mon 17/02/2020

Florence Hallett

Florence Hallett's picture
Bio
An art writer and critic with a special interest in conservation and restoration, Florence has written for titles including Apollo, The Independent, The New European and ArtWatch UK. Her background is in illustrated book publishing and she was project manager for photobook guru Chris Boot following several years at Thames & Hudson.

Articles By Florence Hallett

Francesca Wade: Square Haunting - Bloomsbury retold

Read more...

Picasso and Paper, Royal Academy review - the most versatile of materials

Read more...

Best of 2019: Visual Arts

Read more...

Caravaggio & Bernini, Kunsthistorisches Museum, Vienna - high emotion in 17th century Rome

Read more...

Bridget Riley, Hayward Gallery review - the thrill of seeing

Read more...

Rembrandt's Light, Dulwich Picture Gallery review - a film-maker out of time?

Read more...

Gauguin Portraits, National Gallery review - me, myself and I

Read more...

William Feaver: The Lives of Lucian Freud: Youth 1922-1968 review - a testament of friendship

Read more...

Tim Walker: Wonderful Things, V&A review - a bracing full-body immersion

Read more...

Artists in Amsterdam, Dulwich Picture Gallery review - a slight but evocative sketch

Read more...

Rachel DeLoache Williams: My Friend Anna review - a fraudster for the Instagram age?

Read more...

Yorkshire Sculpture International review - Hepworth and Moore loom large

Read more...

Takis, Tate Modern review - science and art collide

Read more...

Francis Bacon: Couplings, Gagosian Gallery review - sex and power in double figures

Read more...

Leonardo da Vinci: A Life in Drawing, The Queen's Gallery review - peerless drawings, rarely seen

Read more...

Henry Moore at Houghton Hall: Nature and Inspiration review - big views bring new light

Read more...

Pages

latest in today

Kaleidoscope Chamber Collective, Wigmore Hall review - a joy...

Nobody could deny that this was a weekend when we needed cheering up. The place for that was the...

The Murder Capital, QMU, Glasgow review - Dublin outfit find...

It might have been 24 hours after Valentine’s Day, but James McGovern still seemed to have a touch of romance in his head. At one stage during the...

Album: Lanterns On The Lake - Spook The Herd

Spook The Herd concludes with “A Fitting End”. In a cracked, reflective voice, Hazel Wilde sings: “I want a door to the Nineties…what a...

Reissue CDs Weekly: The Honeycombs - Have I The Right? The C...

August and September 1964 were golden months for Pye Records....

The Visit, National Theatre review - star turn bolsters bagg...

Lesley Manville’s thrilling career ascent continues apace with The Visit, which marks American ...

theartsdesk on Vinyl 56: Kreator, Lee "Scratch" Pe...

Welcome to the biggest plastic reviews party on earth. Now that vinyl is steadily successful as niche musical medium, some have rightly been...

The High Table, Bush Theatre review - party on in Lagos and...

Queer people of colour face a double discrimination:...