the Sea review - dull...

It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will...

Album: Rico Nasty - LETHAL

Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...

The Marching Band review - what's the French for '...

In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...

Lucy Farrell, Catherine MacLellan, The Green Note review - s...

Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...

1536, Almeida Theatre review - fast and furious portrayal of...

Ava Pickett’s award-winning début play, 1536, is a foul-mouthed, furious, frenetically funny ride through the lives of three young women...

The Comedy About Spies, Noel Coward Theatre review - 'G...

From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As ever...