thu 27/06/2019

Florence Hallett

Florence Hallett's picture
Bio
An art writer and critic with a special interest in conservation and restoration, Florence has written for titles including Apollo, The Independent, The New European and ArtWatch UK. Her background is in illustrated book publishing and she was project manager for photobook guru Chris Boot following several years at Thames & Hudson.

Articles By Florence Hallett

Francis Bacon: Couplings, Gagosian Gallery review - sex and power in double figures

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Leonardo da Vinci: A Life in Drawing, The Queen's Gallery review - peerless drawings, rarely seen

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Henry Moore at Houghton Hall: Nature and Inspiration review - big views bring new light

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Sea Star: Sean Scully, National Gallery review - analysing past masters

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Visions of the Self: Rembrandt and Now, Gagosian Gallery review - old master, new ways

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Edvard Munch: Love and Angst, British Museum review - compassion in the age of anxiety

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Van Gogh and Britain, Tate Britain review - tenuous but still persuasive

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Louise Bourgeois, Kettle's Yard, Cambridge review - a slender but choice selection

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Pierre Bonnard: The Colour of Memory review, Tate Modern - plenty but empty

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Best of 2018: Art

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Mantegna and Bellini, National Gallery review - curated for curators

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h 100 Awards: Art, Design and Craft - making art public

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Picasso 1932: Love Fame Tragedy, Tate Modern review - a diary in paint?

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All Too Human, Tate Britain review - life in the raw

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From Life, Royal Academy review - perplexingly aimless

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DVD/Blu-ray: Montparnasse 19

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Pages

latest in today

The Hunt, Almeida Theatre review - tense Scandinoirland dram...

For a while, child abuse has been banished from our stages. After all, there is a limit, surely, to how much pain audiences can be put through....

Yesterday review - Beatlemania in a parallel universe

The price of fame and the value of artistic truth are among the topics probed in...

CD: Mark Mulcahy – The Gus

On his last album, 2017’s acclaimed The Possum in the Driveway,...

Present Laughter, Old Vic review - Andrew Scott continues hi...

"Will You Still Love Me Tomorrow?" can be heard pulsating through the...

Apollo 11 review - an awe-inspiring leap

How could this story be told again? Director Todd Douglas Miller has found a way: strip away narrative and give the audience the purity of...

theartsdesk on Vinyl 50: Depeche Mode, Black Midi, Primal Sc...

So theartsdesk on Vinyl reaches its 50th edition. That’s at least a novels’ worth of words. Maybe two! But we’re not stopping yet...

Ax, Keenlyside, Dover Quartet, Wigmore Hall review – celebra...

Emanuel Ax here celebrated his 70th birthday with an all-...

The Planets, Series Finale, BBC Two review - ice cold on Nep...

As an aid to meditation, Professor Brian Cox’s latest series The Planets (...

Drag SOS, Channel 4 review - absolutely fabulous

According to the Manchester drag collective the Family Gorgeous, “drag should be for everyone.” And on the evidence of Drag SOS (...

CD: Ingrid Michaelson - Stranger Songs

Eight albums in, you can imagine why a...