fri 19/04/2019

Florence Hallett

Florence Hallett's picture
Bio
An art writer and critic with a special interest in conservation and restoration, Florence has written for titles including Apollo, The Independent, The New European and ArtWatch UK. Her background is in illustrated book publishing and she was project manager for photobook guru Chris Boot following several years at Thames & Hudson.

Articles By Florence Hallett

Visions of the Self: Rembrandt and Now, Gagosian Gallery review - old master, new ways

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Edvard Munch: Love and Angst, British Museum review - compassion in the age of anxiety

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Van Gogh and Britain, Tate Britain review - tenuous but still persuasive

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Louise Bourgeois, Kettle's Yard, Cambridge review - a slender but choice selection

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Pierre Bonnard: The Colour of Memory review, Tate Modern - plenty but empty

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Best of 2018: Art

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Mantegna and Bellini, National Gallery review - curated for curators

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h 100 Awards: Art, Design and Craft - making art public

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Picasso 1932: Love Fame Tragedy, Tate Modern review - a diary in paint?

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All Too Human, Tate Britain review - life in the raw

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From Life, Royal Academy review - perplexingly aimless

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DVD/Blu-ray: Montparnasse 19

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Monochrome, National Gallery review - colourless but not dreary

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Drawn in Colour: Degas from the Burrell Collection review - guilty pleasures at the National Gallery

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h.Club 100 Awards: Art, Design and Craft - weaving magic at Dovecot Tapestry Studio

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The Encounter, National Portrait Gallery review - dazzlingly evocative drawings

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This year, says Gary Barlow, marks 30 years since five boys walked into a room in Manchester and auditioned for what...

Climate Change: The Facts, BBC One review - how much reality...

Peer down the glassy dark and you’ll see them. White bubbles trapped in the frozen lake which appear to be rising to the surface. Look through the...

Tommy Tiernan, Shepherd's Bush Empire review - playful...

Tommy Tiernan is something of an institution in his native Ireland, as a...

Loro review – hedonism must have an end

"Them" - the "loro" of the title (with a further play on “l’oro”, gold) - denotes the mostly sleazy opportunists willing to use and be used by "...

CD: Rodrigo y Gabriela - Mettavolution

There aren’t many musicians to catch the ear of a substantial community of music lovers that includes both metalheads and world music fans, as...

Get The Blessing, Hare & Hounds, Birmingham review – Wes...

Get The Blessing are a band whose music never fails to conjure up...

theartsdesk Q&A: Bananarama

Bananarama are one of the most successful girl groups of all time. Consisting of Sara Dallin and Keren Woodward, the band’s third original member...

Dragged Across Concrete review - Mel Gibson's hard-boil...

Mel Gibson’s vile drunken rants a decade ago, his 63 years and the price of both inform his role as...