fri 26/04/2019

Florence Hallett

Florence Hallett's picture
Bio
An art writer and critic with a special interest in conservation and restoration, Florence has written for titles including Apollo, The Independent, The New European and ArtWatch UK. Her background is in illustrated book publishing and she was project manager for photobook guru Chris Boot following several years at Thames & Hudson.

Articles By Florence Hallett

Sea Star: Sean Scully, National Gallery review - analysing past masters

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Visions of the Self: Rembrandt and Now, Gagosian Gallery review - old master, new ways

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Edvard Munch: Love and Angst, British Museum review - compassion in the age of anxiety

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Van Gogh and Britain, Tate Britain review - tenuous but still persuasive

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Louise Bourgeois, Kettle's Yard, Cambridge review - a slender but choice selection

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Pierre Bonnard: The Colour of Memory review, Tate Modern - plenty but empty

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Best of 2018: Art

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Mantegna and Bellini, National Gallery review - curated for curators

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h 100 Awards: Art, Design and Craft - making art public

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Picasso 1932: Love Fame Tragedy, Tate Modern review - a diary in paint?

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All Too Human, Tate Britain review - life in the raw

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From Life, Royal Academy review - perplexingly aimless

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DVD/Blu-ray: Montparnasse 19

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Monochrome, National Gallery review - colourless but not dreary

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Drawn in Colour: Degas from the Burrell Collection review - guilty pleasures at the National Gallery

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h.Club 100 Awards: Art, Design and Craft - weaving magic at Dovecot Tapestry Studio

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latest in today

First Person: Robert Hollingworth on I Fagiolini's...

Leonardo da Vinci died 500 years ago on 2 May this year. We all know he was a painter, sculptor, architect, engineer, pioneer of flight and...

Styx review - high seas, high stakes refugee nightmare

The Mediterranean’s massacres of the refugee innocent come uncomfortably close to a lone female sailor in this stark...

CBSO, Volkov, Symphony Hall Birmingham review - Mahler goes...

Just over a decade ago it was predicted by those supposedly in the know that Ilan Volkov would succeed Sakari Oramo as...

Blu-ray: Ikarie XB 1

This Blu-ray reissue brings ...

Who’s Afraid of Drawing? Works on Paper from the Ramo Collec...

Paper is traditionally the medium though which artists think. Stray thoughts and experiments can be quickly tried out, pushed further or...

Avengers: Endgame review - Marvel save the biggest and best...

The Earth’s mightiest defenders are back in a triumphant climax, 11 years in the making. Despite a three hour runtime and an overstuffed preceding...

Ain't Misbehavin', Southwark Playhouse review - a...

The joint is jumpin’ at Southwark Playhouse, now hosting an irresistible...

Eighth Grade review - a dazzlingly real portrait of a teenag...

“Hey guys, it’s Kayla, back with another video. So, the topic of today’s video is being yourself.” Kayla Day (the wonderful Elsie Fisher,...

Mitten wir im Leben sind, De Keersmaeker, Queyras, Rosas, Sa...

All Bach is dance, a teacher once told me. The justifiable...