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Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Power, politics and Peaky Blinders - the Shelby family return for Series 5

Thursday, 22 August 2019 Read more...

I Am Hannah, Channel 4 review - last in trilogy leaves us dangling

Wednesday, 07 August 2019 Read more...

Euphoria, Sky Atlantic review - teenage nervous breakdown

Wednesday, 07 August 2019 Read more...

Animals review - who decides when the party's over?

Friday, 02 August 2019 Read more...

The Chef's Brigade, BBC Two review - you're in the army now

Wednesday, 31 July 2019 Read more...

Manifest, Sky 1 review - late arrival causes cosmic upheaval

Wednesday, 31 July 2019 Read more...

Keeping Faith, Series 2, BBC One review - family misfortunes

Wednesday, 24 July 2019 Read more...

I Am Nicola, Channel 4 review - not really love, actually

Wednesday, 24 July 2019 Read more...

Pavarotti review - enjoyable but superficial survey of a superstar

Friday, 19 July 2019 Read more...

The Day We Walked on the Moon, ITV review - it was 50 years ago to the day

Wednesday, 17 July 2019 Read more...

Inside the Social Network: Facebook's Difficult Year, BBC Two review - how big can it get?

Wednesday, 17 July 2019 Read more...

Charles I: Downfall of a King, BBC Four review - beheaded monarch upstaged by exotic presenter

Wednesday, 10 July 2019 Read more...

Cyclists: Scourge of the Streets?, Channel 5 review - can we make the roads a safer place?

Wednesday, 10 July 2019 Read more...

Dark Money, BBC One review - powerful idea poorly executed

Tuesday, 09 July 2019 Read more...

Inside the Bank of England, BBC Two review - economical with the actualité

Wednesday, 03 July 2019 Read more...

Judi Dench's Wild Borneo Adventure, ITV review - national treasure meets natural wonders

Wednesday, 03 July 2019 Read more...

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'We are bowled over!' Thank you for your messages... ...
Wendy & Peter Pan, Barbican Theatre review - mixed bag o...

On paper, this RSC revival of Ella Hickson’s 2013 adaptation sounds just the ticket: a feminist spin on the familiar JM Barrie story,...

Bugonia review - Yorgos Lanthimos on aliens, bees and conspi...

“How can you tell she’s an alien?” asks Don (Aidan Delbis, an impressive neuro-divergent actor) of his cousin Teddy (the excellent Jesse Plemons...

Cat Burns finds 'How to Be Human' but maybe not he...

Twenty-five-year-old South Londoner and current Celebrity Traitors contestant Cat Burns is a charming performer....

Robin Holloway: Music’s Odyssey review – lessons in composit...

Robin Holloway is a composer and, till his retirement in 2011, don at Cambridge, where he taught many of the leading British composers of the last...

Todd Rundgren, London Palladium review - bold, soul-inclined...

The first words are spoken after “Worldwide Epiphany,” the 20th song. “Thank you” is all Todd Rundgren says. With this, the set ends.

It...

Photo Oxford 2025 review - photography all over the town

Photo Oxford 2025 presents a programme of exhibitions, lectures and events ranging from well-known artists and documentary photographers to new...

It’s back to the beginning for the latest Dylan Bootleg

The youthful subject of A Complete Unknown, which closes with him "going electric" at Newport as the culmination of a rainbow arc that...

Ireland's Hilary Woods casts a hypnotic spell with...

Night CRIÚ evokes clandestine ceremonies in forest glades, covert rituals taking place in the depths of a cave. Crepuscular and ghostly,...

Hedda, Orange Tree Theatre review - a monument reimagined, p...

Hedda Gabler is a Hollywood star of The Golden Age – or rather, she was. She walked off the set of two movies into a five-film...