Theatre Reviews
Parents' Evening, Jermyn Street Theatre - chemistry so negligible it's antisepticThursday, 11 October 2018
The playwright Bathsheba Doran has blazed a stellar trail ever since graduating from Cambridge at the same time as David Mitchell and Robert Webb. Read more... |
The Height of the Storm, Wyndham's Theatre review - Eileen Atkins raises the elliptical to artThursday, 11 October 2018
If you're going to write a play that traffics in bafflement, it's not a bad idea to have on hand one of the most beady-eyed actresses around. Read more... |
I'm Not Running, National Theatre review - puzzling political dramaWednesday, 10 October 2018
Whatever you might think about Brexit, the dreaded B word, the current climate certainly seems to be reinvigorating both feminist playwrights and political playwrights. So welcome back, David Hare, the go-to dramatist for any artistic director wanting to stage a contemporary state-of-the-nation play. Read more... |
Twelfth Night, Young Vic review - Kwame Kwei-Armah makes a big-hearted return homeTuesday, 09 October 2018
What better way to celebrate a homecoming than with a party? That is the capacious-hearted thinking behind this new musical version of Twelfth Night, which additionally marks Kwame Kwei-Armah's debut production at the helm of that undeniable dynamo otherwise known as the Young Vic. Read more... |
The Sweet Science of Bruising, Southwark Playhouse review - boxing cleverSaturday, 06 October 2018
There are not that many plays about sport, but, whether you gamble on results or not, you can bet that most of them are about boxing. And often set in the past. Read more... |
Sketching, Wilton's Music Hall, review - less a dynamic babble than a disconsolate babelWednesday, 03 October 2018
It sounds like a marriage made in heaven. Charles Dickens and James Graham – both great chroniclers of the ambitions, hypocrisies, and eccentricities of their respective ages – have been brought together to tell London’s story through irreverent portraits of its high life and low life. Read more... |
Pack of Lies, Menier Chocolate Factory review - suburban spy storyWednesday, 03 October 2018
We do love our spy stories, don't we? The idea of betrayal, both political and personal, seems to be a strong part of our national identity. And so is telling stories based on real events. Playwright Hugh Whitemore, who died in July, based his Pack of Lies on the Portland spy ring, a secret Soviet operation which was active from the late 1950s until 1961. Read more... |
Every Day I Make Greatness Happen, Hampstead Theatre Downstairs review - live-wire immediacyFriday, 28 September 2018
"I’m not a number, I’m not a grade, and I’m not a failure." The 17-year-old girl stands in front of the small class, who gaze at her goggle-eyed. "A robot factory. That’s all you’ve got here." The teacher’s response is caustically admiring. "Why are you here, Alisha, if that’s what you’re capable of? Read more... |
Pinter at the Pinter, Harold Pinter Theatre review - harrowing and comic short pieces from the masterFriday, 28 September 2018
Ten years after Harold Pinter's death, Jamie Lloyd has set about honouring the 20th century's outstanding British playwright in an ambitious West End season of his shorter works at the theatre which now bears his name. Read more... |
Antony and Cleopatra, National Theatre review - Ralph Fiennes in marvellous throttleThursday, 27 September 2018
You always wonder about those final scenes of Shakespeare’s tragedies. Are they really needed dramatically; do they work? We understand, of course, that a closing exhalation may add impact to high passions just witnessed. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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