mon 27/10/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Doing Drugs for Fun, Channel 5 review - why the cocaine trade is no laughing matter

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The Great British Bake Off, Episode 7, Channel 4 review - bakers hampered by pointless celebrities

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LFF 2019: The King review - head conquers heart in Shakespeare adaptation

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The Capture, Episode 5, BBC One review - the man who knew too much

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Snackmasters, Channel 4 review - superchefs take the clone-a-KitKat challenge

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World on Fire, BBC One review - more melodrama than drama

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My Life is Murder, Alibi review - whimsical tales of detection from Down Under

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Saving Lives at Sea, BBC Two review - derring-do on the ocean wave with the RNLI

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The $50m Art Swindle, BBC Two review - ramblin' gamblin' man comes home to roost

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The Cameron Years, BBC One review - quite interesting but a bit boring

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City on a Hill, Sky Atlantic review - power, corruption and larceny in 1990s Boston

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Defending the Guilty, BBC Two review - trials and tribulations of a trainee barrister

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Love in the Countryside, BBC Two review - reaping a harvest of marital bliss?

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Temple, Sky 1 review - down in the tube station at midnight

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Suicidal: In Our Own Words, Channel 5 review - why are so many men killing themselves?

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Spotlight on The Troubles: A Secret History, BBC Four review - Ulster's bitter sectarian war revisited

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Music Reissues Weekly: Joe Meek - A Curious Mind

A curious mind, indeed. Outer space, and what may be there. Communicating with those in the hereafter. Spooks, vampires and other horror film...

Bizet in 150th anniversary year: rich and rare French offeri...

Georges Bizet was born on this day in 1838. He died at the tragically early age of 36, 150 years ago, and the anniversary year has brought forth...

Pop Will Eat Itself, O2 Institute, Birmingham review - Poppi...

As the Poppies’ set at Birmingham’s O2 Academy drew to an end on Friday night, co-vocalist Mary Byker barked into his microphone: “Reform is on...

Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

'Fevereaten' sees gothic punk-metallers Witch Feve...

Witch Fever are a rising three-piece, originally formed in ...

The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...

Springsteen: Deliver Me From Nowhere review - the story of t...

There’s something about hauntingly performed songs written in the first person that can draw us in like nothing else. As songs from...