Florence Hallett
Bio
An art writer and critic with a special interest in conservation and restoration, Florence has written for titles including Apollo, The Independent, The New European and ArtWatch UK. Her background is in illustrated book publishing and she was project manager for photobook guru Chris Boot following several years at Thames & Hudson.
Articles By Florence Hallett
latest in today
First Person: Robert Hollingworth on I Fagiolini's...
Leonardo da Vinci died 500 years ago on 2 May this year. We all know he was a painter, sculptor, architect, engineer, pioneer of flight and...
Styx review - high seas, high stakes refugee nightmare
The Mediterranean’s massacres of the refugee innocent come uncomfortably close to a lone female sailor in this stark...
CBSO, Volkov, Symphony Hall Birmingham review - Mahler goes...
Just over a decade ago it was predicted by those supposedly in the know that Ilan Volkov would succeed Sakari Oramo as...
Sorolla: Spanish Master of Light, National Gallery review -...
The National Gallery is on a roll to expand...
Who’s Afraid of Drawing? Works on Paper from the Ramo Collec...
Paper is traditionally the medium though which artists think. Stray thoughts and experiments can be quickly tried out, pushed further or...
Avengers: Endgame review - Marvel save the biggest and best...
The Earth’s mightiest defenders are back in a triumphant climax, 11 years in the making. Despite a three hour runtime and an overstuffed preceding...
Ain't Misbehavin', Southwark Playhouse review - a...
The joint is jumpin’ at Southwark Playhouse, now hosting an irresistible...
Eighth Grade review - a dazzlingly real portrait of a teenag...
“Hey guys, it’s Kayla, back with another video. So, the topic of today’s video is being yourself.” Kayla Day (the wonderful Elsie Fisher,...
Mitten wir im Leben sind, De Keersmaeker, Queyras, Rosas, Sa...
All Bach is dance, a teacher once told me. The justifiable...