mon 19/08/2019

Florence Hallett

Florence Hallett's picture
Bio
An art writer and critic with a special interest in conservation and restoration, Florence has written for titles including Apollo, The Independent, The New European and ArtWatch UK. Her background is in illustrated book publishing and she was project manager for photobook guru Chris Boot following several years at Thames & Hudson.

Articles By Florence Hallett

Rachel DeLoache Williams: My Friend Anna review - a fraudster for the Instagram age?

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Yorkshire Sculpture International review - Hepworth and Moore loom large

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Takis, Tate Modern review - science and art collide

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Francis Bacon: Couplings, Gagosian Gallery review - sex and power in double figures

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Leonardo da Vinci: A Life in Drawing, The Queen's Gallery review - peerless drawings, rarely seen

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Henry Moore at Houghton Hall: Nature and Inspiration review - big views bring new light

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Sea Star: Sean Scully, National Gallery review - analysing past masters

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Visions of the Self: Rembrandt and Now, Gagosian Gallery review - old master, new ways

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Edvard Munch: Love and Angst, British Museum review - compassion in the age of anxiety

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Van Gogh and Britain, Tate Britain review - tenuous but still persuasive

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Louise Bourgeois, Kettle's Yard, Cambridge review - a slender but choice selection

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Pierre Bonnard: The Colour of Memory review, Tate Modern - plenty but empty

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Best of 2018: Art

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Mantegna and Bellini, National Gallery review - curated for curators

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h 100 Awards: Art, Design and Craft - making art public

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Picasso 1932: Love Fame Tragedy, Tate Modern review - a diary in paint?

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latest in today

Prom 41: Ghindin, LPO, Jurowski review - perfect sound in a...

It was a Disney theme-park of Russian music, and in an entirely good way: none of the usual rides, but plenty of heroes and villains, sad spirits...

Edinburgh International Festival 2019: MacMillan birthday co...

To celebrate the 60th birthday of Sir James MacMillan, the...

CD: New Model Army - From Here

Justin Sullivan, the last remaining original member of Bradford post-...

Niall Griffiths: Broken Ghost review - Welsh visions of hope...

The trend-hopping taste-makers who run British literary publishing have lately decided that “working-class” writing merits a small dole of their...

Edinburgh International Festival 2019: Eugene Onegin, Komisc...

Returning to Edinburgh International Festival, Berlin's Komische Oper brought Barrie Kosky’s sumptuous production of Eugene Onegin to the...

Reissue CDs Weekly: Phil Manzanera - Diamond Head

Diamond Head was Roxy Music guitarist Phil Manzanera’s first solo album. Released in May...

theartsdesk at Bard Summerscape Festival 2019: unknown treas...

There could be no greater gift to any festival director...

Foo Fighters, Bellahouston Park, Glasgow - communal singalon...

Foo Fighters are an unlikely candidate for one of the biggest bands in the world. There’s nothing workmanlike about...

Prom 40: Hough, OAE, Fischer review - pretty royal things

There it gleamed, the pearl in the massive oyster of...

Pram, Hare & Hounds, Birmingham review - a fine hometown...

While Pram could hardly be described as representative of the UK...