thu 22/05/2025

tv

David Gilmour: Wider Horizons, BBC Two

Adam Sweeting

Had he not become one of the pivotal members of Pink Floyd, it's not difficult to imagine that David Gilmour might have become an academic like his father Douglas (who was a lecturer in zoology and genetics at Cambridge), or maybe a high-flying lawyer with leftish inclinations.

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Josh, BBC Three

Veronica Lee

Josh Widdicombe is the tousle-haired guy at the end of the sofa on Channel 4's The Last Leg – where, as in his stand-up, he's permanently baffled by life and quickly reaches screaming pitch about the most minor of controversies. And so, in his new sitcom – written with Tom Craine, a fellow stand-up and his former flatmate – he plays to type as a tousle-haired guy who's permanently baffled by life and quickly, etc, etc.

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Imagine... My Curious Documentary, BBC One

Marina Vaizey

This "mockumentary" concerning the play The Curious Incident of the Dog in the Night-Time was incredibly well-intentioned and unintentionally baffling. It operated on so many levels at once that the viewer could all too easily keep falling through the cracks. Was it about the wonderfully successful play and its productions, the novel that inspired it, or, in the real world, children and adults on the autistic spectrum, and their interaction with society?

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London Spy, BBC Two

Adam Sweeting

Penned by Tom Rob Smith, the author of Soviet-era thriller Child 44, London Spy imparts unexpected spin to the espionage genre. Among other things, apart from the title it was by no means clear that it had anything to do with spies for virtually all of the first episode, although the camera did linger suspiciously over the MI6 building on the South Bank at one point. And once, the protagonists spotted a dubious-looking car in their rear-view mirror.

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Downton Abbey – The Last Episode, ITV

Adam Sweeting

They said there'd never be an audience for a period drama about an aristocratic Edwardian family. Six series later, we're bidding adieu to a national (and indeed global) institution, as Julian Fellowes's motley band of ridiculous, ahistorical and frequently exasperating characters potter off into the fading TV sunset. There's still the Christmas special, but – though we might not admit it – we'll miss them.

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Dominic Sandbrook: Let Us Entertain You, BBC Two

Adam Sweeting

Critic and popular historian Dominic Sandbook understands the power of the soundbite, so he supplied one of his own to sum up his new series: "We do still make one thing better than anybody else – we make stories."

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Imagine… Antony Gormley: Being Human, BBC One

Marina Vaizey

Metal figures on the foreshore of Crosby Beach, Liverpool, set against a sunset, signify the preoccupations of Antony Gormley. The sculptor has been concerned consistently with the human figure, manifested in metal – lead or iron – casts of his own body.

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Simply Nigella, BBC Two

Matthew Wright

TV chefs are like the characters in a favourite band, each one with their newsworthy quirk. There’s the matey one, the posh one, the sweary one, the mumsy one, and the light-fingered one. Then there’s Nigella, the kittenish one, best known for licking her fingers with a lingering thoroughness rarely seen on family television. (She was once the Oxford graduate best known as deputy literary editor of The Sunday Times.

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The Dresser, BBC Two

Matt Wolf

The prospect of Ian McKellen and Anthony Hopkins acting together for the first time in their storied careers in Richard Eyre's BBC adaptation of The Dresser was one of those mouth-watering propositions to sit alongside DeNiro and Pacino on screen in Heat and the stage reunion of Dames Maggie Smith and Judi Dench in The Breath of Life.

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BalletBoyz at the Roundhouse, BBC Four

Hanna Weibye

What I want to know is: has there been a major upsurge in boys taking contemporary dance classes this year? And if not, why not? With the amount of male dancing in the media these days, the excuse that boys lack dancing role models just won't wash any more.

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