sat 01/11/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Power, politics and Peaky Blinders - the Shelby family return for Series 5

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I Am Hannah, Channel 4 review - last in trilogy leaves us dangling

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Euphoria, Sky Atlantic review - teenage nervous breakdown

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Animals review - who decides when the party's over?

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The Chef's Brigade, BBC Two review - you're in the army now

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Manifest, Sky 1 review - late arrival causes cosmic upheaval

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Keeping Faith, Series 2, BBC One review - family misfortunes

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I Am Nicola, Channel 4 review - not really love, actually

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Pavarotti review - enjoyable but superficial survey of a superstar

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The Day We Walked on the Moon, ITV review - it was 50 years ago to the day

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Inside the Social Network: Facebook's Difficult Year, BBC Two review - how big can it get?

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Charles I: Downfall of a King, BBC Four review - beheaded monarch upstaged by exotic presenter

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Cyclists: Scourge of the Streets?, Channel 5 review - can we make the roads a safer place?

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Dark Money, BBC One review - powerful idea poorly executed

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Inside the Bank of England, BBC Two review - economical with the actualité

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Judi Dench's Wild Borneo Adventure, ITV review - national treasure meets natural wonders

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'We are bowled over!' Thank you for your messages... ...
The Line of Beauty, Almeida Theatre review - the 80s revisit...

Alan Hollinghurst's 2004 novel The Line of Beauty finds a distinct beauty all its own in this long-awaited Almeida Theatre premiere...

Down Cemetery Road, Apple TV review - wit, grit and a twisty...

Back in 2003, when Mick Herron was a humble sub-editor, his...

The Railway Children, Glyndebourne review - right train, wro...

If the distance from Festen to The Railway Children looks like a long stretch of track, remember that Mark-Anthony Turnage’s...

Robin Holloway: Music's Odyssey review - lessons in com...

Robin Holloway is a composer and, until his retirement in 2011, don at Cambridge, where he taught many of the leading British composers of the...

'Everybody Scream': Florence + The Machine's...

If you were looking for the most perfectly brooding autumnal album this year, Florence Welch and her Machine may have been one...

Wendy & Peter Pan, Barbican Theatre review - mixed bag o...

On paper, this RSC revival of Ella Hickson’s 2013 adaptation sounds just the ticket: a feminist spin on the familiar JM Barrie story,...

Bugonia review - Yorgos Lanthimos on aliens, bees and conspi...

“How can you tell she’s an alien?” asks Don (Aidan Delbis, an impressive neuro-divergent actor) of his cousin Teddy (the excellent Jesse Plemons...

Cat Burns finds 'How to Be Human' but maybe not he...

Twenty-five-year-old South Londoner and current Celebrity Traitors contestant Cat Burns is a charming performer....