mon 21/07/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Dublin Murders, Series Finale, BBC One review - eerie detective drama grips tightly

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Rich Hall's Red Menace, BBC Four review - laconic comic referees the Free World versus Communism

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Love and Hate Crime, BBC One review - Abel Cedeno was a killer, but was he also a victim?

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Ben Fogle: New Lives in the Wild, Series 10, Channel 5 review - living off your wits and below the radar in Sweden

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Black and Blue review - police thriller aims high and misses

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The Troubles: A Secret History, BBC Four, finale review - peace at last, but at what price?

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The British Tribe Next Door, Channel 4 review - risible culture-clash farrago

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Spiral, Series 7, BBC Four review - hard-hitting return of our favourite French cop show

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Giri/Haji, BBC Two review - inspired Anglo-Japanese thriller makes compulsive viewing

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Lenny Henry's Race Through Comedy, Gold review - illuminating account of TV's struggle to become multicultural

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Chaos in the Cockpit: Flights from Hell, Channel 5 review - do we really want to watch plane-wreck TV?

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LFF 2019: Le Mans '66 review - Matt Damon, Christian Bale and the Ford Motor Company go to war

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American Woman review - leading lady Sienna Miller moves up a gear

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Doing Drugs for Fun, Channel 5 review - why the cocaine trade is no laughing matter

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The Great British Bake Off, Episode 7, Channel 4 review - bakers hampered by pointless celebrities

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LFF 2019: The King review - head conquers heart in Shakespeare adaptation

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'We are bowled over!' Thank you for your messages... ...
Bookish, U&Alibi review - sleuthing and skulduggery in a...

As a sometime writer of Poirot, Sherlock and Christmas ghost stories,...

Album: Spafford Campbell - Tomorrow Held

Guitarist Louis Campbell and fiddle player Owen Spafford started playing together as teenagers in the National Youth Folk Ensemble when Sam...

The Estate, National Theatre review - hugely entertaining, b...

The first rule for brown people, says the main character – played by BAFTA-winner Adeel Akhtar – in this highly entertaining dramedy, is not to...

Music Reissues Weekly: Mike Taylor - Pendulum, Trio

Wheels of Fire was Cream’s third album. Issued in the US in June 1968 and in the UK two months later, it was a double LP. One record was...

The Ballad of Suzanne Césaire review - a mysterious silence

A glamorous black woman sits in a Forties bar under a Vichy cop’s gaze, cigarette tilted at an angle, till two male companions join her in...

Youssou N'Dour and Super Étoile de Dakar, Roundhouse re...

There is a freshness about a show by Youssou N’Dour that never seems to lose its glow. He still has one of the great voices of Africa, a versatile...

BBC Proms: First Night, Batiashvili, BBCSO, Oramo review - g...

The auditorium and arena were packed – and the stage even more so, bursting at the seams with players and singers: the perfect set-up for a First...

Album: Bonnie Dobson & The Hanging Stars - Dreams

What a great album – and what a great story to lift the heart in these fetid times. A story that crosses oceans and decades and brings together a...

Harvest review - blood, barley and adaptation

Lovers of a particular novel, when it’s adapted as a movie, often want book and movie to fit together as a hand in a glove. You want it to be like...