fri 16/05/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Only Fools and Horses, Theatre Royal Haymarket review - rollicking remake of much-loved TV sitcom

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Traitors, Channel 4 review - Cold War thriller fails to reach room temperature

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Shetland, Series 5, BBC One review - uneven start to new season

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Endeavour, Series 6, ITV review - reassuringly accomplished return of the brainy copper

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Safe Harbour, Series Finale, BBC Four review - too much message, not enough drama

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Das Boot, Sky Atlantic review - menacing drama on land and sea

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theartsdesk Q&A: Matthew Heineman on directing 'A Private War'

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Green Book review - is this Oscar hopeful too good to be true?

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Screenwriter Adam Price on 'Ride Upon the Storm' - 'If we discuss faith, we will possibly not kill each other'

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Black Lake, Series 2 Finale, BBC Four review - Swedish chiller fails to thrill

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Magnum P.I., Sky 1 review - slick and formulaic remake of Eighties original

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Call My Agent!, Netflix review - French movie stars turn out for witty and waspish TV show

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The Favourite review - scintillatingly warped portrait of the court of Queen Anne

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Les Misérables, BBC One review - Dominic West looks the part in new Victor Hugo adaptation

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Torvill & Dean, ITV review - skating into history

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The Dead Room, BBC Four review - ghosts at the microphone

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It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...

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Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskills Forest...

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It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will...

Album: Rico Nasty - LETHAL

Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...

The Marching Band review - what's the French for '...

In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...

Lucy Farrell, Catherine MacLellan, The Green Note review - s...

Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...

1536, Almeida Theatre review - fast and furious portrayal of...

Ava Pickett’s award-winning début play, 1536, is a foul-mouthed, furious, frenetically funny ride through the lives of three young women...

The Comedy About Spies, Noel Coward Theatre review - 'G...

From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As ever...