sat 19/07/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Truth about Amazon, Channel 4 review - buyer beware

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A Country Life for Half the Price, Channel 5 review - Essex couple Sam and Lucy become rural entrepreneurs

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DVD: The Year of the Sex Olympics

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Earth and Blood, Netflix review - tense and broody thriller ultimately falls short

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Quiz, ITV review - cheats never prosper. Well, hardly ever

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Believe Me: The Cyprus Rape Case, ITV review - British teenager’s holiday from hell

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Prue Leith: Journey with My Daughter, Channel 4 review - an emotional journey into the past

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Blu-ray: Rio Grande

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Danger Close review - the Vietnam war from an Australian perspective

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theartsdesk Q&A: actor Gemma Whelan

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Alma's Not Normal, BBC Two review - bare-knuckle comedy pilot hits the spot

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Return to Belsen, ITV review - Jonathan Dimbleby retraces his father's journey to a nightmare world

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The Iron Mask review - preposterous multi-national fantasy

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Ozark, Series 3 review, Netflix - money-laundering saga hits new heights

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The Trip to Greece, Series Finale, Sky 1 review - bittersweet swansong for the cantankerous comrades

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Pen15, Sky Comedy review - the horror of adolescent schooldays revisited

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'We are bowled over!' Thank you for your messages... ...
Bookish, U&Alibi review - sleuthing and skulduggery in a...

As a sometime writer of Poirot, Sherlock and Christmas ghost stories,...

The Ballad of Suzanne Césaire review - a mysterious silence

A glamorous black woman sits in a Forties bar under a Vichy cop’s gaze, cigarette tilted at an angle, till two male companions join her in...

Youssou N'Dour and Super Étoile de Dakar, Roundhouse re...

There is a freshness about a show by Youssou N’Dour that never seems to lose its glow. He still has one of the great voices of Africa, a versatile...

BBC Proms: First Night, Batiashvili, BBCSO, Oramo review - g...

The auditorium and arena were packed – and the stage even more so, bursting at the seams with players and singers: the perfect set-up for a First...

Album: Bonnie Dobson & The Hanging Stars - Dreams

What a great album – and what a great story to lift the heart in these fetid times. A story that crosses oceans and decades and brings together a...

Harvest review - blood, barley and adaptation

Lovers of a particular novel, when it’s adapted as a movie, often want book and movie to fit together as a hand in a glove. You want it to be like...

Poor Clare, Orange Tree Theatre review - saints cajole us si...

What am I, a philosophical if not political Marxist whose hero is Antonio Gramsci, doing in Harvey Nichols buying Comme des Garçons...

Album: Alex Warren - You'll Be Alright, Kid

The best-selling single so far this year in the UK is ...

That Bastard, Puccini!, Park Theatre review - inventive comi...

Before Luigi Illica wrote the libretti for Puccini’s Tosca and Madama Butterfly, he had joined the composer as the...