thu 15/05/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Litigante review - an unflashy film which rings true

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Mrs America, BBC Two review - how a conservative revolutionary scuppered the Equal Rights Amendment

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The Choir: Singing for Britain Finale, BBC Two review - stirring songs from a garden shed

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The Battle of Britain, Channel 5 review - 80th anniversary of the RAF's finest hour

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The Kemps: All True, BBC Two review - more self-promotion than self-mockery

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Penny Dreadful: City of Angels, Sky Atlantic review - the good, the bad and the unspeakable

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Das Boot, Series 2 Finale, Sky Atlantic review - deeper and darker

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The Hidden Wilds of the Motorway, BBC Four review - mysteries and marvels of the M25

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The Choir: Singing for Britain, BBC Two review - the pandemic versus the power of song

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Roswell, New Mexico, ITV2 review - they've landed!

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Perry Mason, Sky Atlantic review - low life and hard times in Depression-era LA

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The Salisbury Poisonings, BBC One review - the Cold War comes to Wiltshire

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A House Through Time, Series Finale, BBC Two review - timely series reaches uneven conclusion

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Das Boot, Series 2, Sky Atlantic review - multi-layered war drama goes from strength to strength

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Little Fires Everywhere, Amazon Prime review - in every dream home a heartache

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A Very British Hotel Chain: Inside Best Western, Series Finale, Channel 4 review - let's hear it for Alasdair the hotel inspector

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Lucy Farrell, Catherine MacLellan, The Green Note review - s...

Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...

1536, Almeida Theatre review - fast and furious portrayal of...

Ava Pickett’s award-winning début play, 1536, is a foul-mouthed, furious, frenetically funny ride through the lives of three young women...

The Comedy About Spies, Noel Coward Theatre review - 'G...

From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As ever...

Album: Billy Nomates - Metalhorse

Metalhorse is a concept album that uses visions of a dilapidated funfair as a metaphor for life’s various ups and downs. It especially...

House of Games, Hampstead Theatre review - adapted Mamet scr...

There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...

Karim Said, Leighton House review - adventures from Byrd to...

William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very...

Album: MØ - Plæygirl

Danish singer MØ is a paradox. Initially she appeared to be another Scandi electro-pop princess of the bangers. The monster 2015 hit “Lean On”...

Stile Antico, Wigmore Hall review - a glorious birthday cele...

There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...

PUP, SWG3, Glasgow review - controlled chaos from Canadian p...

According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...