Florence Hallett
Bio
An art writer and critic with a special interest in conservation and restoration, Florence has written for titles including Apollo, The Independent, The New European and ArtWatch UK. Her background is in illustrated book publishing and she was project manager for photobook guru Chris Boot following several years at Thames & Hudson.
Articles By Florence Hallett
latest in today
Prom 41: Ghindin, LPO, Jurowski review - perfect sound in a...
It was a Disney theme-park of Russian music, and in an entirely good way: none of the usual rides, but plenty of heroes and villains, sad spirits...
Edinburgh International Festival 2019: MacMillan birthday co...
To celebrate the 60th birthday of Sir James MacMillan, the...
CD: New Model Army - From Here
Justin Sullivan, the last remaining original member of Bradford post-...
Niall Griffiths: Broken Ghost review - Welsh visions of hope...
The trend-hopping taste-makers who run British literary publishing have lately decided that “working-class” writing merits a small dole of their...
Edinburgh International Festival 2019: Eugene Onegin, Komisc...
Returning to Edinburgh International Festival, Berlin's Komische Oper brought Barrie Kosky’s sumptuous production of Eugene Onegin to the...
Reissue CDs Weekly: Phil Manzanera - Diamond Head
Diamond Head was Roxy Music guitarist Phil Manzanera’s first solo album. Released in May...
theartsdesk at Bard Summerscape Festival 2019: unknown treas...
There could be no greater gift to any festival director...
Foo Fighters, Bellahouston Park, Glasgow - communal singalon...
Foo Fighters are an unlikely candidate for one of the biggest bands in the world. There’s nothing workmanlike about...
Prom 40: Hough, OAE, Fischer review - pretty royal things
There it gleamed, the pearl in the massive oyster of...
Pram, Hare & Hounds, Birmingham review - a fine hometown...
While Pram could hardly be described as representative of the UK...