Florence Hallett
Bio
An art writer and critic with a special interest in conservation and restoration, Florence has written for titles including Apollo, The Independent, The New European and ArtWatch UK. Her background is in illustrated book publishing and she was project manager for photobook guru Chris Boot following several years at Thames & Hudson.
Articles By Florence Hallett
latest in today
theartsdesk on Vinyl 58: Joy Division, Alma, Prince, African...
Lockdown’s easing and the record shops are opening here and there. So, to help...
Finding The Way Back review - alcoholism on the rebound
Gavin O’Connor has made a career out of sturdy films that make grown men cry. His best was Warrior - a hulking, tear-jerking...
The Golden Age of Modern Spanish Art, Colnaghi review - the...
When Picasso left Barcelona for Paris in 1900, he took what by...
The Deep Blue Sea, National Theatre at Home review - hauntin...
Helen McCrory is an actor who can inject a world of feeling into one syllable that many actors would struggle to muster in an entire script....
Litigante review - an unflashy film which rings true
Colombian director Franco Lolli’s debut feature...
@TheDriveIn, Blackheath review - comedy and caraoke
Drive-ins are now firmly establishing themselves as the only method by which culture fans can see live arts in person for the future. Hot on the...
Album: The Streets - None of Us Are Getting Out of This Life...
Given the collaborator list on this album, it should be a bit of a mess. Brit punks IDLES,...
Theatre Lockdown Special 13: Early Lloyd Webber, vintage Rat...
Stop the presses! For the first time in nearly four months, The Arts Desk can point to the first of several live theatre events amongst the...
Steven Isserlis, Fidelio Orchestra Café review – distilled r...
What music would you choose to hear for your first live event after nearly four months of lockdown? For me, it would be...
