sun 18/05/2025

tv

The Opening Ceremony, BBC One

Jasper Rees

Oh to have been a fly on the wall at the Palace. “Your Majesty, we’ve had a request from a Mr Boyle. It concerns the Opening Ceremony of the Olympic Games.” “I’m already opening the blessed thing, aren’t I? What else do they want?” “Ma’am, they just want you to be yourself.”

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The Churchills, Channel 4

Fiona Sturges

So, how are we all feeling about David Starkey? The historian’s reputation has taken a battering lately, since he was seen last year taunting overweight schoolchildren on Jamie’s Dream School and more recently causing Twitter to combust after criticising black culture on Newsnight. But if Channel 4 is to be believed, such displays of bullying and bigotry haven’t dented his authority as a historian.

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Bert and Dickie, BBC One

Jasper Rees

Nearly there. In one more day the phoney Games will be over and the real drama can begin. For the past weeks the television schedules have jostled with documentaries about past Olympians and current ones, while Chariots of Fire has been going for gold in both the theatre and the multiplex. There was just time last night for one final Olympic story to be smuggled under the wire.

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The History of Art in Three Colours, BBC Four

Fisun Güner

It’s a patchy history, the history of art told through the colour gold, though I suppose it would be. After all, despite the title of this new three-part series, we’re not actually talking about gold as colour, that seductively warm, buttery yellow of Italianate landscapes and Turner sunsets, but of gold itself. Actual gold. The Impressionists never used it, but those ancient Egyptian tomb builders did, and so did medieval icon painters.

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Twenty Twelve: The Finale, BBC Two

Ismene Brown

So that’s all over then. Which isn’t good. The gnawing anxiety for followers of Twenty Twelve, the programme whose theme song is “There may be trouble ahead...", has been whether real-life events would become so like it - or even worse, more like it than it could be - that the programme would become redundant.

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Line of Duty, Series Finale, BBC Two

Adam Sweeting

At the end of episode four, we left ferret-faced copper Steve Arnott (Martin Compston) seemingly having his fingers hacked off with a bolt-cutter by a gang of hooded thugs and their poisonous little child-sidekick, Ryan. Boringly, the glum and dislikeable Arnott was rescued in this finale when the supposedly corrupt DCI Gates organised a police rescue, and got away with all his fingers mostly intact.

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Tom Daley: Diving for Britain /Absolutely Fabulous, BBC One

Adam Sweeting

Jane Treays's previous film about diver Tom Daley was 2010's The Diver and His Dad, which followed the amphibious teenager as he sat his GCSEs and defended various titles. Ominously, it also charted the progress of his father Rob's struggle against a brain tumour.

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Storyville: The Queen of Africa - The Miriam Makeba Story, BBC Four

Peter Culshaw

We had Kevin MacDonald’s Bob Marley epic documentary earlier this year, and this is a similar film about another artist who became a symbol as much as a singer. I only saw Miriam Makeba in her sixties, by which time she had become a revered institution they called Mama Africa, as though she was the mother of an entire continent. This Storyville documentary took us back the amazing vibrancy and courage of her early years, with some terrific archive footage.

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Arena: Amy Winehouse - The Day She Came to Dingle, BBC Four

Lisa-Marie Ferla

The first anniversary of Amy Winehouse’s death seems like both a temptation and an opportunity for a sensationalist, hyperbolic tribute. Refreshingly, this Arena film, which told the story of the night that a superstar in the making performed to an 85-capacity church in the Irish fishing village of Dingle, for the most part avoided the clichés: the word “tragedy” wasn’t even mentioned until 38 minutes in.

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The Hollow Crown: Henry V, BBC Two

Matt Wolf

Forget the ages-old talk of London buses arranging their schedules so that they all arrive at once. The capital's patterns of public transport have nothing on the rapidity with which Henry V has hoved into view of late, whether at Shakespeare's Globe, on tour from the all-male Propeller company, in repertory at Islington's Old Red Lion pub theatre or as a baleful conclusion to the BBC's impressive Hollow Crown series of the Bard-on-film.

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