thu 17/10/2019

Florence Hallett

Florence Hallett's picture
Bio
An art writer and critic with a special interest in conservation and restoration, Florence has written for titles including Apollo, The Independent, The New European and ArtWatch UK. Her background is in illustrated book publishing and she was project manager for photobook guru Chris Boot following several years at Thames & Hudson.

Articles By Florence Hallett

Rembrandt's Light, Dulwich Picture Gallery review - a film-maker out of time?

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Gauguin Portraits, National Gallery review - me, myself and I

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William Feaver: The Lives of Lucian Freud: Youth 1922-1968 review - a testament of friendship

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Tim Walker: Wonderful Things, V&A review - a bracing full-body immersion

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Artists in Amsterdam, Dulwich Picture Gallery review - a slight but evocative sketch

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Rachel DeLoache Williams: My Friend Anna review - a fraudster for the Instagram age?

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Yorkshire Sculpture International review - Hepworth and Moore loom large

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Takis, Tate Modern review - science and art collide

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Francis Bacon: Couplings, Gagosian Gallery review - sex and power in double figures

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Leonardo da Vinci: A Life in Drawing, The Queen's Gallery review - peerless drawings, rarely seen

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Henry Moore at Houghton Hall: Nature and Inspiration review - big views bring new light

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Sea Star: Sean Scully, National Gallery review - analysing past masters

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Visions of the Self: Rembrandt and Now, Gagosian Gallery review - old master, new ways

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Edvard Munch: Love and Angst, British Museum review - compassion in the age of anxiety

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Van Gogh and Britain, Tate Britain review - tenuous but still persuasive

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Louise Bourgeois, Kettle's Yard, Cambridge review - a slender but choice selection

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latest in today

The Struts, O2 Forum Kentish Town review - a masterclass in...

Having exploded on to the scene like a cross between Queen and My Chemical Romance, Derby’s young glam-...

Dariescu, Moscow Philharmonic Orchestra, Simonov, Symphony H...

It remains some of the most terrifying music ever written....

Richard Hawley, Barrowland, Glasgow - black clad crooner...

When Richard Hawley arrived onstage, he had a confession to make. “I like to talk”, he declared, before adding “and play rock n’ roll”. Both were...

In the Long Run, Series 2, Sky 1 review - Idris Elba's...

Dust off the record player: Idris Elba’s Eighties comedy...

theartsdesk Q&A: Gianandrea Noseda on conducting Mahler...

There's something about the very opening of a Mahler symphony...

The Peanut Butter Falcon review - sentimental comedy is so d...

It’s an uncomfortable feeling to find oneself completely at odds with an audience in a cinema, but it happens. The recent London Film Festival...

Lenny Henry's Race Through Comedy, Gold review - illumi...

Sir Lenny Henry, PhD and CBE, is scarcely recognisable as the teenager who made his TV debut on New Faces in 1975. He’s been a stand-up...

Bill Frisell's Harmony, Cadogan Hall review – superb Am...

“Bill Frisell is all about sound and melody and enhancing whatever context he is in.” That quote, which defines both the American guitarist’s...

Zauberland, Linbury Theatre review - an adaptation that adds...

Dichterliebe is a song-cycle full of gaps, silences, absences. Where is the piano at the start of “Ich hab’ im Traum geweinet” when the...