mon 27/10/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Good Lord Bird, Sky Atlantic review - picaresque account of the myth of John Brown

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Offended by Irvine Welsh, Sky Arts review - are we seeing the end of free speech?

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The Crown, Season 4, Netflix review - royalty rocked by personal and political turbulence

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theartsdesk Q&A: screenwriter Jed Mercurio

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The Queen's Gambit, Netflix review - chess prodigy's story makes brilliant television

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The Sister, ITV review - half-baked dramatisation of esteemed novel

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The Undoing, Sky Atlantic review - trouble in paradise for gilded Manhattan couple

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Bruce Springsteen's Letter to You, Apple TV+ review - his new album is a matter of life and death

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Roadkill, BBC One review - David Hare pokes under the floorboards of the Conservative party

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LFF 2020: Never Gonna Snow Again review - mystic masseur with God-like gifts

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Emily in Paris, Netflix review - addictive escapism in the City of Light

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Enslaved with Samuel L Jackson, BBC Two review - ambitious history of the slave trade falls short

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LFF 2020: One Night in Miami review - Kemp Powers's play makes the leap to the big screen

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Brave New World, Sky 1 review - Aldous Huxley's novel doesn't look very happy on TV

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Away, Netflix review - pioneering voyage to Mars descends into astrosoap

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Sheridan Smith: Becoming Mum, ITV review - will motherhood be the gateway to a new life?

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Music Reissues Weekly: Joe Meek - A Curious Mind

A curious mind, indeed. Outer space, and what may be there. Communicating with those in the hereafter. Spooks, vampires and other horror film...

Bizet in 150th anniversary year: rich and rare French offeri...

Georges Bizet was born on this day in 1838. He died at the tragically early age of 36, 150 years ago, and the anniversary year has brought forth...

Pop Will Eat Itself, O2 Institute, Birmingham review - Poppi...

As the Poppies’ set at Birmingham’s O2 Academy drew to an end on Friday night, co-vocalist Mary Byker barked into his microphone: “Reform is on...

Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

'Fevereaten' sees gothic punk-metallers Witch Feve...

Witch Fever are a rising three-piece, originally formed in ...

The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...

Springsteen: Deliver Me From Nowhere review - the story of t...

There’s something about hauntingly performed songs written in the first person that can draw us in like nothing else. As songs from...