sat 07/06/2025

tv

Killing Eve, Series 4, BBC One review - has Villanelle found God?

Markie Robson-Scott

“I’ve killed so many people. I don’t want to do it any more, any of it.” So said Villanelle (Jodie Comer) to Eve (Sandra Oh) in the last episode of the third series of Killing Eve, soon after she’d pushed Rhian Bevan, an assassin hired by the Twelve, under a train. Yeah, right, you may have thought, yawning cynically.

Read more...

Peaky Blinders, Series 6 review, BBC One - have we reached peak Peakies?

Adam Sweeting

They say this will be the final series of Peaky Blinders (BBC One) and its documenting of the tumultuous progress of the Shelby family, though creator Steven Knight promises there’s a feature film in the works.

Read more...

Chloe, BBC One review - good start, weak finish

Adam Sweeting

Suddenly bogus-identity stories are all the rage. Netflix has been scoring big with Inventing Anna, the story of fake heiress Anna Delvey, as well as the The Tinder Swindler, a cautionary tale about a high-rolling conman who scams money from women he meets online.

Read more...

Inventing Anna, Netflix review - fake heiress saga outstays its welcome

Adam Sweeting

Con artists in film or TV need to be clever, charming, mysterious or at least entertaining (for instance Leo DiCaprio in Catch Me If You Can or Michelle Dockery in the much-underrated Good Behaviour). Bafflingly, Anna Delvey, the notorious fake heiress whose story has been fictionalised by Shonda Rhimes’s Shondaland company in Inventing Anna (Netflix), is none of these things.

Read more...

This Is Going To Hurt, BBC One review - hospital drama with a realistic difference

David Nice

Painful more often than funny, this is not This Is Going To Hurt, the laugh-one-moment-rage-the-next book by obstetrician turned comedian Adam Kay. He’s written the script so essential truths remain. But the on-screen Adam Kay, national treasure Ben Whishaw – how happy Kay must have been about that – does relatively few lines to camera and what was essentially a diary has been shaped into a seven-part drama.

Read more...

Pam & Tommy, Disney+ review - the infamous sex tape that went global

Adam Sweeting

The transformation of Lily James, demure star of Yesterday, Cinderella and The Guernsey Literary and Potato Peel Pie Society, into smokin’ beach babe Pamela Anderson is the most memorable thing about Disney+'s uneven eight-part drama.

Read more...

The Teacher, Channel 5 review - inappropriate behaviour in the school environment

Adam Sweeting

Having had her own problems with alcohol and anxiety, Sheridan Smith no doubt felt some kinship with Jenna Garvey, the central character she plays in The Teacher. Evidently a talented educator who inspires loyalty and enthusiasm in her pupils, Jenna is also partial to a hectic night’s clubbing fuelled by reckless quantities of drink.

Read more...

Ozark, Series 4 Part 1, Netflix review - the Macbeths of the southern lakes in even deeper waters

David Nice

They’re back, the Lord and Lady Macbeth of the Ozark District, otherwise sleek-seeming middle class Chicagoans Marty and Wendy Byrde. And thanks to the super-subtle performances of Jason Bateman and Laura Linney, we hate them more than ever – except when they’re up against worse.

Read more...

Final Account: Storyville, BBC Four review - confessions of the last survivors of the Nazi era

Saskia Baron

Do we need another documentary about Nazi Germany? Yes, when it is as cogent and subtle as Luke Holland’s Final Account. Made over eight years while the veteran film-maker was battling with the cancer that killed him in 2020, it’s a tapestry of interviews with the ageing generation who lived under Hitler, a last chance to put them on camera.

Read more...

The Responder, BBC One review - the loneliness of the long-distance copper

Adam Sweeting

Cops on the box… don’t we just love ‘em? From Jimmy Perez and Ted Hastings to Inspector Reid from Ripper Street and Stella Gibson from The Fall the list is endless, but obviously we need more. The copper seems to have become the battered Everyperson we can dump all our fear, loathing and anxiety onto.

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Ballerina review - hollow point

John Wick’s simple story of a man and his dog became a bonkers, baroque franchise in record time, converting Keanu Reeves’ limited acting into Zen...

Caroline, Islington Assembly Hall review - south London octe...

In 2022 I called caroline “perhaps the best band in the U.K” in my article about their debut, which I named my album of the year....

theartsdesk in Fes - world music central

With WOMAD not happening this year, where could one go for a feast of...

Songhoy Blues, Hare & Hounds, Birmingham review - West A...

No-one needs to be living in Trump’s USA to be aware that governments never feel that it’s in their interest to prioritise great art and music...

Album: Pulp - More

While the Gallagher brothers scrabble around in the dirt for their rich pickings, an altogether more...

Goebbels and the Führer review - behind the scenes from the...

“Do you know the name of the propaganda minister of England, or America, or even Stalin? No. But Joseph Goebbels? Everyone knows him.” The cynical...

Album: Turnstile - NEVER ENOUGH

Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to evolution. Since...

Fiddler on the Roof, Barbican review - lean, muscular delive...

It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings...