tv
Outrageous, U&Drama review - skilfully-executed depiction of the notorious Mitford sistersMonday, 23 June 2025
If somebody submitted a treatment for a new costume drama series set in the 1930s in which not just one but two fictitious sisters from a fading aristocratic family pair off with leading fascists, while the cousin warning them off these liaisons is a future British PM, the pitch meeting probably wouldn’t last that long. Read more... |
Prost, BBC 4 review - life and times of the driver they called 'The Professor'Saturday, 21 June 2025
With Brad Pitt’s much-trumpeted F1 movie about to screech noisily into the multiplexes, it’s not a bad time to be reminded of the career of one of the sport’s indisputable greats. Read more... |
The Buccaneers, Apple TV+, Season 2 review - American adventuresses run riot in CornwallFriday, 20 June 2025
Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The result was not considered an unalloyed triumph, but there was certainly a lot more Edith Wharton in it than you’ll find in Apple TV+’s dramatisation. Read more... |
The Gold, Series 2, BBC One review - back on the trail of the Brink's-Mat banditsMonday, 09 June 2025
The first series of The Gold in 2023 was received rapturously, though apparently it only told one half of the story of the 1983 Brink’s-Mat robbery at Heathrow airport. Read more... |
Dept. Q, Netflix review - Danish crime thriller finds a new home in EdinburghMonday, 02 June 2025
Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, Mercy, by the Danish crime writer Jussi Adler-Olsen, and set in Edinburgh (as well as other flavourful Scottish locations). There are plenty of Scots in the cast too, although it’s the very English Matthew Goode (Downton Abbey, The Crown etc) who takes the lead role of DCI Carl Morck. Read more... |
The Rise and Fall of Michelle Mone, BBC Two - boom and bust in the lingerie tradeThursday, 29 May 2025
As this two-part documentary vividly illustrates, it has been a wild ride for Baroness Mone of Mayfair, the self-made businesswoman who emerged from Dennistoun in Glasgow’s East End in the Nineties and created the Ultimo Bra. This revolutionary undergarment ingeniously enhanced the wearer’s cleavage, using a silicon gel to mimic the feel of real breast tissue. Read more... |
Code of Silence, ITVX review - inventively presented reality of deaf people's experienceThursday, 22 May 2025
In the guided tour of Britain’s cathedral cities that is the primetime TV detective series, the spotlight has now landed on Canterbury. Code of Silence frequently inserts a dramatic aerial shot of the city, its streets radiating out from the towering ecclesiastical landmark at its centre, to remind us where we are. Read more... |
The Bombing of Pan Am 103, BBC One review - new dramatisation of the horrific Lockerbie terror attackMonday, 19 May 2025
The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s Lockerbie: A Search for Truth. This focused on the dogged and agonising search for truth by Jim Swire (played by Colin Firth), whose daughter Flora was killed in the attack, and raised a host of possibilities and theories about who did it and why. Read more... |
The Trunk, Netflix review - stylish, noir-ish Korean drama wrapped around a beguiling love storyThursday, 08 May 2025
The trunk in the title is a luxury item, worth 50 million won – just north of £27,000 – shown sinking in deep water in the opening credits. It weaves through one of the classiest recent collaborations between Netflix and Korean TV, a haunting psychological drama that’s balm to the soul after the mob-handed violence on offer here at home. Read more... |
Malpractice, ITV1, Series 2 review - fear and loathing in the psychiatric unitTuesday, 06 May 2025
Following on from the first series of Malpractice in 2023, this second season again probes into issues of medical malfeasance and institutional corruption, in an environment where patient care frequently comes second to internal politics and self-preservation. The protagonist first time around was Niamh Algar’s Dr Lucinda Edwards, but this time it’s Tom Hughes as Dr James Ford, who works as a psychiatric registrar at the fictional Queen Mother’s University Hospital. Read more... |
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