thu 22/05/2025

tv

I'm Not in Love: The Story of 10cc, BBC Four

Jasper Rees

10cc were the closest the Seventies came to a Fab Four. They were multi-talented vocalists and instrumentalists, came from Lancashire, were technologically ahead of the curve, wrote classy, inventive pop songs in a bewildering array of styles, suffered from dodgy management, were lucky to find one another and calamitously split up far too soon. Since when they’ve cast a very long shadow indeed.

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Toast of London, Channel 4

Matthew Wright

Jon Hamm, Mad Men’s swooningly handsome Don Draper, is not only a fine celebrity catch for a series rapidly gathering comic momentum. Since nothing in Toast of London is ever to be taken at face value, Hamm is also two kinds of puns: ham on toast, the snack, and ham, the exaggerated style of acting much in evidence during the show. It all added up to another delicious episode of this extravagantly multi-layered show.

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Dan Cruickshank: Resurrecting History – Warsaw, BBC Four

Marina Vaizey

Dan Cruickshank, that enthusiastic architectural historian, who likes nothing better than some scaffolding he can clamber up to get a better look, revealed that as a child of seven he moved some 60 years ago to Warsaw with his family. His father, then a member of the Communist Party, was posted to the Polish capital by the Daily Worker as their correspondent.

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The Secret Life of 5 Year Olds, Channel 4

Barney Harsent

Kids today eh? Eh? Ask them what they want to be and they’ll probably reply, “famous” or “rich.” I mean, really… what do they aspire to? What do they want? Wearable tech and a free pass to the Boot Camp stage of The X Factor at a guess. Tell you what, let's ask five-year-old Emily. "Emily, what do you want to be when you grow up?" "A jelly maker. A pencil sharpener!" Ooooooookay. I wasn’t expecting that. Good answer. I hope, one day, she achieves her dream.

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Jessica Jones, Netflix

Barney Harsent

After the roaring success of Daredevil this year, Marvel brings us the next instalment in the TV rendering of their universe – or part of it at least. Jessica Jones, created by writer Brian Michael Bendis and artist Michael Gaydos in 2001, is a failed superhero and volatile PI who copes with her demons by drinking so heavily that at least one of her superpowers seems to reside in her liver. Super strength, near-flight and a fine line in withering sarcasm make up the rest.

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Capital, BBC One

Tom Birchenough

If the title wasn’t already occupied, television-wise, the BBC might have titled Capital “The Street”. It’s got the high soar-aways over urban geography that recall the soaps, but here they spread wider, taking in a metropolis.

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Arena: Night and Day, BBC Four

Marina Vaizey

Arena is the longest-running arts documentary programme for television at the BBC, and perhaps the world: as the BBC itself phrases it, this compendium celebration presented 24 hours in 90 minutes for 40 years, marking the show's latest anniversary. Conceived by the ever-creative and energetic Humphrey Burton all that while ago, Arena has made over 600 films, looking at high and low culture with equal curiosity, alacrity and even audacity.

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The Bridge, Series 3, BBC Four

Jasper Rees

The Saga saga has come round for a third turn of the wheel. Much water has flowed under The Bridge since series two. Without wishing to provoke a visit from the spoiler Stasi, it is safe to reveal that Martin is no longer in the picture. He is currently enjoying Her Danish Majesty’s hospitality, and over the water in Malmö Saga is partnerless.

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Imagine: The Last Impresario, BBC One

Jasper Rees

Nearly 20 years ago the West End was in a lather of excitement about a show called Voyeurz. A "musical revue" set in a nightclub on Manhattan, it was all about a young girl venturing into the uncharted caverns of her own sexuality, and it was opportunistically crammed with hot sapphic action. It tanked. Its producer and co-director was Michael White, known to his legion of chums as Chalky.

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Storyville: Orion - The Man Who Would Be King, BBC Four

Tom Birchenough

The story of Orion, aka Jimmy Ellis, really was a case of truth being weirder than fiction. “He couldn’t have failed, if Elvis had never lived,” we heard from Shelby Singleton, boss of Nashville’s Sun Records, which launched his career – meaning that Ellis was born with a voice so close to the King’s that he couldn’t escape becoming something of a stand-in.

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