Theatre Reviews
Brimstone and Treacle, Arcola TheatreSaturday, 05 May 2012
Life was altogether richer when Dennis Potter was around to provoke us, to make us look queasily at the corrupt, hypocritical or despairing aspects of our lives, ever entertainingly, with a wink and a song. Whenever a Potter play or serial was to air on television, one knew there would be plenty to talk about. Read more... |
Globe to Globe: Cymbeline, Shakespeare's GlobeFriday, 04 May 2012
This retelling of the Cymbeline story opened – or at least appeared to open – with the entire cast contributing their tuppenceworth on the issue of what the story of Cymbeline actually was. And fair dos. Read more... |
Love, Love, Love, Royal Court TheatreFriday, 04 May 2012
The best playwrights have an antenna-like ability to pick up, and respond to, the new conflicts and fault lines that appear in society. Over the past five or so years, the antagonism between the baby-boomer generation, who are now parents with everything, and their kids, who have nothing but debts, has increasingly intensified. Read more... |
Globe to Globe: Julius Caesar, Shakespeare's GlobeThursday, 03 May 2012
There has long been a conviction in Italian drama circles that there exists a “Special Relationship” between themselves and il Bardo di Stratford: something to do with the complexities of Elizabethan English syntax and the unusual amount of words of Italian that Shakespeare appropriated from the dominant European language(s) of theatre of his day. Read more... |
Globe to Globe: A Midsummer Night's Dream, Shakespeare's GlobeTuesday, 01 May 2012
A comedy of alienation, estrangement, and magical metamorphosis – if ever there was a Shakespeare play made for the linguistic transfigurations of the Globe to Globe season it’s A Midsummer Night’s Dream. Unmoored from the familiar English text and cast adrift in a forest of mischievous Korean spirits, you couldn’t wish for livelier or more bewitchingly colourful guides than the actors of the Yohangza Theatre Company. Read more... |
Globe to Globe: Richard III, Shakespeare's GlobeMonday, 30 April 2012
When Zhang Dongyu’s charismatic Richard III rose from the dead to take his bows for Sunday’s spellbinding afternoon performance by the National Theatre of China, the actor paused, remaining on his knees to kiss the stage of the Globe. It was a gesture both charming and wildly popular with the sodden but appreciative audience, affirming that, for the guest artists from afar, bringing their interpretations of the Bard to the Thames-side temple is a very big thrill and emotional experience. Read more... |
Globe to Globe: Twelfth Night, Shakespeare's GlobeSunday, 29 April 2012
The rain it raineth every day this week, sometimes with monsoon-like persistence. Yet there’s no dousing the ardour of groundlings and thespian visitors to the global Shakespeare village within the wooden O. Comic exuberance reaches a sophisticated high watermark here with the Company Theatre of Mumbai unfurling Twelfth Night as a Hindi musical. Read more... |
Globe to Globe: Pericles, Shakespeare's GlobeSaturday, 28 April 2012
Something extraordinary is happening at Shakespeare’s Globe. However unlikely the appeal, audiences are flocking to every one of Globe to Globe’s visiting productions. But sometimes logic surely cannot be defied. A full house for Pericles, and an ecstatic ovation? Read more... |
Globe to Globe: The Merry Wives of Windsor, Shakespeare's GlobeFriday, 27 April 2012
Of all Shakespeare’s plays, his reprise of Falstaffian humour to please Queen Bess is surely the most specific in its prosaic gallimaufry of earthy English vocabulary. Yet it’s also the most universal in its target-practice at the lecherous, traditionally overbuilt gentleman-hero. Read more... |
South Downs/The Browning Version, Harold Pinter TheatreWednesday, 25 April 2012
It's amazing what working on a masterpiece can do. Commissioned to write a companion piece to Terence Rattigan's magnificent one-act drama The Browning Version, David Hare has abandoned his journalistic tendencies and written a gently oblique play of controlled emotional eloquence. Read more... |
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Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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