tv
Bloodlands, BBC One review - ghosts of the Troubles return to poison the presentMonday, 22 February 2021
Belfast-based thriller Bloodlands comes from the pen of first-time TV writer Chris Brandon, though he may find some of his thunder being stolen by the show’s producer, Line of Duty supremo Jed Mercurio. Line of Duty is filmed in Belfast too, though it doesn’t advertise the fact on screen. Read more...
|
Whirlybird: Live Above LA - Storyville, BBC Four review - rise and fall of the first couple of airborne TV newsTuesday, 16 February 2021
A story of obsession, media madness and the price of fame, as well as a filmic incarnation of Jim Morrison’s “bloody red sun of fantastic LA”, Matt Yoka’s film Whirlybird is a strange and fascinating hybrid. Read more... |
ZeroZeroZero, Sky Atlantic review - how drug money makes the world go roundFriday, 05 February 2021
Based on a book by Roberto Saviano, author of the Neapolitan gang saga Gomorrah, ZeroZeroZero (Sky Atlantic) is an account of the international drugs trade and the way its tentacles wrap themselves around the... Read more... |
The Drowning, Channel 5 review - unbelievableWednesday, 03 February 2021
The theme of a parent haunted by the loss of a child can have powerful dramatic potential, and this is the premise behind The Drowning, Channel 5’s new four-night mystery. Nine years earlier, Jodie and Frank’s four-year-old son Tom vanished during a family outing to a local lake. Read more... |
Spiral, Series 8 Finale, BBC Four review - justice is done in stormy climactic episodesSunday, 31 January 2021
If this had to be the end of Spiral, the final episodes of Series 8 (BBC Four) at least ensured that justice was done. Read more... |
Marcella, Series 3, ITV review - Anna Friel returns as the defective detectiveWednesday, 27 January 2021
Anna Friel’s unstable detective Marcella Backland has been on the brink of existential burn-out ever since her first appearance on ITV in 2016, but it seems audiences have a perverse desire to see what psychological black holes she might plummet down next. Read more... |
It's a Sin, Channel 4 review - poignant, funny, vibrant masterpieceSunday, 24 January 2021
Finally, it seems, the time is right for a major British TV drama about how the AIDS crisis hit the early 1980s London gay scene. Read more... |
Call My Agent!, Series 4, Netflix review - the final bow for the Parisian showbiz saga?Friday, 22 January 2021
Sad to report, this fourth series of Call My Agent! (Netflix) will be the final outing for this caustically addictive saga of actors and their agents. The show’s unique trademark has been its success in attracting an impressive roster of A-list French actors and getting them to behave in outlandish and ridiculous ways, but maybe they’re just running out of suitably recognisable names. Read more... |
Silenced: The Hidden Story of Disabled Britain, BBC Two review - documentary fails to deliverWednesday, 20 January 2021
What a television programme gets called is not always the choice of the people making it, but it certainly is the choice of its broadcaster. In the case of Silenced: The Hidden Story of Disabled Britain, the relevant people at the BBC may come to regret giving an otherwise decent documentary that title. Read more... |
Servant, Apple TV+ review - shocks, shivers and black humour in missing-baby sagaTuesday, 19 January 2021
The oeuvre of M Night Shyamalan has tended to veer between unsettling creepiness and sometimes hilarious misfires, but, working as Executive Producer with screenwriter Tony Basgallop, he’s hit the spot with this unnerving series for Apple TV +. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Magic Farm review - numpties from the Nineties
There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater”...
The Great Escape Festival 2025, Brighton review - a dip into...
As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...
theartsdesk Q&A: Zoë Telford on playing a stressed-out p...
If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...
Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash...
It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...
Good One review - a life lesson in the wild with her dad and...
Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskills Forest...
E.1027 - Eileen Gray and the House by the Sea review - dull...
It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will...
Album: Rico Nasty - LETHAL
Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...
The Marching Band review - what's the French for '...
In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...
Lucy Farrell, Catherine MacLellan, The Green Note review - s...
Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...