fri 16/05/2025

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

I Am Hannah, Channel 4 review - last in trilogy leaves us dangling

Read more...

Euphoria, Sky Atlantic review - teenage nervous breakdown

Read more...

Animals review - who decides when the party's over?

Read more...

The Chef's Brigade, BBC Two review - you're in the army now

Read more...

Manifest, Sky 1 review - late arrival causes cosmic upheaval

Read more...

Keeping Faith, Series 2, BBC One review - family misfortunes

Read more...

I Am Nicola, Channel 4 review - not really love, actually

Read more...

Pavarotti review - enjoyable but superficial survey of a superstar

Read more...

The Day We Walked on the Moon, ITV review - it was 50 years ago to the day

Read more...

Inside the Social Network: Facebook's Difficult Year, BBC Two review - how big can it get?

Read more...

Charles I: Downfall of a King, BBC Four review - beheaded monarch upstaged by exotic presenter

Read more...

Cyclists: Scourge of the Streets?, Channel 5 review - can we make the roads a safer place?

Read more...

Dark Money, BBC One review - powerful idea poorly executed

Read more...

Inside the Bank of England, BBC Two review - economical with the actualité

Read more...

Judi Dench's Wild Borneo Adventure, ITV review - national treasure meets natural wonders

Read more...

Yesterday review - Beatlemania in a parallel universe

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

theartsdesk Q&A: Zoë Telford on playing a stressed-out p...

If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...

Good One review - a life lesson in the wild with her dad and...

Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskill Forest...

E.1027 - Eileen Gray and the House by the Sea review - dull...

It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will...

Album: Rico Nasty - LETHAL

Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...

The Marching Band review - what's the French for '...

In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...

Lucy Farrell, Catherine MacLellan, The Green Note review - s...

Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...

1536, Almeida Theatre review - fast and furious portrayal of...

Ava Pickett’s award-winning début play, 1536, is a foul-mouthed, furious, frenetically funny ride through the lives of three young women...

The Comedy About Spies, Noel Coward Theatre review - 'G...

From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As ever...

Album: Billy Nomates - Metalhorse

Metalhorse is a concept album that uses visions of a dilapidated funfair as a metaphor for life’s various ups and downs. It especially...